Sentences with phrase «only select exhibitions»

Please note that on Saturdays, only select exhibitions are on view.

Not exact matches

ACO Client Gemtree wines was selected by PIRSA as the only winery to take part in the South Australian Premium Food and Wine from our Clean Environment Exhibition and Showcase, where both Prince Charles and Camilla attended.

Due to the interest and response from the public to his recent exhibition at Goodman Gallery Cape, Goodman Gallery One & Only is pleased to present selected works of Thomas Mulcaire's opening 27th August.

Having featured in de Kooning's exhibition at the Solomon R. Guggenheim Museum in 1978, Untitled XVIII belongs to a select group of only about twenty paintings that the artist exhibited, in what would be his first solo museum show in New York in nine years.

Although I facilitate four regular group exhibitions throughout the calendar year, Works on Paper is the only one for which a juror evaluates and selects works «in the flesh,» so to speak.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

AiB selects students, nominated by teachers and community centers, who not only show an aptitude for art, but who also demonstrate leadership, and the program not only offers them hands - on art practice, but also holds workshops on creating an identity on social media, curating an exhibition and public speaking.

Yet there was something special in the way that the work of the four artists I selected not only relates to, but also expands so much that had been explored earlier in the exhibition in terms of gaze; the relationship between painter and sitter; and the way a painter thinks of their presentation of human relations.

Art submitted is also eligible to be selected for an online only exhibition curated by Anita Rogers.

Selected art works will be featured in an online only exhibition at HamptonsArtHub.com.

Displayed at the Solomon R. Guggenheim museum in 1978 — in what was his first solo museum show in New York in nine years — Untitled XVIII belongs to a select group of only about 20 paintings that the artist deemed worthy of exhibition.

No such provincialism here: although the exhibition is firmly rooted in Wales (now in its seventh edition, it has for the past 12 years taken place at the National Museum Cardiff and other nearby arts centres), selected artists not only represent a broad range of national identities, but are also united by their works» concern with what Artes Mundi's director Karen MacKinnon describes as «global issues».

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

The artists will have one week from the time they are notified they have been selected for Artist Spotlight to submit the images - otherwise only the works included in the submission will be included in the exhibition.

The final artworks were carefully selected for the exhibition by a panel of judges including Yinka Shonibare MBE, Carly Jayne - Shape Open Prize Winner 2014, and from Shape Arts, Tony Heaton OBE and Ben Fredericks (video / audio only).

In both exhibitions, Schultz's attitude toward her selected objects» both identify and conceal their disappearance — a strategy that leaves only visual traces, drawn sketches, and print works that function as a visceral evidence of a process seemingly made elsewhere.

Art submitted is also eligible to be selected for an online only exhibition, curated by Alicia Longwell.

Juror Judith McElhone states of the exhibition, «the pieces selected for Nor'Easter: The 46th Annual Juried Members Exhibition not only speak to the incredible talent of the NBMAA members, but also to the diversity of expressions, concepts, materials, and subjects that define contemporary visual aexhibition, «the pieces selected for Nor'Easter: The 46th Annual Juried Members Exhibition not only speak to the incredible talent of the NBMAA members, but also to the diversity of expressions, concepts, materials, and subjects that define contemporary visual aExhibition not only speak to the incredible talent of the NBMAA members, but also to the diversity of expressions, concepts, materials, and subjects that define contemporary visual art.»

Other notable works in the exhibition are Swamp (1971, in collaboration with Robert Smithson), Locating # 2 (1972), Boomerang (1973, in collaboration with Richard Serra), Points of View (1974), a four - monitor installation and Revolve (1977), alongside materials from early moments of Holt's career that have been selected from the artist's archive, which has only now become available for exhibition and study.

Philophobia (fear of attachment or to fall in love) is a collaborative exhibition featuring the work of selected artists in the reflection of the vulnerability of loving someone, not only in a relationship but in all kinds of love.

Her recent exhibitions include Under One Roof, New York, Laura Tack & Leyla Aydoslu, NVT Galerie, Ghent, These Things Take Time, Ghent, War of the Senses Tank # 16, Entrepôt, Brugge, Miami Art Basel, Select Fair, Miami, Habitat, Franklin Arts Center Resident Artists Gallery, Brainerd, Minnesota, Curation Kick - Off Kunst Kotroute, Museum of Contemporary Art (SMAK), Ghent, Members Only, CultureFix, New York, and Problematic, Brooklyn Fire Proof Gallery, New York.

