Sentences with phrase «only talk about the films»

After all, we're only talking about a film here, but from a character motivation stance, no one is affected that deeply by the experience, and therefore, a lot of drama that could have been there wasn't.

This is an interesting talk as the three not only talk about the films production, but they also discuss why certain elements were added to the film, most notably those which were taken directly from the comics.

Not exact matches

The government's proposal will not ban violent pornography that doesn't include penetration (and it's important to remember we're only talking about hardcore porn, not normal films, documentaries, or art).

That aspect of the film is clearly in a fight with all the «why did you come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a film is to have people talk about it.

Even Spielberg had trouble with this — «Munich» might have been the best film of 2005, but 13 years later people only really talk about Eric Bana's sweat level during that climactic sex scene.

Owned by Starz Media, Anchor Bay released a fairly dismal slate of films in 2011, with only drama Beautiful Boy (sort of an inferior, tamer version of We Need to Talk About Kevin) scoring favorable reviews from critics — and just barely.

If you don't know what I'm talking about, the censorship occurs on only a few frames of film.

It feels like only yesterday that we were talking about the best films of 2011, and yet here we are, nearly at the end of June, and we've seen pretty much everything that the first half of the year has to offer.

In the first part of the film, she can only talk about the guilt she feels about not spending enough time with her struggling artist husband.

Not only do they talk about the filming of the movie, but Knightley really gets into the story of the film and she cheers for the characters as the scenes unfold.

After only four films — Ratcatcher, Morven Callar, We Need to Talk About Kevin and You Were Never Really Here it's now apparent that Scottish director Lynne Ramsay has managed to forge her own particular style.

To be a horror movie released in February and go on to not only win Best Picture but to sweep all the top Oscars that year, you have to be talking about a masterpiece, and Jonathan Demme's film absolutely is.

Tyler, can you talk about your experience as a male and address the belief that this a film for women only.

The co - writer / director, who also made «Drive» and «Only God Forgives,» and the star sat down with us this week in Chicago to talk about the divisive response to the film, the purpose of art, and even «Beyond the Valley of the Dolls.»

It's been a few weeks since Star Wars: The Last Jedi (Star Wars: Episode VIII — The Last Jedi) took us back to a galaxy far, far away, and that film is still one of the only things the internet can talk about these days.

You talk about films changing and the fact that only three of your movies were your own projects.

He talks about why the movie took years to make, his decision to only screen on 35 mm, working with John Hawkes, and everything else you need to know about one of the most unique film releases of the year.

Emmy nominated Jake Hamilton sits down to have some fun and talk with Kate Bosworth about her new film, THE WARRIOR»S WAY — only on JAKE»S TAKES!

Counting her 1999 debut Ratcatcher in 1999, Lynne Ramsay has only directed three feature films, including Movern Callar and We Need to Talk About Kevin.

These films not only tell you what people were talking about, but how they were thinking.

I saw it three times only out of professional duty — after seeing it at a press screening several weeks ago, I led two discussions about it for the «Talk Cinema» film series.

Extras: «Lucy Mazdon on Henri - Georges Clouzot»: The French cinema expert and academic talks at length about the films of Clouzot and the troubled production of «Inferno»; «They Saw Inferno,» a featurette including unseen material, providing further insight into the production of «Inferno»; filmed introduction by Serge Bromberg; interview with Serge Bromberg; stills gallery; original trailer; reversible sleeve featuring original and newly commissioned artwork by Twins of Evil; First Pressing Only: Illustrated collector's booklet featuring new writing on the film by Ginette Vincendeau.

Sharon Carter (aka Agent 13) will bolster the film's roster of S.H.I.E.L.D. agents, adding more credence to an old theory of ours that Captain America 2 would not only explore more of the history of Steve Rogers, but would mesh many elements from the oft - talked about S.H.I.E.L.D. film where characters including Black Widow and Nick Fury could have their backstory explored as well.

He's about to direct one of the episodes of the new series of «Sherlock» with Benedict Cumberbatch and Martin Freeman, which can only raise his profile higher, and he's got a further two films in development at Big Talk, «Child Soldier» and «Wicked Smart.»

That is, until I talked to our own Zach Gayne and then read his review out of SXSW, which concluded: «The Disaster Artist is not only far funnier than you might expect, it's also far deeper than a film about the worst movie of the 21st century has any right to be.»

