In her 1965 introductory note to On Weaving, Anni Albers explains that the book is «not a guide for weavers or would - be weavers,» and that she hopes to «include in my audience not
only weavers but also those whose work in other fields encompasses textile problems.»
Not exact matches
The
Weavers gradually absorbed not
only the racist religious doctrines of Christian Identity, but became familiar with the world of UFOs and alien intelligences, the supposed machinations of the Bilderbergers and the Illuminati and, most of all, the alleged conspiracies of those who were said to be the literal offspring of Satan, the Jews.
Would that these were translated into each and every language so that they might be read and understood not
only by Scots and Irishmen, but also by Turks and Saracens... Would that the farmer might sing snatches of Scripture at his plough, that the
weaver might hum phrases of Scripture to the tune of his shuttle, that the traveler might lighten with stories from Scripture the weariness of his journey.1
And I am glad you are not into the spider smashing business, I get so upset when I think of garden orb
weavers being killed, yeah I've walked through many a sticky web
only to worry where the heck is the spider, but they are harmless and very very unlikely to bite you, they are scaredy cats!
The
only candidate to use visual aids, Stevens brought in a pack basket he made and explained how one had to make a «
weaver,» a thin wooden strip used to make the basket, flexible enough to bend.
Only after squandering his family inheritance did Joseph - Marie reconsider — and even then, instead of becoming a master
weaver, he invented a machine to save himself the labor.
Anderson's story differs from Manel's in that the latter has the king hoodwinked by
weavers who claim that the suit of clothes can
only be seen by men of legitimate birth, whereas in Anderson's story, the
weavers play on the emperor's vanity by saying the suit is
only visible to people who are clever and competent.
That's a good start, but unless you're a Web designer who
only works with underwater basket
weavers, you probably have competition.
These projects have proved essential not
only to maintaining traditions and retaining links to an illustrious past, but by presenting the
weavers with new challenges that allow them to constantly expand and re-evaluate the possibilities of the medium.
Designed by one of our most celebrated contemporary artists, The Caged Bird's Song (pictured below) not
only demonstrates the exceptional technical, creative and interpretative abilities of the five
weavers who produced it, but nods to the allure of tapestry for artists through the ages, too.
Weavers, industrial designers, photographers, and architects like Anni Albers, Marianne Brandt, and Gertrud Arndt not
only advanced the school's historic marriage of art and function; they were also essential in laying the groundwork for centuries of art and design innovation to come after them.
Brunswick based artist and
weaver Maryann Talia Pau was inspired to initiate the Million Stars to End Violence project by the words of Martin Luther King Jr: «Returning hate for hate
only multiplies hate, adding more darkness to a night already devoid of stars.
«Stein's great contribution to weaving is her unique combination of refined traditional weaving techniques, possible
only on a drawloom and used by few contemporary
weavers, with modernist sensibilities influenced by Josef Albers, who trained in the German Bauhaus with its emphasis on simplicity, order, functionality, and modesty.»
Having received
only one introductory lesson and a laser - cut backstrap loom from Travis Meinolf of Action
Weaver, Wadden is an otherwise self - taught
weaver who avoids learning any proper skills.
From Anni Albers and Mary Parks Washington to Ruth Asawa and Dorothea Rockburne, these painters, sculptors, and
weavers not
only shaped the legacy of Black Mountain College, but pioneered new approaches to abstraction and art - making in the process.
She is the inventor of the WEFTY, the
only needle made by a
weaver designed specifically for use with fabric strips and bias strips.