Sentences with phrase «only story purposes»

Not exact matches

Not only is purpose great at inspiring content and aligning your efforts, but content itself (when approached this way) will clearly communicate your purpose and help build your audience around that cause or story.

The story of the raising of Lazarus is prefaced by a statement of its purpose: it is not only for the glory of God but «that the Son of God may be glorified by means of it» (V. 4).

The story of Jacob is supported only by divine grace, only by divine intention and purpose.

Israel's history too is a story of sustained tension between her own perversity and the purpose of God: hers, too is a history which she herself understands to be supported only by the grace of God, and his purpose for her declared of old that in her all the families of the earth should be blessed.

While the purpose of the authors in telling the story is clear, they have suggested its deeper meaning only by hints here and there.

It has not been my purpose here to evaluate the whole checkered story of civil religion and public theology in our national history but only to point out they have been absolutely integral to one aspect of our national existence, namely, our existence as a republican people.

The story understands and would have us understand that Moses is able to continue only on the strength of a renewal of purpose effected by a vivid reappropriation of the Word which first moved him from Midian to Egypt.

I wasn't shocked by the cover because I know that the only purpose behind the cover images was to A) draw attention to the story and the magazine and B) create enough controversy [which it's succeeding at] to keep people interested in the article and buying the magazine long after the story runs.

In brief, there are no likable characters, the narrative is spotty and confusing, however, the show serves its purpose in that it only relates any kind of interesting story or characterization to girls between the ages of 14 and 18.

Not only are the other characters in this story little, they have minimal development or purpose.

All of those details serve no real purpose and only drag out an already plodding story.

I also felt that the musical score was somewhat forced for the purpose of provoking on the emotional level and was only there to make up for the lack of it in the film, it did seem quite unnecessary in parts where I thought silence could have worked better, but thats not to say of course that it was brilliant to listen too, and the changes were spot on to suit the changes determined in the film but for a simplistic kind of story it seemed excessive.

The story begins when Thomas (Dylan O'Brien) wakes up trapped in a massive maze with a group of other boys, he has no memory of the outside world other than strange dreams about a mysterious organization known as W.C.K.D. Only by piecing together fragments of his past with clues he discovers in the maze can Thomas hope to uncover his true purpose and a way to escape.

Once the exposition gathers pace and the player is dipping into the stories found in the book with some sense of purpose, the monsters, demons and other sorcerers start to pose not only a considerable challenge but one that requires a fair amount of tactical decision - making.

The love story is boring, predictable and only purpose serves to show brief nudity.

Whilst the images of Blitz Britain are brilliantly displayed, the only purpose they really serve is to hammer home that the story is set amidst WWII.

Not only is Aloy a fleshed out character, she is a badass who is equal parts vulnerable when needed for story purposes and determined at other points.

This is a film with a story only set up for the purpose of the twist.

With a clear sense of story and purpose, the film not only serves as a shot in the arm for independent narrative cinema, but also as a rallying cry for those determined not to see the US go to the dogs.

Including a crossword - puzzle enthusiast (Jeffrey Wright), an animal - loving widow (Mary Beth Hurt), a group of slacker friends (including Jared Harris) and my personal favorite, a guy who only works out one side of his body (Freddie Rodriguez), the tenants are slowly drawn into the fantastical events of Story's world with one purpose: help her get back home.

The only problem is that America is still in the process of a widespread national debate about gun control, so when absolutely nothing is made of the case at the heart of the story to make room for the chases and behind - closed - doors intrigue, the issue becomes a mere afterthought, which Runaway Jury indifferently exploits for the purpose of escapism.

It's not just that story's structure, which follows these characters with no greater — or less of a — purpose than to observe the course of their daily lives, which are, we imagine, only slightly more eventful on this particular day.

It's a ghost story we've seen told many times before in far better films, so really, this film serves only one purpose, and that's to make money.

This immensely wonderful book, full of practical lessons and next steps, as well as of stories by practitioners in the field, kept reminding me of the lessons in that parable, and why I had chosen them as my final words to my students — leadership, like all life, demands mindfulness, not only for the sake of ourselves as individuals, but in order to be true to the purpose of making life better for those we work with and those we lead.

story appears on private site that exists for the purpose of providing feedback on a story (only editors and writers participating, covers various private critique groups)

In its exploration of this pivotal period in Johnson's life - and in the life of the nation - The Passage of Power is not only the story of how he surmounted unprecedented obstacles in order to fulfill the highest purpose of the presidency but is, as well, a revelation of both the pragmatic potential in the presidency and what can be accomplished when the chief executive has the vision and determination to move beyond the pragmatic and initiate programs designed to transform a nation.

To take an extreme example: if the main character of your romance is afraid of snakes, it will only interrupt the story if you then drop that character into a pit of snakes every few chapters for no other purpose than to invoke some tension (except, maybe, if the love interest is a snake charmer).

Disclaimers: This story is offered for reference purposes only and does not constitute financial advice.

The story building up to the events of Killing Floor 2 involves a scientific research facility named Horzine Biotech who were experimenting in human genetics for military purposes; only for the experiments to mutate and attack everything insight resulting in them needing to be locked away.

This story serves one purpose, and one purpose only: to give you an excuse to play 20 minigames in all periods of history, from prehistory up until 2012 AD.

A story mode won't do anything for the longevity of the game, only characters and patches can serve that purpose as most time of the game is spent online.

Not only is Aloy a fleshed out character, she is a badass who is equal parts vulnerable when needed for story purposes and determined at other points.

The skirmish mode is actually dual - purpose, not only providing players with a break from standard gameplay, but also being used as a way to open up new terrain to Evan in order to progress the story.

The first three Halo games largely tell the story of Chief taking down the Covenant, a fanatic alien group whose religious beliefs convince it that humanity must be extinguished, as well as the Flood, a zombie - like parasitic race whose only purpose is to kill.

Cantastoria not only embodies Aaron's vision, but also the function and purpose of UMOCA itself, to preserve culture and to tell stories.

The purpose of RealClimate is to educate people on the physics, but that is only half the story.

Mark Hamblett has the story at the New York Law Journal, and here's a link to the opinion, Byrne v. Rutledge, authored by a panel consisting of three of the four female jurists on the court — Judges Amalya Kearse, Reena Raggi, and Debra Livingston (this fact mentioned for purposes of trivia only; I am not suggesting that the gender makeup of the panel had any bearing on the outcome of the case, so calm down).

I shared this story only for entertainment purposes.