Sentences with phrase «only real escape»

Not exact matches

That Jesus was aware with every breath he drew of the eternal kingship of God everyone will agree; that he believed men could come even now in some real sense and measure under the righteous and loving rule of God is almost equally clear; and only by the most tortuous methods of interpreting the Gospels can one escape the conclusion that Jesus expected the kingdom of God as a future supernatural order.

They approached the holy life in the way they did not only for the purposes of escaping the entrapments of this world, but even more so because «such denials... afforded very tangible real «life benefits.

Modern life has so many forced required burdens both real and expected that being alone seems the only way to escape a kind of personal negative bondage.

Some of the greatest stories are so bizarre and unpredictable that they could only come from real life, and documentaries are a terrific showcase for the strange - but - true realities of our world that have escaped notice.

(The only real exception to this comes near the beginning, as Howard offers up an exciting hospital escape / street pursuit that ultimately stands as a high point.)

The only real interest lies in the main plot point of a woman who goes along with playing a damsel in distress for the man to escape and kill her anyway.

As we struggle to cope with the aftermath of a real - life monster, Frankenstorm, it seems only appropriate to escape into fantasy with these eleven tales of metropolitan destruction from beyond time, space, and science.

Although the remarkable number of recognizable faces to be found within the cast make it worth checking out (Sam Rockwell, Alyssa Milano, Matthew McConaughey, John Rhys - Davies, Kristin Bauer, French Stewart, Brendan Fraser, Leah Remini, Meredith Salinger, Mary Woronov, and Spaulding Gray all make appearances), the predominant reason we've included «Glory Daze» — which is, for the record, explores the hesitation all college graduates experience before entering the real world — is because no matter how many films he may eventually have to his credit, Matt Damon should never be allowed to escape the fact that, even though it was only for a few fleeting moments, he once played a character named Edward Pudwacker.

Your wife killing herself because you convinced her her world was not real and that death was the only way to escape it is not a particularly relatable dilemma.

Once you've escaped the hospital, the real game begins with Revolver Ocelot dropping you in Afghanistan; only at that point the true breadth of the game is unveiled.

To those who only know James Franco from his much - maligned lifeless hosting of last week's Oscar ceremony or his Pineapple Express stoner recalled by it, in this movie you'll discover James Franco the serious actor, not dabbling in daytime TV and calling it performance art, but giving his all to embodying a reckless real person pushed to the limit and determined to escape.

Another, more fundamental problem is that, once the prisoners escape, their only real antagonist is the weather.

Boobie, Curl, and Custis, on the run with Boobie's baby brother, attempt to escape their demons and look to each other as the only real family they've ever known.

With only a few items to help him, he knows he must escape out of the snow or he will be in real trouble.

Real dogs not only must be housetrained - most owners are aware of that need; they also must be taught not to chew the furniture, taught not to jump on their owners, taught not to play - bite, taught not to bowl over the toddler, taught not to dig holes in the yard, taught to come when they are called, taught not to eat the homework or the woodwork, taught not to swipe food off the table, taught not to growl at strangers or bark at the mail carrier, taught to walk on a leash without dragging their owner down the block, taught to allow their toenails to be cut and their coats to be groomed without biting the groomer, taught not to shred feather pillows and down comforters, taught not to steal the baby's toys, taught not to growl at their owner's mother - in - law, taught to sit, stay, and to lay down when and where the owner tells them to, and to wait there until the owner says they may get up (absolutely essential commands for the dog's own safety), taught not to escape out the front door or out of the yard or out of the car when the owner looks away for just a second... all of these things and many more are not «natural» canine behaviors; they must be taught by owners who are willing to spend the time and the effort doing so.

And escape is your only real option here — with no weaponry aboard the drone, once you encounter an enemy, fleeing is your only hope of survival.

The only real change is that more things can be meter burned now, offering Air Escapes to break free of juggle combos and Roll Escapes to safely close distance.

As more and more people spend more and more time online trying to escape their real life, it's only natural that our digital experiences will start to more closely resemble our real lives.

Once you've escaped the hospital, the real game begins with Revolver Ocelot dropping you in Afghanistan; only at that point the true breadth of the game is unveiled.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY