I've
only seen photographs of a few early things.
You can
only see their photographs.
Not exact matches
Or perhaps your were thousands of miles away from home, in an orphanage, and caretakers entered a room carrying a child you had
only seen in
photographs up to that moment.
Wow... first, we have a mother that is so clueless that she can not
see what she is doing to her child... very selfish... then, somehow, something so dumb
only gets worse because a judge who is obviously more cuckoo than the mom decides what name is «not allowed»... guess it's not as bad as the morons who tried to name their kid Hitler, or the other morons who tried for Osama bin Laden... which leads me to the question... do Muslim extremists kill people who name their child Muhammad after the prophet, and then
photograph him?
The colors are great and spectacular
photographs,
only to
see it because we want to eat it!
He loves animals and the zoo is a great way for us to get to
see animals that we could
only read about otherwise — this weeks highlights include feeding the elephant with Rainy Day Dad on Saturday (how I wish I had a
photograph of that) and the Tiger being awake and the other side of a piece of glass showing us his teeth today.
The
only way I can come up with ideas is by
seeing photos of the area and picking things I like from each
photograph.
New Scientist has received
photographs from Guam showing this dramatic effect (
see photos above and below),
only seen during extreme El Niño events.
It can
only be
seen well on long - exposure
photographs and is often used by amateur astronomers as a test of their observing skill.
I do love the
photographs and can
only imagine how excited you were when you spotted them:) I think this outfit is one of your best - it's really different to
see you wearing such simple outfits, but its outfits like this that prove that you are a vintage girl at heart.
She might have been the
only one to notice it, but when LORAC founder Carol Shaw
saw dark, under - eye marks on a client's
photograph, she knew she had to fix the problem.
You can
see in this post a sample of the outfits I have worn them with; and this is
only what has been
photographed!
«Life is colour, I
see everything in colour, so 40 years ago I decided to
only photograph in colour,» says Feurer.
So when I
saw her during a trip to the Irvine Valley campus, I not
only had to
photograph her vintage - inspired getup, but I also made sure to ask where she gets her style inspiration.
People are going to be able to
see all 26 members and their
photographs not
only on our advertising campaign but also on Match.com.
A good way to spot these fake Filipina personals is by
seeing how professional the
photograph looks, whether it was taken in a studio (has a plain background), and if the Filipina girl has
only one picture.
On the other hand, standard users are
only able to show interest in other users — Premium members have access to telephonic technical support — Premium members are able to view other people's profiles and
photographs,
see who might have viewed their profile and also to hide their own profiles
For example, Doc's nemesis, LAPD Detective Lieutenant Christian «Bigfoot» Bjornsen (Josh Brolin), is first
seen in a television ad costumed in «hippie» gear promoting the «Channel View Estates» housing development; Coy Harlington (Owen Wilson), a musician and former dope addict, now supposedly an undercover government agent, is first glimpsed in a family photo taken by his ex-junkie wife Hope (Jena Malone); Mickey Wolfmann stares out at us from a newspaper
photograph before he makes his one and
only appearance in corporeal form late in the film; hit man Adrian Prussia (Peter McRobbie) first appears to us in FBI photo files.
No, it's showing the villain committing the atrocities (admittedly, the worst instance we
only see in
photographs).
But I
only managed to
see two: the stirring, beautifully -
photographed, heroically feminist «The Eagle Huntress,» about a 13 - year - old who becomes the first woman in 12 generations who hunts with an eagle in her Mongolian nomadic tribe.
When I was researching the Emily Dickinson, there's
only one
photograph of her, when she was 17, and I said to my producers, «It's Cynthia Nixon, I can
see her face now.»
Although the base prices of the V8 S coupe ($ 196,500) and convertible ($ 216,200) are
only $ 11,800 and $ 13,100, respectively, more than for their non-S counterparts, examples as opulently equipped as the cars you
see in these
photographs cost tens of thousands more.
She resisted the urge to lift these awful hands to her face and allow those fingers to feel what waited there: the sunken, wide - set, dark eyes; the grim mouth that she imagined as always frowning because she did not believe she had ever smiled at herself when looking into a mirror, and she had
only seen one
photograph of herself in her lifetime, and she was certain that she was not smiling then.
I've
only seen the «no pornography» filter applied to sexual images, drawn or
photographs.
Today
only (April 13, 2016), there is a one day special on the NOOK version of LIFE Unseen: Johnny Cash: An Illustrated Biography With Rare and Never - Before -
Seen Photographs.
I initially
saw a
photograph of it while searching for inspiration for my trip on Trover, but it was
only as a result of a conversation with our host at The Nook Hostel in Ponta Delgada that we actually found out the name of it and where to find it.