Only the artists selected to participate in the DESTE Prize exhibition are publicly announced.

It quickly became known for its select exhibition program, which not only offered innovative and thought - provoking works by represented artists, but it also created a platform for pioneering international artists in Berlin's newly re-emerging art scene.

SOLO EXHIBITIONS 2016 Superstar, Halcyon Gallery, London 2015 Forever Young: A Retrospective, Polk Museum of Art, Lakeland, Florida 2015 Wanted Dead or Alive, 212 Gallery, Aspen, Colorado 2015 Jackie O, Tagliatella Gallery, New York 2015 Rock n» Roll Works on Paper, Long - Sharp Gallery, Indianapolis, Indiana 2015 Young, Burkhard Eikelmann Galerie, Dusseldorf and Galerie Hafenrichter, Nurnberg, Germany 2014 SUPERSTAR, Long - Sharp Gallery, Indianapolis, Indiana 2014 Spring Show 2014, Mead Carney Fine Art, London 2014 Wild at Heart, Imitate Modern, London 2013 Dreamland, Bankrobber, London 2013 The Fight of the Paso Del Mar, Bankrobber, London 2013 Kate Moss, Collectors Contemporary, Singapore 2013 Suicide, Bankrobber, London; Galerie G. Hartinger Fine Arts, Vienna and Vertes Modern Art, Zurich 2012 Russell Young, Vertes Modern Art, Zurich, Switzerland 2012 Entertainment for Men, the Playboy Club, London 2012 Private Show, Goss - Michael Foundation, Dallas, Texas 2012 A Working Class Hero is Something To Be, Long - Sharp Gallery, Indianapolis, Indiana 2012 A Retrospective, Goss - Michael Foundation, Dallas, Texas 2012 Only Anarchists Are Pretty, Goss - Michael Foundation, Dallas, Texas 2012 The Queen is Dead, Guy Hepner, Los Angeles, California 2012 The Last Picture Show, Galerie G. Hartinger Fine Arts, Vienna and Long - Sharp Gallery, Indianapolis, Indiana 2011 The Last Picture Show, Guy Hepner, Bal Harbour, Florida and Guy Hepner, Los Angeles, California 2011 American Envy III, Long - Sharp / Curis Modern + Contemporary 2011 American Envy I, Scream Gallery, London 2011 Diamond Dust, Galerie G. Hartinger Fine Arts, Vienna 2011 Icons, Galerie de Bellefeuille, Montreal 2010 Russell Young, Tagliatella Gallery, Paris 2010 Icons & Iconoclasts, Karl Hutter Fine Art, Beverly Hills, California 2010 Pig Portraits, Guy Hepner, Los Angeles, California 2010 Russell Young, Robinsons Art Gallery, Knokke - Zoute, Belgium 2010 Diamond Dust, Russeck Gallery, San Francisco, California 2010 New Paintings, Guy Hepner, Los Angeles, California 2010 Dirty Pretty Things, Collectors Contemporary Singapore; Scream Gallery, London and Tagliatella Gallery, Palm Beach, Florida 2010 Selected Works, Karl Hutter Fine Art, Beverly Hills, California 2010 Fame + Shame, Aberson Exhibits, Tulsa, Oklahoma 2010 Russell Young, Doyle Devere, London 2009 Dirty Pretty Things, Guy Hepner, Los Angeles, California; Valentino, New York; Russeck Gallery, San Francisco and Nikolai Rukaj Gallery, Toronto 2009 The Last Picture Show, Sims Reed Gallery, London 2008 Russell Young, Karl Hutter Fine Art, Beverly Hills, California 2008 Rebel Rebel, Art of Elysium at Milk Gallery, New York 2008 Russell Young, Collectors Contemporary, Singapore 2008 Punk + Graffiti, Milk Gallery, New York 2007 Russell Young, Altermann Modern, San Francisco, California 2007 Horsepower, Milk Gallery, New York 2007 Works on Paper, Sims Reed Gallery, New York 2007 Storm, Vanina Holasek Gallery, New York 2007 Fame + Shame, Bankrobber, London 2007 Los Angeles, Galerie Adler, Paris 2006 White Rabbit, The Art of Elysium, Beverly Hills, California 2006 Russell Young, Sims Reed Gallery, London 2005 Fame + Shame, Vanina Holasek Gallery, New York and The Art of Elysium, Los Angeles 2003 Pig Portraits, SP Gallery, London, and The Art Of Elysium at Don O'Melveney Gallery, Los Angeles, California

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect».

This year's exhibition will run from March 27 — May 22, 2015, with the special by - contribution - only Benefit on Friday, May 1st, where everyone who makes a $ 150 Benefit - Vessel contribution (beginning Tuesday, March 10th at 10 am) can select one of the works in the exhibition to add to their collection.

Mergel also has presented several exhibitions in the ICA's Momentum series, including Momentum 15: R.H. Quaytman, Exhibition Guide, Chapter 15, the first solo museum exhibition of new paintings by this Boston - born artist, recently selected for the 2010 Whitney Biennial; Momentum 13: Eileen Quinlan, My eyes can only look at you (2009), a survey of 32 abstract photographs by this SMFA alumna; and Momentum 11: Nicholas Hlobo, Vula zibhuqe (2008), which featured drawings, an installation, and a performance by this South AfricExhibition Guide, Chapter 15, the first solo museum exhibition of new paintings by this Boston - born artist, recently selected for the 2010 Whitney Biennial; Momentum 13: Eileen Quinlan, My eyes can only look at you (2009), a survey of 32 abstract photographs by this SMFA alumna; and Momentum 11: Nicholas Hlobo, Vula zibhuqe (2008), which featured drawings, an installation, and a performance by this South Africexhibition of new paintings by this Boston - born artist, recently selected for the 2010 Whitney Biennial; Momentum 13: Eileen Quinlan, My eyes can only look at you (2009), a survey of 32 abstract photographs by this SMFA alumna; and Momentum 11: Nicholas Hlobo, Vula zibhuqe (2008), which featured drawings, an installation, and a performance by this South African artist.

Other highlights in the exhibition include Swamp (1971, in collaboration with Robert Smithson), Locating # 2 (1972), Boomerang (1973, in collaboration with Richard Serra), Points of View (1974), a four - monitor installation, and Revolve (1977), alongside materials from early moments in Holt's career that have been selected from the artist's archive, which has only recently become available for exhibition and study.

We are currently only considering submissions for the Select 4 exhibition in Summer 2019.

The gallery is currently featuring «By Invitation Only,» an exhibition of 22 artists selected by nine different curators, including Charles Desmarais, Dinaburg Arts, David Gibson, David Humphrey and David Hunt.

Exhibitions (Selected) 2017 Manuscript - Letter Home, China Academy of Arts Museum, Hangzhou, China Veneer, Wirksworth Festival, Derbyshire (Co-curated Exhibition) Line and Fold, Paper GALLERY, Manchester 2016 Razzle Dazzle, Transition Gallery, London Only Yours Dear, Gallery No. 1, Repton, Derbyshire (Solo) Drawn for Something Else, Rogue Project Space, Manchester Now for Tomorrow II, Nottingham Castle Museum and Art Gallery, Nottingham Razzle: All That Jazz, Harley Gallery, Wellbeck Estate, Nottinghamshire 2015 In Miniature, Small Collections Room, Nottingham Contemporary, Nottingham Autocatalytic Future Games, No Format Gallery, London 2014 (detail), The Usher Gallery, Lincoln About Painting, Castlefield Gallery, Manchester 2013 Rotation New Court Gallery Repton, Derbyshire (Solo) 2012 Needle's Eye, BayArt Gallery, Cardiff 2011 Contemporary Perspectives on Water Colour, Mall Galleries, London

In 2010, only three years after her first solo exhibit Polyester, Prager was selected for MoMA's prestigious New Photography exhibition.

Selected group exhibitions include Made in LA 2016: a, the, though, only, Hammer Museum, LA (2016); 2014 Whitney Biennial, Whitney Museum of American Art, New York (2014); Taipei Biennial 2014, Taipei Fine Arts Museum (2014); The 10th Gwangju Biennale: Burning Down the House, Gwangju (2014); and Back To Earth.

In close dialogue with Elizabeth Neilson, curator of the exhibition and director of the Zabludowicz Collection, Mirza will rework these two installations owned by the Collection to create a new exhibition which will explore not only the landmark building — its classical architecture and impressive scale — but also the works of other artists in the Collection itself, selecting artworks to incorporate into a unique display within the 19th century former chapel.

«The Gang: Photographs by Catherine Opie,» Walker Art Gallery, Liverpool, UK, October 4, 2014 — February 15, 2015 «Only Miss the Sun when it Starts to Snow,» Peder Lund, Oslo, Norway, June 21 — September 13, 2014» 2013 «In and Around LA,» Julius Shulman Institute, Los Angeles, CA, February 16 — March 24, 2013 «Catherine Opie,» Regen Projects, Los Angeles, CA, February 22 — March 28, 2013 2012 «Twelve Miles to the Horizon: Sunrises and Sunsets,» Long Beach Museum of Art, CA, October 5, 2012 - March 24, 2013 «BROADWAY BILLBOARD: Catherine Opie, Untitled (Stump Fire # 4),» Socrates Sculpture Park, New York, NY, September 9, 2012 - March 31, 2013 «Catherine Opie: High School Football,» Mitchell - Innes & Nash, New York, NY, March 10 — April 14, 2012 2011 «Catherine Opie,» Stephen Friedman Gallery, London, UK, November 23, 2011 — January 28, 2012 «Catherine Opie: New Zealand; Zero to Something,» projectspace B431, Elam School of Fine Arts, New Zealand, August 9 — 13, 2011 «Catherine Opie: Empty and Full,» Institute of Contemporary Art, Boston, MA, April 12 — September 5, 2011; catalogue «Catherine Opie: Football Landscapes,» Peder Lund, Oslo, Norway, January 15 — February 26, 2011 2010 «Catherine Opie,» Portland Art Museum, Portland, OR, October 23, 2010 — February 6, 2011 «Catherine Opie: Figure and Landscape,» Los Angeles County Museum of Art, Los Angeles, CA, July 25 — October 17, 2010 «Catherine Opie: High School Football Players,» Sabine Knust Galerie Maximilian Verlag, Munich, Germany, May 20 — June 10, 2010 «Venezia / Venice,» Studio Guenzani, Milan, Italy, May 19 — July 30, 2010 «Catherine Opie: Twelve Miles to the Horizon,» Regen Projects II, Los Angeles, CA, April 24 — May 22, 2010 «Catherine Opie: Girlfriends,» Gladstone Gallery, New York, NY, March 19 — April 24, 2010 2008 «Catherine Opie The Blue of Distance: Photographs from Alaska,» Stephen Friedman Gallery, London, UK, October 14 — November 14, 2008 «Catherine Opie: American Photographer,» Guggenheim Museum, New York, September 26, 2008 — January 7, 2009; catalogue «Catherine Opie,» Regen Projects, Los Angeles, CA, April 10 — May 17, 2008 2006 «1999 & In and Around Home,» Aldrich Museum, Ridgefield, CT, January 22 — May 14, 2006; traveled to The Orange County Museum of Art, CA, June 4 — September 3, 2006; Cleveland Museum of Contemporary Art, OH, September 29 — December 30, 2006; Weatherspoon Art Museum, Greensboro, NC, February 11 — April 29, 2007; catalogue «Catherine Opie: Chicago,» Museum of Contemporary Art Chicago, Chicago, IL, May 20 — October 15, 2006 «Catherine Opie: American Cities,» Gladstone Gallery, New York, NY, September 8 — October 14, 2006 2004 «Catherine Opie: Children,» Studio Guenzani, Milan, Italy, October 27 — December 4, 2004 «Catherine Opie: Surfers,» Gorney, Bravin & Lee, New York, NY, March 13 — April 10, 2004 «Catherine Opie: Surfers,» Stephen Friedman Gallery, London, UK, January 22 — February 21, 2004 «Catherine Opie: Surfers,» Regen Projects, Los Angeles, CA, January 10 — February 14, 2004 2002 «Catherine Opie: Icehouses,» Studio Guenzani, Milan, Italy, October 2 — November 6, 2002 «Catherine Opie: Icehouses,» Regen Projects, Los Angeles, CA, May 11 — June 15, 2002 «Catherine Opie: Skyways and Icehouses,» Walker Art Center, Minneapolis, MN, April 28 — July 21, 2002; catalogue 2001 «Wall Street,» Stephen Friedman