Home is where our story begins is a perfect quote for not
only new home owners, newlyweds, wedding table, Valentine's day and more.
Not exact matches
The renter population is expected to
only get bigger in the next 15 years and will likely exceed
new home owners by millions, according to a newly released report by the Urban Institute, «Headship and Homeownership: What Does the Future Hold?»
Oh the joy if
only we could go back to the early 1800's where a good honest white land
owner could head to town any Saturday and buy a whole
new pack of n e gros to take
home so he could help with the building of his
new Church... And don't forget ladies, you are meant to be seen, not heard, and don't you dare be so immoral as to let your ankle show... Now get back in the kitchen!!
A sometimes cautionary, often humorous, and always sad tale involving a friend, sibling, or father who brought
home a brand -
new Fiat decades ago
only to be subjected to years of breakdowns, engine fires, and other mishaps until the car finally put the
owner and itself out of their mutual misery by rusting into the ground.
its
only had one previous
owner, its
only ever been personally owned, it has been well taken care of with plenty of regular maintenance records, and its waiting at Roberson Chrysler Jeep for a
new home!
BLUETOOTH, POWER FRONT SEAT, HEATED SEATS, KEYLESS ENTRY, REMOTE START, REARVIEW CAMERA, NAVIGATION, SUNROOF, CLEAN VEHICLE HISTORY, CLEAN 1
OWNER CARFAX,
NEW WINDSHIELD WIPERS,
NEW BRAKES,
NEW BRAKE PADS,
NEW AIR FILTERS, Terrain SLT - 1, 4D Sport Utility, 6 - Speed Automatic, AWD, Jet Black w / Perforated Leather - Appointed Seat Trim, 8 - Way Power Driver Seat Adjuster, Auto - dimming Rear - View mirror, Compass, E10 Fuel Capable, Electronic Stability Control, Emergency communication system, Exterior Parking Camera Rear, Four wheel independent suspension, Heated door mirrors, Heated Driver & Front Passenger Seats, Intellilink w / Bluetooth, MP3 decoder, Perforated Leather - Appointed Seat Trim, Pioneer Premium 8 - Speaker System, Power Programmable Rear Liftgate, Power Tilt - Sliding Sunroof w / Express Open, Remote keyless entry, Remote Vehicle Start, Roof rack: rails
only, Security system, Telescoping steering wheel, Universal
Home Remote.
BLUETOOTH, POWER FRONT SEAT, HEATED SEATS, KEYLESS ENTRY, REMOTE START, REARVIEW CAMERA, NAVIGATION, SUNROOF, CLEAN VEHICLE HISTORY, CLEAN 1
OWNER CARFAX,
NEW BRAKES,
NEW BRAKE PADS,
NEW AIR FILTERS, Terrain SLT - 1, 4D Sport Utility, 6 - Speed Automatic, AWD, Jet Black w / Perforated Leather - Appointed Seat Trim, 8 - Way Power Driver Seat Adjuster, Auto - dimming Rear - View mirror, Compass, E10 Fuel Capable, Electronic Stability Control, Emergency communication system, Exterior Parking Camera Rear, Heated door mirrors, Heated Driver & Front Passenger Seats, Intellilink w / Bluetooth, MP3 decoder, Perforated Leather - Appointed Seat Trim, Pioneer Premium 8 - Speaker System, Power Programmable Rear Liftgate, Power Tilt - Sliding Sunroof w / Express Open, Remote keyless entry, Remote Vehicle Start, Roof rack: rails
only, Security system, Telescoping steering wheel, Universal
Home Remote.
The results of a
new survey were published July 12, 2010, and it turns out that — even amid all the current economic gloom —
only nine percent of
home owners regret having bought their properties.
The
new guidelines (outlined in FHA's ML 13 - 23, issued last July) increase that cash incentive payment to $ 3,000 - but it is
only available to
owner - occupants (i.e. not for the sale of investment properties, rentals, or vacant
homes).
Lexi the Staffie is now happy in a
new home, but
only a year ago she had a close brush with death when her then
owner, David Owen, slit her throat with a carving...
«Our
home was supposed to be just a quick stop on her way to her
new home but the
new owner only wanted the male puppy.
Because the disease may be difficult for the shelter to detect during the incubation period, apparently healthy animals with panleukopenia may be adopted out
only to become ill a few days later in their
new homes, causing heartache for the shelter staff and the
new owners.
New puppy owners often have a long list of what they think they need for their new puppy, but come home only to find they've forgotten some of the most essential items or worse yet, spent a small fortune and ended up with a host of wrong or ineffective products in place of what they really need
New puppy
owners often have a long list of what they think they need for their
new puppy, but come home only to find they've forgotten some of the most essential items or worse yet, spent a small fortune and ended up with a host of wrong or ineffective products in place of what they really need
new puppy, but come
home only to find they've forgotten some of the most essential items or worse yet, spent a small fortune and ended up with a host of wrong or ineffective products in place of what they really needed.
Our attempts to place homeless animals into good
homes help not
only the animal but also provide a
new owner with a loving companion and possibly a memorable life experience.
Those pets included Dough Boy, a 10 - year - old mixed breed dog who came to Gainesville Pet Rescue in Florida after his
owner could no longer care for him due to his age and a leg fracture that had never been properly cared for; Molly, a 10 - year - old blind Maltese, found the perfect
home during Maddie's ® Pet Adoption Days with the help of Waggytail Rescue in
New York City; Cappy, a senior with
only one eye, who came to Delta Animals Safe Haven in Antioch, CA, so matted that his knots of fur were infested with fleas; and thousands more.
