Sentences with phrase «only young cast»

Lascher is the only young cast member who regularly speaks without sounding like an actor who's memorized a line.

Not exact matches

So of Liverpool's young prospects, there is only one, perhaps two, that you can say have a clear future with the club, and the majority will either be loaned out indefinitely or cast to the wayside.

Through a largely chronological history of Britain's relationship with the European project, Cato the Younger tells of not only the guilt of the fifteen men and women named above, but also of the «supporting cast» that includes the likes of Mr James Goldsmith, Mr George Osborne, the Barclay Brothers, Sir Edward Heath, Michael Gove and a range of backbench Conservative MPs.

Speaking at Leeds School of Music yesterday, Mr Miliband said his pledge to cut tuition fees was «cast - iron», adding: «The scourge of debt from tuition fees is not only holding back our young people, it is a burden on our country.

The director finds himself stymied by weak source material — Jean - Luc Lagarce's 1990 play about a young man who returns home to tell his family he's dying — and only intermittently well served by his starry French cast.

Younger and his cast are able to create fully realized human beings who come across not as functions for the purpose of this movie or who are only present to further certain plot strands, but instead as individuals who have found themselves in the circumstances of this dour situation who are each trying to figure out how best to deal with it.

Cast is game and the pace brisk, only marred by lame comedy situations in a few places, like a tortoise crawling over Young's foot and Aherne trying to make roast beef.

The Help's director has recruited some of the cast from that film to assist in telling this story, with Viola Davis as Brown's negligent mother, who walked out on the family when he was young, only to show up again when he becomes well known, and Octavia Spencer as his aunt, who helps care for him.

But while director Oliver Hirschbiegel («DasExperiment») very effectively takes youdeep inside Nazi Germany's crumbling heart and brings many infamous momentsacutely to life, his film doesn't offer much in the way of new insight.The script is more of a textbook play - by - play than an examination of impulsesand psyches, and while the Hirschbiegel and his cast add those dimensionsthrough their fine work, it seems the only way he could invest the audiencein these events was by seeking out a sympathetic minor character — inthe person of Hitler's young secretary, Traudl Junge (Alexandra Maria Lara)-- and beef up her significance.

2 (Gunn) After the Storm (Kore - eda) Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (Smith) God's Own Country (Lee) Lost in Paris (Abel and Gordon) Three Billboards Outside Ebbing, Missouri (McDonagh) A Quiet Passion (Davies) Logan Lucky (Soderbergh) 1922 (Hilditch) Cars 3 (Fee) Betting on Zero (Braun) People You May Know (Shilati) D + Wonderstruck (Haynes) T2 Trainspotting (Boyle) Raw (Ducournau) King Arthur: Legend of the Sword (Ritchie) It Comes at Night (Shults) Win It All (Swanberg) I Love You, Daddy (C.K.) Atomic Blonde (Leitch) Valerian and the City of a Thousand Planets (Besson) Alien: Covenant (Scott) Before I Fall (Russo - Young) Rough Night (Aniello) Take Me (Healy) Patti Cake $ (Jasper) A Cure for Wellness (Verbinski) Last Flag Flying (Linklater) The Big Sick (Showalter) The Babysitter (McG) To the Bone (Noxon) The Little Hours (Baena) Queen of the Desert (Herzog) Casting JonBenét (Green) D Personal Shopper (Assayas) A Ghost Story (Lowery) It's Only the End of the World (Dolan) Bright (Ayer) I Don't Feel at Home in This World Anymore (Blair) Good Time (The Safdies) The Lovers (Jacobs) Tulip Fever (Chadwick) The Bad Batch (Amirpour) The Vault (Bush) The Dinner (Moverman) Beauty and the Beast (Condon) War Machine (Michôd) Song to Song (Malick) War on Everything (McDonagh) Kong: Skull Island (Vogt - Roberts) Death Note (Wingard) The Mummy (Kurtzman) Girls Trip (Lee) Okja (Bong) Despicable Me 3 (Balda, Coffin and Guillon) Little Evil (Craig) Catfight (Tukel) Transformers: The Last Knight (Bay) Manifesto (Rosefeldt) D - Slack Bay (Dumont) iBoy (Randall) The 101 - Year - Old Man Who Skipped Out on the Bill and Disappeared (The Herngrens) XX (Benjamin, Clark, Kusama and Vuckovic) Woodshock (The Mulleavys) Super Dark Times (Phillips) The Layover (Macy) Fifty Shades Darker (Foley) The Boss Baby (McGrath) xXx: Return of Xander Cage (Caruso) F The Emoji Movie (Leondis) Shimmer Lake (Uziel) The Incredible Jessica James (Strouse) Baywatch (Gordon) Sandy Wexler (Brill)

Spider - Man and Aunt May are the only two characters obviously reprised from those other versions and, cast significantly younger than before, they feel fresh and different.