Gallery, London, UK, November 30, 2001 — January 19, 2002 «1999,» Galeria Presenca, Porto, Portugal, November 10 — December 20, 2001 «Wall Street 2000 - 2001,» presented by Antik in cooperation with Gorney, Bravin & Lee, New York, NY, November 3 — December 10, 2001 2000 «Catherine Opie: In between here and there,» curated by Rochelle Steiner, The Saint Louis Art Museum, St. Louis, MO, October 6 — November 26, 2000 «Catherine Opie,» The Photographers» Gallery, London, UK, August 9 — September 24, 2000; traveled to the Museum of Contemporary Art, Chicago, IL, November 18, 2000 — February 18, 2001; catalogue «Catherine Opie: Large Format Polaroids,» Thread Waxing Space, New York, NY, May 12 — June 10, 2000 «Catherine Opie,» Artpace, San Antonio, TX, April 6 — July 2, 2000 «Catherine Opie,» Partobject Gallery, Carrboro, NC, April 1 — May 27, 2000 «Catherine Opie,» Gorney Bravin + Lee, New York, NY, March 18 — April 15, 2000 «Catherine Opie,» Susan Inglett, New York, NY, February 24 — April 1, 2000 1999 «Catherine Opie: A Survey,» Woodstreet Galleries, Pittsburgh, PA, September 3 — October 16, 1999 «Domestic,» Regen Projects, Los Angeles, CA, April 17 — May 22, 1999 1998 «Mini-Malls,» Jay Gorney Modern Art, New York, NY, March 21 — April 25, 1998 1997 «Catherine Opie,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, October 5, 1997 — February 8, 1998 «Houses and Landscapes,» Ginza Art Space, Shiseido, Tokyo, Japan, February 25 — March 31, 1997 «Portraits and Houses,» Susanne Hilberry Gallery, Birmingham, MI, 1997 1996 «Houses and Landscapes,» Regen Projects, Los Angeles, CA, April 27 — June 1, 1996 «Houses and Freeways,» Jay Gorney Modern Art, New York, NY, February 24 — March 30 «Freeways,» Feigen Gallery, Chicago, IL, 1996 1995 «Portraits,» enterprise, New York, NY, 1995 «Portraits,» Parco, Tokyo, Japan, 1995 «Portraits,» Galeria Massimo De Carlo, Milan, Italy, 1995 «Portraits and Freeways,» Richard Foncke Galerie, Ghent, Belgium, 1995 1994 «Portraits,» Regen Projects, Los Angeles, CA, June 4 — July 2, 1994 «Portraits,» Kiki Gallery, San Francisco, CA, 1994 «L.A. Freeways,» Jack Hanley Gallery, San Francisco, CA, November 19 — December 13, 1994 1991 «Being and Having,» 494 Gallery, New York, NY, 1991 1990 «A Long Way from Paris: Photographs from MacArthur Park, Metro Rail, and Their Surroundings,» Beyond Baroque, Venice, CA, 1990 1989 «Master Plan,» United States Post Office, Valencia, CA, 1989 «Master Plan,» Mills College, Oakland, CA, 1989 Selected Group Exhibitions:

Carefully selected writers, poets and respected historians provide insight to the artist's working process, resulting in exhibition catalogues that are not only beautifully designed and printed, but which add to the scholarship of contemporary artistic discourse.

Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT

Since we gave you a sneak peek at Ryan Frank's Isabella stool last year the totem style stacking seating design has received a wealth of compliments, not only winning «Most sustainable product» 2008/09 at the Hidden Arts annual award, but also receiving an Honorable Mention at the annual Green Dot Awards, and being selected by the National Design Museum of New York for the next Design Triennial exhibition.

The Innoxcell Annual Symposium (IAS) is largest and most comprehensive international legal and regulatory compliance conference in Hong Kong, Beijing, Shanghai, Singapore, Australia and United States.This is the only event of its kind that will run multiple paths covering great diversity of Legal and Regulatory Compliance topics with over 20 sessions to select from and 10 + exhibitions.

Industry sources recently leaked that a private exhibition room is being prepared for this advanced smartphone technology, so only a few or select individuals can see it for the first time.