Sentences with phrase «only older audiences»

The cartoon itself is suited for all audiences as the more adult jokes within the cartoon have been cleverly disguised so only older audiences will understand them.

Not exact matches

Twitter's Tailored Audiences is only days old, yet we already have a few tips to help you get a better return on your social retargeting ad campaigns.

Not only will this kill the boredom of having to tell the same old story again and again, but it also keeps your audience updated on the changes that are taking place within your brand.

We can only assume that Christian filmmakers will catch onto this new trend of recycling old materials and getting audiences to pay to watch it again.

Form and redaction criticism, now more recently audience criticism, structuralism, psychohistory and sociological analysis, all of these, if only added serially to the old objectivist paradigm, can do nothing to dislodge us from our alienated distance.

Reality Not much has changed, did you see in the pope's papers that old Ratzinger was back selling indulgencies, an audience wuth himself for only US $ 13,000, what a deal?

So when scholars write about the Old Testament, they primarily seek to understand only what the original human authors and original human audience understood when the text was written.

Via War Room, take a look at this video that Republican operatives were gleefully circulating yesterday: Back in the old days, not only could politicians expect to be able to say one thing to one audience and the opposite to another and get away with it, they could also say one thing one decade...

Back in the old days, not only could politicians expect to be able to say one thing to one audience and the opposite to another and get away with it, they could also say one thing one decade and another the next and have a reasonable expectation that the past would be difficult to dig up and circulate.

There were also mutterings about a possible future political career when Thatcher's granddaughter, Amanda, confidently read out her passage from the Bible in front of a global audience, despite being only 19 years old.

It is old (12 years) but the only one I have seen where he is talking directly to a vegetarian / vegan audience and it was completely different from his general videos.

The League isn't the only service hoping to capitalize on an older, wealthier audience.

There are also some knowing digs at the Christopher Reeve «Superman» movies (including an extended parody of Marlon Brando that only the oldest parents in the audience will get.)

The five - year - old indie distributor targeted mainly VOD audiences with its lackluster 2014 slate, which included only one critic - approved title: Paraguayan thriller 7 Boxes.

Following an unlikely appearance as a football player in The Replacements (2000) and a turn as the son of Old Scratch in Little Nicky (2000), Ifans» role as a socially challenged forest dweller turned opera - loving socialite in the eccentric Human Nature provided audiences with abundant laughs and a further glimpse into the quirkiness of a truly unique actor.Of course the ever - eccentric Ifans was only warming up, and after supporting roles in such efforts as The 51st State, The Shipping News and Once Upon a Time in the Midlands Ifans once again took the lead in the 2003 comedy Donnie Deckchair.

True that just like the games of old within this genre, this remains niche and will possibly only tickle the fancy of a very specific target audience with the whole Switch owner population.

The tension between Brady's old life and his new one guides the whole movie; there's understandable anxiety anytime he's near a horse, even though the audience knows it's the only time he's happy.

In reality, he sounds more like the old German man propped up against Loki in The Avengers, an embarrassing add - on inserted only as an insulting sop to the audience.

Hidden behind a shaggy beard and big period collars, that old J.Lo yacht - dwelling Affleck swagger disappears, allowing only his innate intelligence and centeredness to shine through; we see what first endeared him to mainstream audiences long ago in Good Will Hunting.

The fact that the narrative (rewritten by The Devil Wears Prada's Aline Brosh McKenna from a first draft by Emma Thompson) can't raise its rich / poor themes above the level of mobile phone ownership or its modernity beyond an acknowledgment of viral videos, and social media (an Instagram - led helicopter chase seems terribly old - fashioned) is only part of a more general uncertainty about what Annie means to today's movie - going audiences.

It does seem to be targeted at a slightly older audience, if only because it's about a group of couples who go to an island resort to participate in marriage counseling.

Of the three nominations for Sean Baker's «The Florida Project» — best picture, Willem Dafoe for supporting actor and Brooklynn Prince for young performer — only 7 - year - old Prince came away with an award, charming the audience with a tearful speech and telling her fellow nominees, «We should go and get ice cream after this!»

Just about the only audience they don't cater to on the regular, probably because they'll watch anyway, are cinephiles and Old Hollywood loving film buffs.

Rabid Judd Apatow (Knocked Up, 40 Year Old Virgin) fans will probably worship every frame of this effort that he shares writing credits with, but I have a feeling that had co-writer and director Jake Kasdan (Orange County, The TV Set) been the only credit on this flick, audiences would probably be half as enthusiastic.

Warners is hoping that more of those older female Wonder Woman fans come out, just like they did for her June solo outing: Females over 25 are giving Justice League its best grades at 90 %, but they're still in the minority among the pic's headcount repping only 18 % of the audience.

Aaron Sorkin's directorial debut tells the fiendishly complicated story of how a very smart 26 - year - old named Molly Bloom (Chastain) came to operate a high - stakes gambling ring that pulled in Hollywood celebrities, Wall Street billionaires and Russian mobsters — a recipe not only for a very expensive disaster but also for a sensationally entertaining movie that maintains a tight grip on the audience over nearly 2 1/2 hours.

