Sentences with phrase «only pencil and paper»

Their traditionally low - budget science, which needs only pencil and paper to tally shared traits in the classical twin studies, has entered the high - tech world of genetic epidemiology, which traces the power of genes to influence the health of populations.

Armed with only pencil and paper, these pioneers performed vital calculations — and, per the culture of the day, competed in the «Miss Guided Missile» beauty contest.

Not exact matches

Not only could this make him run for the hills when he sees you coming with your thick pencils and sheaf of paper, but it could take the fun out of learning how to write.

«Not only did the learners find it easier to do online quizzes as opposed to pencil and paper - based assessment, but the inclusion of a Glossary within these quizzes made it possible to have immediate access to difficult words and phrases.»

It will require stamina and creativity, so pack only the essentials: comfortable shoes, paper and pencil, and — more importantly — curiosity, empathy, patience, humility and a sense of wonder.

Meanwhile, Korea, where only 42 % of students use computers at school (but many more use them outside of school), is a top performer not only in more traditional paper - and - pencil tests of reading or mathematics, but also in assessments of students» digital reading skills or problem solving skills using computers.

In a corporate environment, technology permeates the entire culture, all elements of work interact with ICT; a professional office does not feature lines of desks using only paper and pencils, with a separate «suite» of computers, and an area for the use of digital cameras.

Educators in Fowler find that not only do these projects get kids interested in learning but they're also, says Hodges, «a great way to teach the standards without having to rely exclusively on book, pencil, and paper lessons.»

Finally, the status data available right now are only process data, roughly akin to # pencils used and # sheets of paper consumed for prior paper / pencil statewide tests.

Separate 2008 and 2010 surveys by Graham show that «too many schools still use pencil and paper as the primary or only writing medium,» he wrote.

Students become familiar with new item types and the test delivery platform, thus taking some of the anxiety out the transition to online testing (when many have previously only experienced pencil - and - paper tests).

Unfortunately though, assessment today is still largely unbalanced towards summative only, as teachers often find it too difficult and time consuming to deliver, score, and analyze assessments with traditional paper, pencil, and / or bubble cards.

It's proven to work across all subject areas and with all ages, and you only need a little know - how, a rubric, and paper and pencil to get started.

Therefore, students will see the following text for TE item numbers in the released paper - and - pencil versions: «The paper - and - pencil versions of the assessment can not display TE items available only online.»

Item types such as drag and drop (that include media - rich graphics, animations, and audio) could not only engage the student in ways that paper - and - pencil - tests never could, but such items will ask students to demonstrate more critical thinking analyses and a deeper understanding of their skills and knowledge.

Obviously on a normal piece of paper, you can only store so much data — unless you're writing in pencil and are constantly erasing.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

European • John Constable (English, 1776 - 1837), A Horse and Cart (made in preparation for VMFA's Branch Hill Pond, Hampstead Heath); with a study for The Gleaners, Brighton on verso, c.1824 - 25, Double - sided drawing, pencil on paper prepared with bistre (recto only), 5 3/4 x 9».

Now he's taking us inside his fantasy world, where the only ticket is a pencil and a piece of paper.

Working only with a pencil and paper, Beltz finds color to be a distraction in his work — a preference mirrored in the white, gray, and black Miniature Schnauzers that keep him company in the studio and at home.

This crayon, graphite pencils, ink, oil stick, colored pencil, tape, and cut and torn papers is comprised of the sketch of six vertical strips arranged laterally from left to right that make up the simple, but captivating design only Twombly could create.

Because hands - on, psychomotor competencies can not be measured conclusively by a paper - and - pencil or computer - based test, the mandatory education requirement — which must include a practicum of 160 hours or more — distinguishes the CMA (AAMA) from all other medical assisting credentials, and provides employers, patients, malpractice insurance carriers, and third - party accrediting bodies such as The Joint Commission and the National Committee for Quality Assurance (NCQA) with tangible evidence that CMAs (AAMA) are not only knowledgeable about the multifaceted dimensions of the profession, but also competent in the clinical and administrative duties that are required in ambulatory care delivery settings.