Sentences with phrase «only piece in the exhibition»

Not exact matches

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

For this exhibition the pieces were chosen not only because of their life and vibrancy, but because of their small size; I feel that there is an immediate transaction that takes you into them and because they are small, the relationship of the paintings to the body is different — one has to get up close to see them, find the complexity, detail and subtlety that lies in wait for the patient observer.

Photographs and video - installations are some of the technological mediums that expose Taquini's trajectory, becoming not only a collection of pieces that take part in a visual art exhibition, but also the portrait of a life in the art, in which the curatorial practice that took place during a great part of her professional development converges with her more recent artistic practice.

Murray added that only one of the pieces actually got to the exhibition (because they stopped off in a pub to celebrate), but sold nonetheless because Moores bought it for his son.

Complete only in their moment of exhibition, Denise's works are in constant flux as her materials are reused and re-imagined in future pieces.

Prior to this exhibition, I had seen only the occasional piece by Brehmer, most often in exhibitions devoted to the innovative René Block gallery.

This exhibition brings together many of the East London Group's most iconic pieces, some of which have not been seen in public for more than eighty years plus a few which have only come to light in recent weeks, months or years since interest in the Group was rekindled by David Buckman's book: «From Bow to Biennale».

Marks and lines lurk at the lower edges or sides of the fabric, or hop from one piece of cloth to another, as if resting only temporarily in that place — an effect that brings to mind the quote of Griffa's that gives this exhibition its title.

But no matter the medium, the pieces in Indira Cesarine's «Only You» exhibition share an uncanny sense of being stripped down of everything inconsequential, leaving nothing to remain but emotion in its rawest form.

«Only in Your Way,» is a new collaborative piece between New York artists Heather Rowe and Kate Gilmore, an ongoing exhibition at DiverseWorks.

But the only traces of language visible in the exhibition are those on the spines of the exhibition's titular work, «Unbound,» the wall - mounted piece that anchors the space.

A group exhibition at Sparks Gallery in downtown, titled Minis, not only has art that is unique and miniature (with every piece sized at 10 - inches by 10 - inches or smaller), but the price tags are wallet friendly too (at $ 200 or less).

The exhibition has deliberately distanced itself from an interpretation of the works based only on the country or cultural group from which they originate, with the aim of focusing visitors» attention on the questions inherent in the pieces.

As spectators, our contact with the work also serves to emphasise its fragility: the nature of this piece means that it will inevitably become somewhat altered as visitors to the Turner exhibition tramp through the gallery in their masses; moreover, it will remain intact only as long as the Turner exhibition is running.

If in the written piece we can hear her voice, it is in this exhibition that we not only see glimpses of her ever - shifting and inverting physical form, but also feel her breath upon our face as it is trapped and released again and again from within the crumpled glass vessels on the walls.

Lying shyly by the gallery's entrance on an almost imperceptible piece of paper, the record revealed that in its five years of existence, only three exhibitions were by women.

Each piece in the exhibition provides only an oblique, tangential, narrow view, like a tiny robot equipped with only a single photoreceptor.

Although modern technology appears in only about half of the works, the multiple readings of this phrase apply to every piece in the exhibition.

Katrin Fridriks is one of the artists that has created an installation for the exhibition, her piece is called Northern Lights, after the enchanting natural wonder that only shows it's vibrant colours in a clear, unpolluted sky.

The exhibition will include seven paintings by Agnes Martin (1912 - 2004) and wire pieces by Richard Tuttle, made only after and in response to the installation of Martin's paintings.