Sentences with phrase «only on contemporary art»

Frieze London is one of the only fairs to focus only on contemporary art whilst Frieze Masters gives a unique view on the relationship between historical art and contemporary practice.

Frieze London is one of the few fairs to focus only on contemporary art and living artists.

Frieze London is one of the only fairs to focus only on contemporary art whilst Frieze Masters gives a unique view on the relationship between old and new art.

Not exact matches

Allan Cameron's Modular Narratives in Contemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they oftContemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they oftcontemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they often resemble.

New to this disc is the four - minute «In Walt's Words: Snow White and the Seven Dwarfs,» an audio - only interview with Walt Disney discussing the film set to an image track, the seven - minute featurette «Iconography» that explores the film's influences on popular culture, art, and fashion, «@DisneyAnimation: Designing Disney's First Princess» with four contemporary animators discussing the design of Snow White, and an «Alternate Sequence: The Prince Meets Snow White,» plus the breezy promo - style pieces «The Fairest Facts of Them All: 7 Facts You May Now Know About Snow White» with Disney Channel star Sofia Carson and the rap retelling «Snow White in Seventy Seconds.»

You can also depend on the various galleries like The Contemporary Austin - Jones Center, The People's Gallery and the SprATX to display not only traditional art pieces, but also host newer works and art - related events, celebrating the creativity of the people and travelers that some point called Austin home.

And even though the work only touches on the vastness of the term, metamodernism, the show encourages a discussion surrounding complicated themes concerned with the past, present and future of contemporary art.

On Thursday, September 25th, Arcangel Surfware, in collaboration with ARTBOOK D.A.P will present a one night only pop - up shop launching a new monograph, Cory Arcangel: All The Small Things, published last winter by Walther König, Köln on the occasion of Arcangel's solo show at the Herning Museum of Contemporary Art, Denmark, and now (finally) available in the USOn Thursday, September 25th, Arcangel Surfware, in collaboration with ARTBOOK D.A.P will present a one night only pop - up shop launching a new monograph, Cory Arcangel: All The Small Things, published last winter by Walther König, Köln on the occasion of Arcangel's solo show at the Herning Museum of Contemporary Art, Denmark, and now (finally) available in the USon the occasion of Arcangel's solo show at the Herning Museum of Contemporary Art, Denmark, and now (finally) available in the USA.

Reflecting on the platform's recent death, Gabi Ngcobo (Center for Historical Reenactments [CHR] member and faculty at Wits School of Arts in Johannesburg), in collaboration with artist Kader Attia, will contemplate how staging an institutional suicide can not only be a form of refusal but also a means to desire a different existence, one that enables the platform to haunt obsolete systems and ideologies that continue to condition contemporary life.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

The Drawing Center is the only fine arts institution in the U.S. to focus solely on the exhibition of drawings, both historical and contemporary.

A summer group show, on the theme of Detroit's legacy for contemporary art, only added urgency.

Housed on the Cape Town waterfront in a massive former grain facility that includes forty - two nine - story silos, Zeitz MOCAA is not only poised to be the largest contemporary art institution on the African continent, but a declaration of Africa's growing influence on the international art world.

There is only one work hung on the wall in Tauba Auerbach's exhibition in the Lower Gallery of London's Institute of Contemporary Art.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Prior to her trumpeted appointment, she'd made her mark on the Los Angeles art landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradfoart landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark BradfoArt + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradford.

Notable group exhibitions include: the 2016 «Made in LA: a, the, though, only» at the Hammer Museum, Los Angeles; the 2014 Whitney Biennial, NY; Kunstmuseum St. Gallen, Switzerland; The Museum of Contemporary Art Los Angeles; Victoria Miro Gallery, London; Sammlung Goetz, Munich; David Zwirner Gallery, NYC; Galerie nächst St. Stephan, Vienna; The Hessel Art Museum at Bard College, Annandale - on - Hudson, NY; Museum of Contemporary Art, Chicago; Gavin Brown's Enterprise, NYC; The Pit, Glendale, CA and upcoming at The Wexner Center for the Arts, Columbus.

And the largest of them, the only one of traditional objects, called «Look Again: Contemporary Perspectives on African Art,» is drawn almost entirely from the holdings of yet another august local institution, the University of Pennsylvania Museum of Archaeology and Anthropology, better known as the Penn Museum.

The only art fair during Frieze Week to focus exclusively on modern art and design (along with contemporary art).

1995 Choice Morsels from the Collection of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogue)

Hence whilst the artists behind the iron curtain were following current debates on contemporary art, they were not mimicking their achievements but only using Western practices as a point of reference.

The Aldrich Contemporary Art Museum, the only non-collecting museum in Connecticut dedicated solely to contemporary art, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, aContemporary Art Museum, the only non-collecting museum in Connecticut dedicated solely to contemporary art, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and HandheArt Museum, the only non-collecting museum in Connecticut dedicated solely to contemporary art, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, acontemporary art, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and Handheart, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and Handhelon view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and Handhelon view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and HandhelOn Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and HandhelOn Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and HandhelON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and HandhelON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and Handheld.

On view at the San Francisco Museum of Modern Art (SFMOMA) from February 18 through June 17, 2012, and at Yerba Buena Center for the Arts (YBCA) from February 18 through May 27, 2012, in its only West Coast presentation, Mark Bradford is the first major museum survey of paintings, sculptures, and multimedia works by this leading figure in contemporary American aArt (SFMOMA) from February 18 through June 17, 2012, and at Yerba Buena Center for the Arts (YBCA) from February 18 through May 27, 2012, in its only West Coast presentation, Mark Bradford is the first major museum survey of paintings, sculptures, and multimedia works by this leading figure in contemporary American artart.

On display are a video of a red flag that is actually white; a video with a lawyer, describing the preconditions for a private museum of contemporary art in Bulgaria; barriers that almost completely fill the gallery space; and an entrance door that can only be opened from outside.

On 8 — 11 June, the 8th International Contemporary Art Fair ArtVilnius ’17 will be inviting visitors not only to meet hundreds of artists and dozens of galleries, but also to take part in a festivity in the city.

Art Night is a new annual contemporary arts festival that transforms London for one night only, held on 2 July from 5 pm, curated by the Institute of Contemcontemporary arts festival that transforms London for one night only, held on 2 July from 5 pm, curated by the Institute of Contemporary Aarts festival that transforms London for one night only, held on 2 July from 5 pm, curated by the Institute of ContemporaryContemporary ArtsArts.

This widely debated idea took on a life of its own in the public realm not only in contemporary art, but also in popular culture and cultural studies.

By choosing Wrestlers, a tour - de-force depiction of young athletes whose limbs are intertwined in combat, Paolini not only provides a contemporary link with the Classical period but also recalls the profound effect Classical, particularly Hellenistic, art had on artists during the Renaissance (Wrestlers was excavated in the late 16th century).

Roth Time: A Dieter Roth Retrospective opens in its only U.S. venues, MoMA QNS and P.S. 1 Contemporary Art Center, on March 12, 2004, and remains on view through June 7.

Plus One Opening: November 18th, 7 pm On view through January 6th, 2017 Organized by Melissa Staiger By appointment only Trestle Gallery 850 3rd Ave, Ste 411 We are thrilled to announce the inaugural exhibition Plus One at our new exhibition space, Trestle Contemporary Art Gallery, at 850 3rd Ave in Sunset Park, Brooklyn.

Only one problem: what started as Diehl's sensible assault on lazy writing and lazy thinking has become an excuse for yet another cliché, contemporary art destroyed by academic theory.

As the only one of its kind on the North Fork, we exhibit and sell contemporary fine art photographic works by established and emerging artists.

