Sentences with phrase «only real actors»

The MVP is Christoper Plummer who, like only a real actor through and through could pull off, rose to the challenge of becoming John Paul Getty almost...

Not exact matches

This is not a realistic starting point, because the real world comprises individuals who make decisions for a myriad of reasons and can only be understood by drilling down to what drives these individual actors.

It is strange that the scammers spend so much money to shoot high production videos with real actors only to make ludicrous claims of a million in a month.

If God is the only actor, there is no real drama.

But it is only through creating this real European Research Area that Europe will become the major world actor it deserves to be.

I only mention this because the Unbreakable sequel looks to have a collision of actors and elements in a real world of the fantastic.

While some other phone chat services pay actors to chat, Hardline Chat only connects you to genuine guys looking for real connections.

Very Bad Things features a pretty terrific cast; while it features no real «big time» stars other than Cameron Diaz - who only achieved that status upon the release of Mary, which happened after this film was already done - it offers a very solid list of quality actors.

Sigh... the only saving grace in this show is the lead actor, and even he tends to let overacting do the work for him... This show is about real life events, yet I can't help but get the feeling that I really couldn't give a crap about the fact that this stuff happened.

Sometimes, brave filmmakers try to cast «real people» as themselves, re-creating their stories, as with Clint Eastwood's recent The 15:17 to Paris, only to realize that «real people» are not trained actors and can not act.

This proves well - nigh impossible; Abe, the self - described «king of the Hollywood extras,» is not only a play - actor in Tinseltown but in life itself, refusing to take on any real responsibilities, least of all the responsibility of parenthood.

I guess the only real difference here is that the setting isn't a chain restaurant, but a London café, with its cast of British and American actors (all but Meyer adopting British accents).

i only wish those thousands went to work on movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than big name actors, CGI and a promise of actReal Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than big name actors, CGI and a promise of actreal pull behind them other than big name actors, CGI and a promise of action.

However, the only other actor with a real chance on this shortlist is The Master's Joaquin Phoenix, who had some momentum when the film was first released but who lost charm as Day - Lewis gained strength during this award season.

I suppose the only real surprises to be found come from the fact that there are some poignant dramatic scenes, delivered by actors that aren't exactly known for doing them.

Of the actors, only Kidman seems to have her feet firmly planted in both stylized affectation and real feeling.

he moans to two teenagers half his size once he realizes he's in over his head — a pathetic moment that Yelchin brilliantly plays for humanity, as the only one in the room with real feelings, reminding us for the last time what a brilliant talent the actor was.

Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

And, surrounded by Oscar - winning actors, Stallone proves that not only is he still a major star, but he has some real acting chops as well.

It's a testament to these actors — Bob Odenkirk, Will Forte, Bruce Dern and June Squibb — that not only does the film work but that the family itself feels real and lived in.

Its only real supplement is an audio commentary by writers / directors Christopher Miller and Phil Lord with actor Bill Hader.

Fortunately, I had the greatest actors in the world to work with and they only know how to do things real.

Honestly, the only real reaction you can have to The Hollywood Reporter's announcement that John Cena — the wrestler turned meme turned actor — has joined a Transformers movie is «Huh, he wasn't already in one?»

Preference: To hear many tell it, Screen Actors Guild and BAFTA winner Stone's only real competition here is Isabelle Huppert, who's characteristically intelligent, brittle, and complicated as the heroine of Paul Verhoeven's Elle.

A skateboarding road - trip flick that will bore real skateboarders silly (and I should know — I've been one since the late»70s), it includes barely 10 minutes of badly - edited actual boarding, less than half of which features the main characters (no - name actors using obvious stunt doubles), who in the course of the movie perform only one trick (at the very end) that's beyond the abilities of any dedicated junior high school punk with a modicum of talent.

Only a great actor can take a thoroughly unlikable character, a real bastard, and show enough humanity to preserve a shred of sympathy.

