Likewise, Josh Brolin's Thanos was named the most anticipated villain on a list whose
only other comic book entrants are Michael B. Jordan's Erik Killmonger and Jessican Chastain's unnamed X-Men: Dark Phoenix villain.
Washington's
only other comics experience is in 2007's disastrous Fantastic 4: Rise of the Silver Surfer, but she was also in the Quentin Tarantino cowboy bloodbath Django Unchained, so violence isn't totally out of the picture.
Not exact matches
I make them in the oven too and my son calls them Defeated Potatoes because I flatten them with the potato masher before they go in and they look like they've been stomped on by a dinosaur or some
other large creature
only an 11 - year - old boy who aspires to be a
comic book artist could dream up.
When Chaplin reverts to silent humour, such as when he performs a delicate ballet with an inflated globe, or futilely attempts to tear strands of spaghetti to demonstrate how he will tear Napoloni's forces apart, he not
only demonstrates that he's lost none of his
comic genius but also exposes the weakness of the
other material.
Silent Hill: Hunger UMD
Comic Some people have asked me for screencaps from the Silent Hill Experience UMD comic Silent Hill: Hunger, so here they are (this one was only available on the UMD disc, not in printed format like the oth
Comic Some people have asked me for screencaps from the Silent Hill Experience UMD
comic Silent Hill: Hunger, so here they are (this one was only available on the UMD disc, not in printed format like the oth
comic Silent Hill: Hunger, so here they are (this one was
only available on the UMD disc, not in printed format like the
others).
With adaptations of superhero
comics to film, it seems that the
only thing of interest to the film maker (s) is getting the shiniest and biggest effects on screen along with «kick - ass» action sequences and one - upping each
other on the adrenaline level.
For a fair portion of screen time, we don't quite know what the deal is with Tim and Natalie, and the awkward attempt by the
other couple to figure them out provides the movie's
only halfway reliable
comic wellspring.
It's an agreeable flawed film, in
other words: Officially reduced to a commentator for blind audience members («Damn, I ripped the fuel line,» Marty blurts out to a puddle forming beneath the De Lorean), Fox's
comic spark is almost out in this go «round — and don't get me started on Elisabeth Shue (replacing Claudia Wells in the sequels as Marty's gal, she turns in generic work that
only aggravates Jennifer's maddening disposability).
Though already quite funny on his own, Ben Stiller has always been very smart about surrounding himself with
other top - shelf players, not
only taking the entire pressure of carrying a movie off his shoulders, but earning big
comic rewards from the chemistry of collaboration.
Civil War, like the Marvel
comic book crossover series (written by Mark Millar and illustrated by Steve McNiven) that it loosely adapts, revolves around superheroes being split over a registration act, with Steven Rogers and Tony Stark leading the opposing sides - so, it's
only fitting that Steve and Tony's plot threads take priority here over
other characters» storylines.
With off - the - shelf shootout and showdown scenes that differ from any
other over-the-top action fare
only in their gloomy lighting, «The Punisher» can't begin to measure up to the popcorn vengeance of Mel Gibson's Payback or the moody, provocative, primal reprisal of Steven Soderbergh's The Limey In fact, even the cheap, cheesy 1989 B - movie adaptation of the same Marvel
comic book (with dramatically lumbering Dolph Lungren in the title role) was more entertainingly bad than this picture.
The Double Dragon legacy even gained momentum in pop culture, spawning not
only various sequels and ports for multiple platforms, but appearing in
other mediums like
comic books, cartoons and movies.
I
only say problematic because his fans, more than those any
other comic character, are ver...
In the
comics, he does team with Electro (set to be played by Jamie Foxx), but we wonder if the movie will take the more interesting angle from «House Of M,» where he's originally hired as Peter Parker's bodyguard,
only to betray him and help Electro (and some
other baddies) expose Spider - Man for who he really is.
Karl Urban and Olivia Thirlby, stars of upcoming Sci - Fi action film «Dredd,» sat down with CBR News and
other members of the press at
Comic - Con International in San Diego to discuss the new film, their hopes for the franchise, and what it's like to act using
only your chin.
Their immediate reactions to discovering each
other's anatomies are among the film's more
comic moments, but all of their soul - swapping sessions are
only temporary, and they can't remember details afterward.
But as with
other staples of the screen - parody genre, the
comic bull's - eyes arrive
only intermittently.
It's not about the effort of the team but
only the individuals who have the potential for drama,
comic relief, or whatever
other roles the script deems necessary for the appearance of a motley crew that can follow the motions of the underdog story.
But the whole problem is that Thor
only exists relative to
other summer
comic - book movies: Is it better or worse than Iron Man 2?
When the film gets bored with its four characters, it writes in a load more to try and keep up with (
only one brings anything to the plot and that is some
comic relief from Scoot McNairy, which I hated, but
other critics claim it is the film's saving grace).
Mangold managed to make a film that is not
only exciting, but it also feels completely unique, unlike any
other comic book movie we've seen so far.