NORMAN — Norman is
only looking for a
new and loving retirement
home as his
owner had no choice but to move away for employment and was forbidden from taking Norm with him.
I really have seen some amazing results by vets treating «outside the box» when the diagnosis has been vague or undetermined, and IMHO, «it must be what you're feeding him» is a complete & unconscionable cop - out by a lazy vet who's trying to make you, the
owner / gaurdian, feel at fault... But IME, we've personally had 18 dogs & 36 cats transition to 4Health in the past year, are continuing with 4Health formulas in their
new homes & are doing beautifully, and I can
only speak to my experience, after all.
It is not realistic to courtesy list if you have
only 1 to 2 weeks in which to find a
new home for your pet, although it is possible for an adoption to occur in a shorter period of time depending on the
owner's level of participation in the process and the public's interest in the pet.
Often, he says, officers will remove a dog from a
home,
only to see the
owner get a
new one a month later.
During this time a pet may
ONLY be returned to the pets
owner and MAY NOT be adopted to a
new home or transferred to another organization — or euthanized (unless it must be for medical reasons).
Maybe his original
owner couldn't afford him, but you can make a comfortable
home not
only for a lovable
new pet, but also help your local animal shelter have one less dog to feed or even worse, to put to sleep.
Separation anxiety is a problem that can develop in a young puppy, a rescue dog who may have suffered in its previous
home and has now attached itself to a
new owner, or even a well - established family pet dog who has become used to always having a human friend around and now, for whatever reason, finds himself left
home alone, maybe even
only for a short period of time.
At the pet store I
only had a wire wheel, and then when my
owner brought me
home she put in this
new thing that didn't look like a wheel at all!
Separation anxiety is a problem that can develop in a young puppy, a rescue dog who may have suffered in its previous
home and has now attached itself to a
new owner, or even a well established family pet dog who has become used to always having a human friend around and now, for whatever reason, finds himself left
home alone, maybe even
only for a short period of time.
Not
only will the cat find a loving
home, but the
new owner will reap all of the emotional, physical and psychological benefits pet ownership provides.
We feel that it not
only ensures the beagle's happiness with his / her
new home, but also the happiness of the
new owner.
In the past two years 625 animals were given up by their
owners to Saga HS and
only 276 were adopted into
new homes.
In 2005, the artist opened lesser
new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york in her Williamsburg loft, which was a response to Greater
New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not
only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser
new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser
new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new yorkten years later at Greater
New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an
owner of its own critique; so that lesser
new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its
new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's
home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater
New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
«Germany's Renewable Ownership Society — the Green Middle Class» «For the most part, Germany's
new energy producers are
home owners, small and medium - sided businesses, and farmers, many of the latter who faced ruin
only a decade ago.
Among the cleaning squad was Deanna Haines,
owner of ZENhome cleaning in
New York City (see past articles on ZENhome here and here) who uses
only environmentally friendly products for her clients»
homes.
This promotion applies to
new residential
owner - occupied
home customers
only.
With this seemingly
only available to preview users, Google
Home owners who are interested in gaining access to the
new Night mode as soon as possible may want to consider joining the preview program.
3Spacious bedrooms 2baths, with split master bedroom with it's own walk in shower with water closet for Toilet with Granite countertops throughout Stainless Steel, Appliances
only Minutes from Shopping and Dining, Close proximity to Local Interstate,I - 10
Home is Move - In Ready waiting on it's
New Owner, Priced to Sell Hurry this One want Last!
«By retiling very inexpensively, you make a room look way cleaner that it was,» says Javier Zuluaga,
owner of
Home Repairs and Remodeling LLC in Tempe, Ariz. «Every city has stores that offer $ 1 to $ 2 tile, so home owners have to pay only for the low - cost tile and labor to replace a dated backsplash or add a new
Home Repairs and Remodeling LLC in Tempe, Ariz. «Every city has stores that offer $ 1 to $ 2 tile, so
home owners have to pay only for the low - cost tile and labor to replace a dated backsplash or add a new
home owners have to pay
only for the low - cost tile and labor to replace a dated backsplash or add a
new one.
Your
new home at $ 250K would
only required $ 12,500 down (5 % down
owner occupied).
Buyers can virtually tour houses for sale by
owner at their convenience using either our quick or advanced search tools to review
only those houses of interest and use our
New Listing Notification service to review all the
homes for sale listings of interest with just one mouse click.
Buyers can virtually tour houses for sale by
owner at their convenience using either our quick or advanced search tools to review
only those houses for sale which are of interest and use our
New Listing Notification Service to review all the
homes for sale by
owner ads of interest with just one mouse click.
The median cost for all homeowners of property insurance is 39 cents per square foot, while it is
only 31 cents per square foot for
owners of
new homes.
The homeowners, a Toronto couple with four adult daughters and two toddler grandchildren, weren't planning on purchasing a
new place — they bought a cottage
only five years ago (featured in Style at
Home's July 2013 issue)-- but when this 7,000 - square - foot three - storey structure directly next door to the first became available, the
owners decided to take advantage of the unique opportunity to keep their rapidly expanding family together on these adjacent vacation properties.