It's true that English language productions have a substantial global advantage, that only three current Spanish actors rival Watts and McGregor in international fame (Antonio Banderas and real - life couple Penélope Cruz and Javier Bardem), and that film is as much of a business as it is an art.

The only real downside to the film in terms of assessing the overall quality comes from the scenes involving the human actors.

Pacino's involvement only calls to light how boring it really is, because if one of the world's most engaging actors can't spark an interest in the story, you've got a real stinker on your hands.

In fact, you can see this on video as well, only much better, in the Danny De Vito directed, The War of the Roses, which features actors with real talent and a screenplay that actually took chances.

It was a real coup getting these three actors (as well as other screen veterans like Ann - Margaret and Christopher Lloyd) in a movie together, and «Going in Style» definitely benefits from their involvement, but that only counts for so much without a good script to support them.

The only real give - away is the fact that the actors used are relatively unknown.

The only actor who warrants any real awards consideration is Mark Ruffalo, but while he creates a fully realized character with his spot - on impersonation of impassioned Globe journalist Mike Rezendes, the role lacks the necessary depth to make him a serious contender.

With terrific period detail, identikit - matching actor to real character and a denouement that really will have you clawing the person next to you, this film not only deserves your money, it also deserves an Oscar.

It is only a minor nod to Damon, with the actor not even using his real name.

To those who only know James Franco from his much - maligned lifeless hosting of last week's Oscar ceremony or his Pineapple Express stoner recalled by it, in this movie you'll discover James Franco the serious actor, not dabbling in daytime TV and calling it performance art, but giving his all to embodying a reckless real person pushed to the limit and determined to escape.

Despite a decent cast of character actors, only Reinhold and Pinchot have real comedic personalities, and we've seen both of them do their shtick already in the series — they merely regurgitate the same material for laughs that have dwindled since seeing them do it in countless viewings on video and cable.

The sad irony is, one million dead, but it is only after seeing actors re-enacting what played out on the news with real people can the rest of the world finally feel a sense of horror and shame.

Features interviews with director Nicolas Winding Refn and actors Tom Hardy and Matt King, featurettes, behind - the - scenes footage and monologues by the real Charlie Bronson (lo - fi audio only, accompanied by stills from the film and the production).

plus it was just funny to see them pull out super scopes at the end of the movie... My 1 and only real gripe about The last Airbender were the child actors... they were very bad at their lines....

Best Actress should easily go Blanchett's way and the only real debate will have to circle around Best Actor, where our frontrunner, Matty McConaughey, is not nominated.

Ryan Gosling continues to prove why he's one of this generation's finest actors with perhaps his most grown - up role to date, while veterans like Philip Seymour Hoffman, Paul Giamatti and Marisa Tomei also get in on the fun playing characters whose only real flaw is that they're not in the movie enough.

Using hours of never - before - seen footage along with accounts of real soldiers, told by the soldiers themselves in combination with a cast of famous Hollywood actors, Vietnam in HD succeeds in not only giving a nice history lesson, but also puts a rarely seen human face on the war.

«Black Sea» appears to be a real return to form for Macdonald, while Law's latest career reinvention has not only resulted in some of his best work, but reaffirms him as one of the more underrated actors in the business.

«Locke» The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

There are no real people in The Producers (Universal)-- only actors laboring to dispel whatever magic they once were thought to possess.

Assange's real - life disapproval of the film and its lead actor accepting the role only makes Cumberbatch's portrayal that much more fascinating — a portrayal that's three parts comdemnation, one part admiration.

The Last Express was only on shelves for a few months, but gamers lucky enough to snag a copy were treated to a beautiful illustrative art style, rotoscoped from real actors and hand - colored by artists.

The only real thing that irks me about casting Sutherland is that after all this talk about having a big name actor, he barely had any lines compared to past snakes.

Also Splatoon was the only game that was added post production, and the actors had a Wii U so they could practice with the real feel of playing the game.