Anne Frank: The Anne Frank House Authorized Graphic Biography There are
other comic book — style biographies of Anne Frank, but this is the best and the
only one authorized by the Anne Frank House.
If a publisher says that they're the
only ones who can sell their product starting today, but any
other retailer won't have any stock until November, then is the release date today, or are they just making pre-sales (as
comic publishers sometimes do at conventions) against a release date in November?
Among
other things, he's also the guy who writes about your shows, reviews your books, runs your festival programming, DJs your parties, tweets so you'll laugh, asks about your legacy with
comics, creates awesome podcasts you should hear —
only awesome things, basically — and so much of what he puts into the world is free to enjoy.
The revenue streams are ads (largely exchanges with
other comics,
only really lucrative for some genres of
comics), merchandising, and Kickstarters for print books (the
only way most fans can get a «real - life» souvenir for the
comics they love).
This is a huge difference from the
other two
comics marketplaces, in which digital
comics are available
only within a particular environment, be it the comiXology, iTunes, or Kindle ecosystem.
That said, the comiXology list is very different from the
other two, because it's the
only one in that includes single - issue
comics priced above 99 cents.
Project Gamma will provide audio enhancements to Marvel
comics in the form of a soundtrack or
other audio cues and will
only be available for select
comics; in the CBR interview, Alonso allows that he was skeptical at first but added, «Who out there hasn't had that moment when you've been reading a
comic book with your iPod on or the radio on, and you found that the music has changed your reading experience?»
On the
other hand, Fantagraphics also announced this week that it is releasing its first digital -
only comic: Violenzia, by Richard Sala.
The digital angle is that Dynamite sells its
comics on the Dark Horse platform (as well as comiXology and the usual places — but they are the
only other publisher on Dark Horse Digital).
It's beautifully drawn, but right away the lack of a landscape mode becomes a problem, as the
comic opens with a two - page spread and the
only way to read it is to scroll back and forth from one side to the
other.
The
only comic book I have followed at all in the last 10 years or so is Usagi Yojimbo which has had very few cross overs with
other comics.
ComiXology also has a web store and apps for pretty much every device imaginable, and you
only need a single account for all of them, so the
comic you buy on one device will be available on all the
others.
If you are a
comic fan, DC and
others do exclusive digital
only editions.
Other noteworthy books are The
Only Thing To Fear, a historical thriller, The Return of Philo McGiffin, a
comic novel of Annapolis, and the three volumes of The Civil War at Sea, Fires on the Waters, A Country of Our Own and That Anvil of Our Souls.
But beginning late in 2012, Marvel has been testing (among paying subscribers
only, apparently) a new HTML - based viewer that lets Digital
Comics Unlimited subscribers at long last read those
comics on the iPad and
other devices.
The account base includes not
only brick - and - mortar
comic book specialty shops, but also Internet stores, chain stores, and
other specialty stores.
The
other problem with «read
only access» is lack of confidence: Digital
comics are an emerging format and an emerging market.
Kyle Hotz is the artist on the project, and Ayris says that he
only uses creators from the big leagues: «We
only hire guys that have worked at Marvel, DC and
other top
comic book publishers, and it's given us some legitimacy.»
Comixology is also the
only platform that sells digital
comic book titles from all the major publishers, including Marvel, DC Comics, Dark Horse, Image, IDW, and
others.
The Division distributes its products not
only in the traditional channels (kiosks, newsstands, bookshops and
comic shops) but also in supermarkets,
other mass market outlets and online retailers.
Although they've existed in
comics — and
other entertainment mediums — for years, it's
only recently that
comics readers are seeing so many of them.
Also curious about the name — the
only other remotely similar service in North American
comics is called «Marvel Unlimited,» and this is «comiXology Unlimited.»
uh, isn't the real conclusion that
comics should be shifting to digital -
only formats like, y ’ know, all
other forms of print media are?
I honestly believe the next wave of great cartoonists will show up online, on the iPad, or iPhone ---
comics syndicates should look to embrace print versions of PvP, Penny Arcade, and
others, as the Web presence will
only help.»
Up until a few years ago, I've
only ever been point 5 as a lecturer, so I always had half the week to work on
comics or work on
other stuff that whereas it wouldn't make me any money most of the time, would let me keep doing what I wanted to do.
For those of you who are new to Electricomics, this is an exciting research - based experimental project in digital
comics that has received a grant from NESTA in the UK, not
only to pilot new modes of reading interactive
comics by app, but to share their findings and tools in an open - access forum from which
other arts platforms and
comic creators can benefit.
Another C2E2 has come and gone, and now it's time to report back from what is technically Chicago's
only comic convention (the
other ones are in a suburb).
These is sort off a two series piece with six exclusive Vinylmations being sold
only at San Diego
Comic Con 2014 and eight
other Vinylmations being sold as...
Who could have predicted that a small company named Timely Comics, founded in 1939, would go on to not
only dominate the
comic book market, but
other forms of entertainment as well.