If pressed to chose one, I would say Upper Antelope Canyon when you can
see the sunbeams
only because it's such a famous
photograph and as you can
see, every shot you take here comes out fantastic.
The
only thing more striking than the
photographs of beaches such as Punta Cana or Santo Domingo is
seeing the beaches with your own two eyes.
The
only (tiny) «improvement» I could suggest is that when working with a reference
photograph, it would be helpful to students like me if it were pinned up above the palette so that we can
see it better, and really understand how the image is being turned iinto art, step by step.
Working in multi-media, New York - based artist Erin Shirreff's work encourages the viewer to
see objects in new ways: unsettling spacial and sensory experience by creating sculptural works specifically for the camera that confuse perception; layering still
photographs in video to present a new experience of the Moon or James Turrell's great unfinished Roden Crater work (2009); exploring myriad interferences of glare and shadow at play on a computer screen; and presenting
only one façade of a familiar Tony Smith work in an outdoor commission, Sculpture for Snow.
William E. Jones, Laura Parnes, Andrea Bowers, the Bernadette Corporation, Sung Hwan Kim, and countless others produce films that demand continuous viewing but can
only be
seen in museums and galleries, augmented by saleable
photographs, drawings or objects.
Now, not
only does she work solely in the digital format, she rarely
sees any of her
photographs in print.
We don't know why Gavin Brown gets a slightly larger board than everybody else to display a
photograph of the inside of his fridge, but the Bulletin Boards show was the
only exhibition we
saw that resulted in varied, engaging and interesting responses from all of its participants.
In each resulting
photograph, the movie is
seen only as a glowing white rectangle that appears suspended in space, illuminating the mysterious effects of the passage of time.
Through her work, she plays with the idea of memory and the psychological self, whether it is in «Tired Men,» a series of
photographs of iconic sculptures of Cuban historical figures depicted from the back to portrait «prints» created on an inkless dot matrix printer, their images
only seen in the vague embossing created by the printer.
Bridget Riley's mural for St Mary's Hospital in Paddington, which was unveiled in April this year, is something I've
seen only in
photographs.
Only visible for days until the next advertisement was placed on top, never to be
seen again in its
photographed form, Montrose L: 124 - 107 reveals a world of unintentional «non-made» street art that asks — what lies beneath that which forms desire?
Noticing that hardly anyone was
photographing these new groups, he picked up a camera and started documenting what he
saw, shooting some of the
only colour images of these bands at the beginning of their careers.
Presenting these
photographs in a simple, straightforward way allows the viewer not
only to study the generalities of the subject implied by the building's classification, but also to
see what is unique and individualistic.»
Works from small - scale collages to frand mural projects are not
only illustrated in their final forms but also
seen in progres in numerous studio
photographs.
Almost reaching the ceiling, the
photographs above head were extremely difficult to
see since there was
only a narrow margin of space between the viewer and the wall, an arrangement that prevented the viewer from stepping back and
seeing the wall in its entirety.
In the large
photograph unscharfer Rückenakt (Out - of - Focus Nude Back), 1994, the slightly blurred contours of the naked male body possess a painterly quality reminiscent of Gerhard Richter's works; it is
only at second glance that a vulnerability evoking life at the margins of conventional society becomes evident in this image of a kneeling man with dirty feet, who is
seen from above and contained in a narrow pictorial space.
Other artists, such as Robert Smithson, chose to work directly in the landscape — often in distant or inaccessible locations — and their «Earthworks» could generally be
seen only through
photographs.
As I
see it, the chief difference between my work and theirs is the content; while Warhol and Rauschenberg largely re-contextualized appropriated photographic imagery, I choose to utilize
only original
photographs which are relevant to my personal life experiences in some way.
The exhibition's most poignant work comes from Nona Faustine, particularly her
photograph Like A Pregnant Corpse The Ship Expelled Her Into The Patriarchy (2012), where the artist is
seen washed up on the Atlantic Coast, wearing
only heels.
These large patterns are usually comprised of
only a few
photographs that are rendered abstract when
seen at a distance, but which retain their impactful detail when viewed up close.
In
photographing Kiki Smith, Close zeroed in on flaws
only a microscope could
see.
Carl Andre's work is clean, industrial, repetitive and architectural while Mendieta's is spiritual, violent, messy and
only beautiful when
seen in the haunting color
photographs which document her ephemeral works.
curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept)
Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004
Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait
Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003
Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999
Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicago, IL
Additionally on view will be Tambellini's paintings and unique
photographs, or «Videograms,» most of which have not been
seen since the 1960s and have
only recently been rediscovered.