Now, the still newer advances addressing contemporary art can determine the uniformity, say, of the coating on outsize pieces; reveal what is called the «inherent vice», or stability, of a material — such as masking tape that turns brittle and was intended for short - term use only; and detect fugitive pigments and alloys that will age poorly or suffer damage in bright light or outdoors.

dreamideamachine ART VIEW is a new, only on - line art magazine (founded October 2014), which introduces us to the international contemporary scene, through the people and the events associated with aART VIEW is a new, only on - line art magazine (founded October 2014), which introduces us to the international contemporary scene, through the people and the events associated with aart magazine (founded October 2014), which introduces us to the international contemporary scene, through the people and the events associated with artart.

He has been the Managing Editor of Yishu — Journal of Contemporary Chinese Art, the only English language magazine on contemporary Chinese artContemporary Chinese Art, the only English language magazine on contemporary Chinese art since 20Art, the only English language magazine on contemporary Chinese artcontemporary Chinese art since 20art since 2002.

Le Magasin 1986 - 2006 is not only an overview of a seminal institution and a wide - ranging reference book on contemporary art, but also a meditation on the evolution of the relationships between the institution and the artist.

He continues, «Not only is this rediscovery timely — with a renewed interest nationally and internationally in Gutai and other lesser - known Japanese art — but the exhibition's focus on contemporary response and avant - garde performance is a natural extension of SFAI's boundary - pushing, renegade culture.»

[6] On the other hand, Helen Molesworth, the chief curator of the Museum of Contemporary Art in Los Angeles, explained for The Atlantic that «the only way you get diversity is to actually do it», which means that «some of the dudes don't get shows».

The presence of the Morandi collection not only highlights the great influence of the artist on contemporary art, but also establishes a connection with Bologna artistic facts, with the museum history and with the reasons behind its creation, creating a strong link with the Permanent Collection.

On Saturday night I participated in «For Artists Only,» a networking event for local artists organized by The Aldrich Contemporary Art Museum.

As we already mentioned, the show is not focusing only on Pop Art, but on other contemporary art movements as weArt, but on other contemporary art movements as weart movements as well.

Art Night is a new annual contemporary arts festival that transforms London for one night only, held on 2 July from 5 pm.

On view in Randall's Island Park from May 5 — 8, 2016, with an invitation - only preview on May 4, the fair is mounted in a light - filled structure designed for the presentation of contemporary art, providing collectors, scholars, and art enthusiasts alike with an immersive cultural experience overlooking the East RiveOn view in Randall's Island Park from May 5 — 8, 2016, with an invitation - only preview on May 4, the fair is mounted in a light - filled structure designed for the presentation of contemporary art, providing collectors, scholars, and art enthusiasts alike with an immersive cultural experience overlooking the East Riveon May 4, the fair is mounted in a light - filled structure designed for the presentation of contemporary art, providing collectors, scholars, and art enthusiasts alike with an immersive cultural experience overlooking the East River.

Taking Up Space: Women Only Shows — A Discussion (full length) from Contemporary Art Society on Vimeo.

ArtVilnius is the only contemporary art fair in Lithuania and the largest art... [read on]

This misuse of the term not only de-politicizes the artistic discourse surrounding exhibitions, but also runs the risk of converting the contemporary art on view into a «tagged» commodity.

Part of Sol LeWitt's «Sentences on Conceptual Art,» this single line encapsulates not only a large portion of contemporary artistic practice, but the inherently contradictory nature of human creativity itself.

Our current plan is to open an office in Brussels early in 2010 and to continue to work on the international projects (amongst others: With Your Eyes Only @ Medienturm Graz, My Eyes Keep Me in Trouble @ Urban Institute for Contemporary Arts (UICA), Grand Rapids, Michigan, and Centro Cultural Recoleta, Buenos Aires, CAN - Centre D'Art, Neuchatel) scheduled up to the year 2011.

After the elapsed time, the «Only You» multimedia series went on display this month at The Untitled Space, a contemporary art gallery founded by Cesarine in TriBeCa in 2014, and as stories of rampant abuse in the entertainment industry are divulged more frequently than ever, Cesarine hoped the project will make people «step back and take a deep, dark look who you are... and at what our society accepts as «normal.»»