Sentences with phrase «only playing to the gallery»

«Fayemi is only playing to the gallery.

Not exact matches

Rose, the only member of the fivesome who is playing from the championship tees, must hit his second shot over the heads of some two dozen members of Jordan's gallery, which has smartly stationed itself across the fairway to be in position to intercept Michael on his way to the green.

I try to click around in this pre-release Honeycomb Motorola Xoom tablet pre-production prototype instead of only letting it play the animated prepared UI videos from the gallery.

While some may appreciate having early access to the majority of the game's content, I personally found that this reduced the game's lifespan rather dramatically — while MvC2 would slowly unveil new characters to use as you played, the only thing I have left to unlock are gallery materials such as ending artwork and character models.

The gifted works range from early creations such as Discourse on a Chair (1985), which was only recently rediscovered, to his latest works — More Sweetly Play the Dance, which was recently shown at Marian Goodman Gallery in London and is discussed in this interview with the artist.

The reason he had paid to have a jet fuselage hauled from Arizona to eastern Long Island was revealed fully only last Friday with the opening at his small gallery of an unusual exhibition called «Nose Job,» a group show that at first glance seems to be playing on Hamptons plastic - surgery predilections.

This summer, the gallery plays host to an artist who has only ever told us to look all the way around.

Einzelausstellungen / Solo Exhibitions 2016 Creative play entails some risk taking, Scrap Metal, Toronto, CA Make every show like it's your last, Muée d'art Contemporain de Montréal, Montréal, CA To stand amongst the elements and to interpret what one knows, Museum Dhondt - Dhaenes, Deurle, BE 2015 Jolly Grown Up (with Olive May Gander), Quartz Studio, Turin, IT Ernest Hawker, 2015, Performa 15, New York, US Fieldwork, Lisson Gallery, London, UK The Canter of Edward De Bono - An exhibition by Spencer Anthony, David Risley Gallery, Copenhagen, SE Portrait of a blind artist obscured by flowers, Singapore Tyler Print Institute, Singapore, SG Nobody Walks Away from True Collaboration Triumphant or Un-bruised, Proyectos Monclova, Mexico City, MX Make every show like it's your last, Contemporary Art Gallery, Vancouver, CA, Aspen Art Museum, Aspen, USA Rayne Gander: READ ONLY, ACCA, Melbourne, AU 2014 Ryan Gander, gb agency, Paris, FR Make Every Show Like It's Your Last, Manchester City Art Gallery, Manchester, UK Ch ance Everything, Mostyn, Llandudno, UK The artists have the keys, 2 Willow Road, London, UK Explorer's v's Pioneers, Taro Nasu, Tokyo, To stand amongst the elements and to interpret what one knows, Museum Dhondt - Dhaenes, Deurle, BE 2015 Jolly Grown Up (with Olive May Gander), Quartz Studio, Turin, IT Ernest Hawker, 2015, Performa 15, New York, US Fieldwork, Lisson Gallery, London, UK The Canter of Edward De Bono - An exhibition by Spencer Anthony, David Risley Gallery, Copenhagen, SE Portrait of a blind artist obscured by flowers, Singapore Tyler Print Institute, Singapore, SG Nobody Walks Away from True Collaboration Triumphant or Un-bruised, Proyectos Monclova, Mexico City, MX Make every show like it's your last, Contemporary Art Gallery, Vancouver, CA, Aspen Art Museum, Aspen, USA Rayne Gander: READ ONLY, ACCA, Melbourne, AU 2014 Ryan Gander, gb agency, Paris, FR Make Every Show Like It's Your Last, Manchester City Art Gallery, Manchester, UK Ch ance Everything, Mostyn, Llandudno, UK The artists have the keys, 2 Willow Road, London, UK Explorer's v's Pioneers, Taro Nasu, Tokyo, to interpret what one knows, Museum Dhondt - Dhaenes, Deurle, BE 2015 Jolly Grown Up (with Olive May Gander), Quartz Studio, Turin, IT Ernest Hawker, 2015, Performa 15, New York, US Fieldwork, Lisson Gallery, London, UK The Canter of Edward De Bono - An exhibition by Spencer Anthony, David Risley Gallery, Copenhagen, SE Portrait of a blind artist obscured by flowers, Singapore Tyler Print Institute, Singapore, SG Nobody Walks Away from True Collaboration Triumphant or Un-bruised, Proyectos Monclova, Mexico City, MX Make every show like it's your last, Contemporary Art Gallery, Vancouver, CA, Aspen Art Museum, Aspen, USA Rayne Gander: READ ONLY, ACCA, Melbourne, AU 2014 Ryan Gander, gb agency, Paris, FR Make Every Show Like It's Your Last, Manchester City Art Gallery, Manchester, UK Ch ance Everything, Mostyn, Llandudno, UK The artists have the keys, 2 Willow Road, London, UK Explorer's v's Pioneers, Taro Nasu, Tokyo, JP

On this, Yasuyuki Nakai has also remarked that «Yamamoto's horizontal thinking nullified the barriers between the absolute territories of painting and sculpture, enabling him to create sculptures with multiple vantage paints which at first have the appearance of kitsch» (Yasuyuki Nakai, «Prior to Fortunate Encounter with the Artistic World of Keisuke Yamamoto», Keisuke Yamamoto, Tomio Koyama Gallery, p. 5) In «Crossing», a solo exhibition held at Tomio Koyama Gallery Kyoto in 2012, Yamamoto presented only paintings, where his vital energies and rhythm of sculpture seemed to play out.

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect».

All of the artworks being shown will be available only by performing acts of kindness — ranging from playing with animals at a shelter to volunteering at a nursing home to assisting a gallery during open hours.