Not exact matches
It is a melancholy with which I suspect we are all familiar at some level, as individuals and as a race, something that haunts us and of which my sadness is
only a fragmentary reminder» the feeling of having
lost paradise.
If they could
only have cast their minds further back, perhaps they might have recalled a
lost paradise: green and yellow meadows stirred by tender winds, umbrageous forests and emerald groves, glass - blue mountain peaks melting into azure skies, glittering bays whose diamond waters break in jade and turquoise surges on sands like powdered alabaster — where the rain falls gently, and is transformed by the setting sun into shimmering curtains of gold — where, beyond verdant valleys and limestone caves, lies a palace filled with every delight the senses can endure, enclosing garden courtyards where crystal fountains splash in porphyry basins, intoxicating perfumes hang upon the breezes, undying flowers of every hue shine out amid the greenery's blue shadows...
Prior to this book, most Miltonists had divided themselves into two camps: those who believed that Milton was sincere in his Roundhead and Puritan convictions and wrote
only to edify his readers, and those who believed that, at least in
Paradise Lost, he was (in William Blake's famous phrase) «of the Devil's party without knowing it.»
If you're intrigued by Pablo, this isn't the
only recent Escobar film - The Infiltrator,
Paradise Lost - but this does offer a bit of an interesting angle about their relationship.
We have
only seen EVA in two different periods on the timeline: when she and Big Boss met during Operation Snake Eater in 1964, and 50 years later, when she was the leader of the resistance group
Paradise Lost, trying to free Big Boss and end The Patriots once and for all.
In «The Killer of Kings,» the short story in Anjali Sachdeva's collection All the Names They Used for God, John Milton (1608 - 1674), secluded in the English countryside after being charged and fined for publishing a tract that contemplated regicide, writes his epic poem
Paradise Lost with the help of a muse, an angel the blind poet can
only see in his mind.
Paradise Lost is the
only non-beachfront resort on Kradan.
If Koh Chang is lively and busy (especially in areas like Lonely Beach), Koh Wai is a bit like a
lost paradise: there is no running electricity (
only a few generators), no internet, no roads,
only a couple of restaurants and it is pure bliss.
The international developer of destination resorts, casinos and luxury hotels handed control of the 2,900 - room Atlantis
Paradise Island, One &
Only Ocean Club in the Bahamas and the 172 - room One &
Only Palmilla in
Lost Cabos, Mexico to Brookfield Asset Management as part of a debt restructuring plan.
Regardless,
Paradise Lost is an on - rails arcade shooter: as in, it was actually
only available at arcades.
In
Paradise Lost the map is an important gameplay element, not
only to have a reference of the player's situation but to know the location of locked doors, save stages and shortcuts.
We have
only seen EVA in two different periods on the timeline: when she and Big Boss met during Operation Snake Eater in 1964, and 50 years later, when she was the leader of the resistance group
Paradise Lost, trying to free Big Boss and end The Patriots once and for all.
The game tells a story that draws concepts from the famous religious epics
Paradise Lost and Divine Comedy.The position of ActRaiser 2 in the series timeline is not explicitly revealed; however, many plot details suggest that ActRaiser 2 may actually be a prequel to the original ActRaiser, or take place in another universe entirely.Unlike the original game, which alternately combined platform game sequences and god game sequences, ActRaiser 2 is
only a platform game.
As the artist explained, «my landscapes are not
only beautiful or nostalgic, with a Romantic or classical suggestions of
lost Paradises, but above all «untruthful» (even if I did not always find a way of showing it); and by untruthful I mean glorifying the way we look at Nature — Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless; the total antithesis of ourselves, absolutely inhuman» (G. Richter, quoted in D. Elgar, Gerhard Richter: Landscapes, Hanover 2002, p. 30).
Fifteen years later, he further elaborated that «my landscapes are not
only beautiful or nostalgic, with a Romantic or classical suggestion of
lost Paradises, but above all «untruthful»... by untruthful I mean the glorifying way we look at Nature — Nature, which in all its forms is against us, because it knows no meaning, no pity, no sympathy...» Richter's approaches to landscape are various indeed, yet uniquely and recognizably his.