Riggan's attempt to destroy this critic's approach to art is not far off from Sam's tearing Riggan apart for feigning artistic altruism in staging a Raymond Carver play that will be seen only by «white, old, rich audiences.»

Considering how audiences have become more savvy about the art of animation, it's easy to take for granted the technological advances Walt Disney employed for the film, namely the use of a multiplane camera to create an illusion of depth; while addressed in the main documentary, the technique is further explored in a «Tricks of the Trade» excerpt from the old Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animaold Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animaOld Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animals.

This not only catches the audience by surprise (and generates a few laughs), but it perfectly sums - up this 2014 version of the all - time favorite: it's out with the old and in with the new.

The entire in - flight assault on uncle Adolph is done to the tune of «Song of the Volga Boatman» (with smooth jazzy vibes), and a version of «Dark Eyes» focuses on a gremlin who tries real hard to jump high enough so the tack on his head will poke Adolph square in the ass, and another who smashes dashboard dials with a giant mallet, pausing briefly to tell the audience «I'm only tree and a half years old!»

That the cast is played by actual teenagers (centered on the dramatically challenged Justice) and some barely in their twenties instead of older actors who only pass as teens to those years removed from high school underscores the film's target and its limited appeal for adult audiences, who can easily enjoy films like Mean Girls and Superbad.

Watching the two aging actors step back into the ring decades later is not only embarrassing for them, but the audience as well, particularly when the movie is built around a bunch of unfunny old geezer jokes and lame callbacks to their respective boxing characters.

The only thing that sets it apart is how low it is willing to go to evoke laughter in the audience, and while there are a few moments that might elicit a chuckle here and there, it's mostly a simple - minded excursion into depravity that will entertain 15 - year - old boys, or those who still haven't outgrown that mentality.

Darren Aronofsky's casually, if cluelessly, homophobic and misogynistic melodrama, after receiving mixed notices at Venice and Toronto, struck a chord with American critics and audiences, and the rest was not only box office history, but a repeat of the same old Oscar story.

Yet while his growth spurt may be surpassing that of some of his viewers, older audiences may find only incremental developments in this rather uneventful chapter in the ongoing saga.

When Volvo unveiled a prototype only to auto journalists a few years ago, design chief Thomas Ingenlath described the Compact Modular Architecture (small) models, including the XC40, as aiming for a much younger — say, thirty - something — audience rather than traditional customers of the brand, who are old enough to have watched the television show «Thirtysomething» when it was on broadcast TV -LRB-!)

«Self - publishing is not only a technique of people who don't find a proper publisher to bring out their book,» Wischenbart told the audience, «but it's also an indicator that the old structure of book publishing may be about to change.»

Like Rosoff's first book (How I Live Now) Just In Case is ostensibly a book for older teens, but it would be a great pity if this was the only audience to discover it.

For older audiences, Sourcebooks developed the Shakesperience tablet - based platform that incorporates video clips, audio, hyperlinks, and more within the text of Shakespeare's works, bringing not only a new appreciation for the reader but also encouraging a deeper level of understanding and engagement among reluctant readers.

That audience is only gonna grow and help, and particularly indie authors who are digital and digital first or digital natives when you think about to bring up an old term.

Wolfenstein: The New Order is not only being seen as the latest and greatest that the franchise has to offer, but it also carries the important task of keeping the series fresh and relevant for both old and new audiences alike.

that already makes it awesome, miyamoto is just a bonus, depending on what he will say, because if its the same old «we need to broad the audience of games» speech he and Iwata have been saying for the past two years then I'll rather skip it because I'm getting a little tired of it, but Kondo can and will only talk about vg music and Aonuma the same for Zelda.

The lack of other mechanics only adds to the old school feel of the game, and it easily captures the audience, which dislikes all the gimmicky stuff of modern slots.

The position of Reggie Fils - Aime, the president of Nintendo America has been that the target audience which they expected to purchase the product, mostly comprised of people in between 30 - 40 years old, who grew up playing these games, has not been the only one to show interest in the product.

This choice in level design creates a unique experience as the older, more seasoned gamers will likely be more inclined to chase down collectibles or want to complete 100 % of the game, whereas the younger audience may only be fixated on completing the main levels.

Just think... someone can make a still life painting, drawing etc. of a boring old shoe and raise it to the level of fine art that has a profound impact on its audience, even if only one person out of a million.

An impish reference to Duchamp's infamous last major artwork Étant donnés (Given)(1946 - 66), Give In is an optical illusion, visible only through a key hole in an old wooden door; instead of Duchamp's tableau of a nude woman lying on her back, Turk presents his audience with a distorted examination of self, through the lens of the artist.

Judging from the young audience that surrounded her, eager to hear about the good old days, it seems she isn't the only one lamenting recent changes and romanticizing the New York art world's storied past.

Norte Maar has been consistently proving, and the Cage Transmitted series has only confirmed that they have branched out from Bushwick and became a strong voice on the New York art scene, and thus fulfilling the Bushwick ideal — developing a successful home base for arts on an alternative basis outside of the old structures; in a small scale reaching a large audience and importance in New York.

I do not favor this approach, and only use it when asked to by a client such as a CFO who feels an old - style traditional resume is what is required by their audience.