Sentences with phrase «only real drama»
The only real drama in the past year was an unsolicited approach from Almonty Industries (AII: CN) last August.
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It's long been the case that advertisers paid up to two to three times more for a top - rated sports event compared to a top - rated drama or sitcom, and sports value as real - time programming and its finite availability have only caused its status to grow, says Michael Neale, a managing partner for investment at Mediacom, a global media agency that co-ordinates and purchases advertising space on behalf of marketers.
That's the real drama — not only when God stirs an individual in a moment of conversion, but when God incites God's communities to continuing transformation.
If God is the only actor, there is no real drama.
Not only is she super classy (because she doesn't even bat an eye at the drama people bring to her peanut butter posts), she is what I would call a Real Food Pioneer.
Hamilton won whilst Alonso could only recover to fourth, but the real drama was happening behind the scenes
But c» mon you have to admit for real quality football, drama, excitement, mental strength, cohesion, spirit and atmosphere there's no beating Arsenal v Norwich 1 - 0 at the minirates stadium and why we always sing One Arsene Wenger there's only one Arsene Wenger...
I'm a very serious working woman, not looking for scammers or fake men, only truthful, respectful and caring don't have time for games or drama just real fun and maybe happiness..
There are plenty of very real and pleasant dating sites, both free and paid pof are real dating site, How do you go about finding a legitimate dating site for adults - only Are There Any Legitimate Adult Dating Sites Out 9 Steps to Drama Free
Pure Country doesn't have much real drama in it because it «s only a flip of the coin as to how the story is going to turn out.
For a thoughtful drama that's so rooted in national identity, there's only one real misstep: No one will mistake Kruger for a Texan.
He had a very good reason; in Cronenberg's unforgettable medical drama «Dead Ringers» (1988), he gave a stunning performance, or a pair of stunning performances, as the peculiar but prodigious twin gynecologists who are threatened by real emotions and then plunged into the self - destructive chaos where the only exit for them may be becoming one again, as they were conceived at first in their mother's womb.
«This Is Where I Leave You» is such a rare bird nowadays — a mid-budget, big - studio ensemble dramedy — that the only real basis for comparison is the television drama.
RECOMMENDED: Full coverage of the Toronto Film Festival Ben Affleck, meanwhile, finds the only happy story to tell about the CIA with Argo, an ultimately breezy spy drama based on the covert, real - life 1980 rescue of six of the Iran hostages.
A heavy drama boasting an all - star ensemble (including Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, and more) playing men who watch the world burn to ashes around them from a credit and housing disaster only they saw coming, the film operates in a dark world of complex real estate jargon and impending Wall Street doom.
Bruce Miller, the executive producer of the Golden Globe — winning drama The Handmaid's Tale, was the only male award - winner of the night who even alluded to #MeToo, stating, «To all the people in this room and this country and this world who do everything they can to stop The Handmaid's Tale from becoming real, keep doing that.»
Lionsgate UK has released the official UK poster and a brand new clip from the upcoming real - life drama Only The Brave, which stars Josh...
A film festival darling with his expressionistic character drama «George Washington» in 2000, he remained on that path with his next three features — «All the Real Girls,» «Undertow» and «Snow Angels» — only to take a hard right turn into the studio comedy arena with «Pineapple Express,» and he stayed on that route with «The Sitter» and «Your Highness.»
As it stands, the only one who actually stands a real chance at pulling an Elizabeth Berkeley on Cody is Tony Gilroy, whose double - dip on Michael Clayton and status as a lost cause over in best director ensure a few votes from those who feel pity and from those who have apparently seen none of the myriad law - and - order TV dramas from which the film's ruinously clichéd plot resolution was lifted.
Sonia Nassery Cole's Afghan drama The Black Tulip, though it contains the traces of a revolutionary spirit, employs only the shopworn syntax of a rote Hollywood thriller, relying on broad strokes and clichés to articulate a nation's very real suffering.
The only extras include the Blu - ray - only Making Every Second Count with Spencer Stone, Alek Skarlatos and Anthony Sadler taking us moment - by - moment through the real - life drama, just as they lived it and on both discs, Portrait of Courage with Eastwood and his creative team telling why they took the bold step of casting the three Americans to play themselves in the film and other approaches to the film.
Money Monster, which debuted at Cannes this past week with Hollywood royalty in attendance when director Jodie Foster and stars George Clooney and Julia Roberts graced the red carpet, ended its three - day run with $ 14.6 M. Distributor Sony is banking that the film will have some staying power as it is the only real adult - demo drama in the marketplace for the coming weeks.
This creative production marks Crowe's only real work in a genre outside of comedy - drama and romance.
Nowadays, it seems like the only sports films Walt Disney Pictures releases are real life dramas designed to inspire and thrill audiences.
Despite outward appearances, Fracture isn't quite the fast - paced legal thriller that one might have expected from the film's promotional materials (there is, in fact, only one courtroom sequence of any real significance); screenwriters Daniel Pyne and Glenn Gers have instead crafted a story that generally has the feel of a low - key drama - with Gosling's character ultimately forced to choose between his ambition and his morals.
The only person who upstages Gere is Cedar himself, who makes Norman an unexpectedly stylish drama full of flair, with some real creative split screens and an inspired dreamlike central sequence.
Curtis's forte is the comedy - drama hybrid, but there are only a few pokes at real emotions here, each dutifully accompanied by an illustrative song.
A delicious if unexamined subtext that recalls the underbelly denouement of Tod Browning's Freaks is the only real selling point of the picture, a crime drama about a robbery gone awry that leads to an encounter at a circus led by a hooded lion tamer (Lee).
The only real downside to the story mode is that there aren't that many characters involved in the drama, and most notably Jin himself is absent throughout the entire game with many characters talking about him, but only showing up occasionally in a comatose form.
That tendency toward caution may help explain why the podcast boom is only just making an impact in the Canadian legal community, two years after the launch of Serial, the real - life crime drama widely credited as the catalyst for the genre's explosive growth.