She talked about how she feels about the impact of her character and whether she'd add onto her range as an actress by not only doing more award contender films but also maybe still playing with genre, specifically if she'd be open to playing in the Disney Marvel sandbox with the likes of Chris Pratt and Bradley Cooper:

That scene is the one and only reason why the film didn't get it's PG - 13 rating, and even though I'd be regurgitating a lot of other bloggers» feelings about the MPAA by talking about how stupid that is I agree that the film should not be edited just for the sake of that one beautifully foul scene that honestly I don't know who would watch it and be worried for their children's innocence.

What I found most disturbing about this film though was the scene in which Jennifer Connelly confidently marches through a door only to fall down a well that has walls lined with gray talking hands that grab at her limbs and hair.

After creating a film club in high school as an excuse to go watch movies every weekend with her friends, she immediately realized talking about films was the only thing she was good at.

The only logical explanation as to why more people aren't talking about Damián Szifron's Wild Tales this year is that they didn't realize it counts as a 2015 release (in the U.S.) after generating so much buzz last year from its Oscar nomination for Best Foreign Language film.

It's also one of those rare films that passes the Bechdel test (passed only if a film shows women talking to each other about something other than men) with flying colors: Binoche is paired with rising starlet Kristen Stewart for the majority of the film, and believe me, their conversations are endlessly fascinating, with little help from men at all.

In a contest we can only imagine came down to either him or Bob Balaban, John Goodman is once again in talks to play a movie industry figure in Trumbo, Jay Roach's upcoming film about blacklisted screenwriter Dalton Trumbo.

We will remove any comments that indicate you have not seen the movie, as this area is meant to discuss the film only once you have seen it and can talk about your thoughts.

And someone who uses his spotlight to talk about something Olivia Munn said in a book and proclaim that he «banged her a few times» when «she wasn't Asian,» only to go on Howard Stern to deny it ever happened and then use an anti-gay slur in front of an audience should not be allowed to be a major force in a ceremony that celebrates the year's best achievements in film.

They also talk about the challenge of creating half of a film with only one character.

Ron Shelton compares a script to sheet music, but says that it unfortunately only gets played once; he then goes on to talk about Bull Durham being written in a single draft, with his film's opening two - page monologue dictated into a microcassette recorder while driving the back roads of North Carolina.

It's always interesting to hear actors talk about films they weren't a part of, because merely being an actor gives a person access to a level of enlightenment we lay people who watch all two hours of a movie could only dream of.

What I love most though is how these two want to work, the projects they talk about, and how those projects will not only change the conversation about diversity in film but also begin a new conversation about black film.

October is looking to be one of the best months of the year for independently minded film in the U.S., if only because a handful of titles that have been some of the most anticipated and talked about (and controversial)...

is, I think, going to be one of the most talked about films in Midnight Madness, and it's only 5 minutes long.

He talks about Vengance by George Jonas, the book on which he based his film, the only credible account of what... Read More»

shows not only which films were most talked about during Sundance, but also which films people intend to view.

As is inevitable, however, when only nine titles get picked from a longlist of 92, there was far more talk about what was left out than what was kept in, and the general verdict from onlookers was that the Academy had erred badly by passing on Campillo's film.

In this way, the film becomes a hoot, talking to us in a way we not only can relate to, but with panache and keen wit, Black crafts hilarious situations and some highly quotable lines about Hollywood movies.

I think it's so impressive that so few talk about how culturally diverse these films are especially this entry which not only features a smart and well - developed female lead as well as a Spanish villain.

Then he talk about some new trailers in the Trailer Park before getting into the new films to review: Jodorowsky's Dune, Only Lovers Left Alive, Million Dollar Arm and Godzilla.

I was certainly going to compose some sort of informal ode to Wednesday, and talk about what a great atmosphere this film had, but then I realized that the movie really does keep me at arm's length the whole time, and I can't be the only one.

Not only will seeing it create a great atmosphere, it's a film that people will be talking about for the entirety of the event.

Hearing they're working on a sequel makes sense not only because the film is expected to be a big hit, but because the film's star, Ryan Reynolds, recently talked about several potential follow - ups.

Two days into the Venice Film Festival, and still the only film I consistently hear people talking about is «Black Swan» — even as the film accrues its share of detractors, it seems Venice fest director Marco Müller has broken the traditional curse of festival curtain - raisers, kicking off this year's Lido activity with a film -LSB-...]