Sentences with phrase «only on new construction»

They advise property owners, developers, community groups, local authorities, and commercial organizations not only on new construction, but the reuse of existing structures and spaces.

Not exact matches

The number of workers on big projects in Western Australia is likely to stabilise at just one quarter of the peak level recorded during the mining construction boom, and that's only if planned projects get approved, a new study has found.

Only Pepe and Alvaro Arbeloa of Carlo Ancelotti's outfield squad are older than Ronaldo, such has been the focus on the construction of a new era of talent, with Real Madrid looking to invest more into their academy programme as well as eyeing up potential youthful talents from elsewhere, with Liverpool winger Raheem Sterling known to be a target.

Exterminator businesses are booming, because construction on a new subdivision can only begin after the earth has been cleared of termites and scorpions.

With work well underway on the new stadium, they are set to to move out of the old ground at the end of this season to allow construction to continue and so the only potential for another visit is in the FA Cup and given our record in that competition in recent years I'd suggest it is unlikely.

I believe it's only fair that these long - suffering residents receive some data to back the promised noise reduction, and the assurance that these new gun ranges will be prioritized early on in the construction process,» said Senator Klein.

Data from a 2008 Furman Center study of the policies in California and Massachusetts indicated that IZ programs there resulted in only slight increases in housing costs and only minute decreases in new construction, or have no impact on the market at all.

Ochrym said at Monday's Gaming Commission meeting that ancillary decoration is the only construction work left on the outside of the new casino.

Community Education Councils have the power to determine and redraw zoning lines, but their roles in pushing policy initiatives, like the one on new construction, is only advisory.

Until now, we have only worked on new construction projects but retrofitting is something that can be implemented in a region before an earthquake occurs.

To further exploit the construction principle, the team created new building blocks that had «glue joints» not only on the sides, but also slightly weaker ones on the top and bottom.

No Teacher or Administrator Salaries: Proceeds from the sale of the bonds authorized by this proposition shall be used only for the acquisition, construction, reconstruction, rehabilitation, or replacement of school facilities, including the furnishing and equipping of school facilities, and not for any other purpose, including teacher and school administrator salariesLawyer Trick!Another new twist on lawyers trying to get you to approve changing the prohibition in the Constitution on the use of bond funds for administrator salaries.

Honestly, if I were blindfolded (insert «professional driver on a closed course» disclaimer here) and placed behind the wheel of both a Mustang GT and a Camaro SS, the only things that would serve to tell them apart would be the engine note (Ford's 5.0 has a cammy tone courtesy of its DOHC construction) and the smell of the interior (get in enough new cars and you begin to learn the distinctive odors of different manufacturers» interior bits).

Mortgage rates assume a first line mortgage on purchased or refinanced owner - occupied residences only, as well as new construction mortgages for owner occupied primary residence.

Unfortunately, as Ben says, mistakes can happen causing abnormally large shortages, i.e. on new constructions where the town / city hasn't assesed the properties new value yet and the bank uses the land only tax amount in their initial calculation.

GST is only paid on new construction purchases.

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Although there are only few accommodations on Meno and not as many options as on Trawangan and Gili Air, but now there are many new hotels under construction and some new hotels are already operating.

The only disappointment was ongoing construction on the new house next door which made us feel a little less private at times.

When you blew up the planet of Kilrah at the end of WC3, an old prophecy began to come true... Reports of the construction of a new Kilrathi home fleet lead to a reconnoisance mission that only finds it utterly destroyed, blown to pieces without any casualties on the attacker's side... In 2670, the Kilrathi were brought to their knees with the destruction of their homeworld at the hand of the human Christopher Blair.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures on him, which at one point appear to drive the artist - as - performer insane.

Over on Vox, Danielle Kurtzleben crunches the latest Census data on single family home construction and finds that not only is average house size up again (after a small recession induced dip) but the number of bedrooms is climbing (four is the new three).

This is based on assumed annual demand growth of 6.34 %; further scenarios with higher growth rates and low addition of renewables capacity do require new coal stations, but still only at most half of those under construction.

Implementation of the technology used in new and old constructions not only reduces the impact on the environment but also contributes to value creation, leading to increased employment at all levels of expertise.

In this case, we're talking about the Maine Medical Center, which utilizes older buildings side - by - side with newer construction, the 2006 standards are only applicable if renovations on the old structures were conducted after 2009 and cost more than $ 50,000.

This gives lawyers not only an ally, a fresh pair of eyes, as it were, on their tasks at crafting such essential documents, but also a new way of making the connection between the sources of law and the construction of arguments.

Likewise for a re-pricing (reconfiguring) on a new construction that will only be referenced on a VOW as a Price Reduction.

And even if slowing home sales force converters to rent their units, it's still less risky than embarking on new condo construction only to see the market crash, says Louis Birdman, a managing member of SunVest Resort Communities in Hollywood, Fla., who has converted more than 6,000 units in Florida since the 1980s.

I was an assistant builder in my father's new home construction business; a licensed tradesman thereafter, a Realtor from 1980 to 1983 wherein said time frame I had started my own brokerage (Bell Real Estate Inc.) after being in the business only eighteen months via a partner's (Evelyn Bell) brokerage licence, only to walk away from it when interest rates hit 22 %, a conciliator / inspector with the Ontario New Home Warranty Program (now TARION), establishing the top conciliation record in Ontario out of 56 conciliators from day one on the job, a national warranty adjuster for PAFCO Insurance (now defunct after having been bought out by a U.S. conglomerate), an appraiser affiliated with the Appraisal institue of Canada, as well as a recent Realtor (again) with Century 21 United Realty Inc. in Peterbough, Ontarnew home construction business; a licensed tradesman thereafter, a Realtor from 1980 to 1983 wherein said time frame I had started my own brokerage (Bell Real Estate Inc.) after being in the business only eighteen months via a partner's (Evelyn Bell) brokerage licence, only to walk away from it when interest rates hit 22 %, a conciliator / inspector with the Ontario New Home Warranty Program (now TARION), establishing the top conciliation record in Ontario out of 56 conciliators from day one on the job, a national warranty adjuster for PAFCO Insurance (now defunct after having been bought out by a U.S. conglomerate), an appraiser affiliated with the Appraisal institue of Canada, as well as a recent Realtor (again) with Century 21 United Realty Inc. in Peterbough, OntarNew Home Warranty Program (now TARION), establishing the top conciliation record in Ontario out of 56 conciliators from day one on the job, a national warranty adjuster for PAFCO Insurance (now defunct after having been bought out by a U.S. conglomerate), an appraiser affiliated with the Appraisal institue of Canada, as well as a recent Realtor (again) with Century 21 United Realty Inc. in Peterbough, Ontario.

Tampa improved its standing by three places on the Marcus & Milli - chap NRI this year, due to «a lull in new retail construction and only a moderate increase in vacancy.»

Chicago is somewhat behind New York City on the construction efforts; the only office tower now under construction in the Windy City is the 900,000 - sq.

However, predicts Melinda McKay, senior vice president, Jones Lang LaSalle, the new construction will have little or no lasting economic impact on host nations and will only have short - term benefits for real estate markets.