Martin Freeman is perfectly cast as the young Bilbo, and Ian McKellan effortlessly slides back into the role of Gandalf, but the dwarves are another matter, with Richard Armitage's leader the only one to really distinguish himself from the pack.

Claire Foy stars as a young woman who is involuntarily committed to a mental institution; other than that, the only thing we know about the film is that Jay Pharoah and Juno Temple are in the cast.

During an interview with Digital Spy, Lost and Colony actor Josh Holloway has revealed that he was originally cast as Remy LeBeau, a.k.a. the fan favourite mutant Gambit, in 2009's X-Men Origins: Wolverine, only to find himself replaced by Taylor Kitsch when the studio wanted to go younger with the character.

Such a cast, however, did make me realise how much of Hollywood's output these days is only concerned with younger stars.

Such a cast, however, did make me realise how much of Hollywood's output these days is only concerned with younger stars, and whilst the presence of Shia LeBeouf, Anna Kendrick and Brit Marling is great, you have to wonder whether the younger characters were seen as a means to getting the film greenlit.

(Irvine is a strong casting choice, though; not only does he resemble a young Firth, he's also adept at radiating a steely resilience through nervousness.)

Gondry's second film to be cast with young unknowns — following his 2012 South Bronx ensemble piece The We and the I — Microbe and Gasoline is a gentle contemplation of male friendship and the dreams of adolescence, in the form of a road / buddy movie that, unusually for Gondry, is only sometimes overtly goofy.

One expects better, not only from that seasoned cast but from the two younger men behind this material.

Unlikely scenarios (including the central love story) are established just to be rebuked in matinee idol moments (and the scene in which Watson finally dumps cad Bill (Dominic West) is an inexplicable graft from Dying Young), and by the end of Mona Lisa Smile the only thing curious is how the picture manages to cast all men as either philandering jerks or ciphers with dicks, while all subplots (one of them concerning philandering Giselle) are summarily dropped just as they threaten to provide the piece with something like depth and humanity.

Even if it wasn't one of the best new TV series of 2011 (perhaps beat only by «Homeland «-RRB-, «Game of Thrones» would have been manna from heaven for casting directors: a cast of attractive young stars, who get to show their action and acting chops, pre-picked by one of the best in the business Nina Gold, who have half the year free, and given the show's body count, will likely be free in a year or two anyway.

It has an eclectic cast (Steve Buscemi, Chloë Sevigny, Steve Zahn, and is about a young boy embarks on a perilous journey in search of his long - lost aunt and a possible home, his only companion the stolen racehorse Lean on Pete.

St Aubyn's books about that time are infused with his biting humor, and the creators allow Cumberbatch free rein to explore that range of emotions, and he's absolutely essential casting to not only pull off the role but to let viewers know it's OK to enjoy the often hilarious, drugged - out debauchery, so long as they can stomach the telling of the whole story (told in flashbacks, with Sebastian Maltz as a young Patrick, plus voice overs from grown - up Patrick and a separate, archly British narrator) and to understand his bad behavior is a bandage covering an awful wound.

Apart from the Irish - born Gambon, Bob Balaban, as a crass Hollywood producer who makes Charlie Chan B - movies, and Ryan Phillippe as his sneaky, snooping valet, are the only non-British actors in a large and eclectic cast that includes Jeremy Northam (as Ivor Novello), Alan Bates, Clive Owen, Emily Watson, Helen Mirren, Richard E Grant (in full - on sneer mode) and Kelly McDonald, as the naive young Scottish maid who gives the film its moral centre.

It's only a matter of time until the young cast gets pureed in the series» trademark Rube Goldbergian death sequences, unless Wendy and reformed jock Kevin (Ryan Merriman) can decipher photographic clues and alter destiny.

Only the film's supporting cast — which includes such dependable character actors as Pam Grier, John Cleese, Burt Young, Jay Mohr, Joe Pantoliano, and Luis Guzmán — provides the faintest glimmer of hope.

And a very good, mostly young cast not only manages to keep up with Sorkin's dialogue (not the easiest thing), but create fully realized characters.

Even the beginning bares a resembles to Texas Chainsaw Massacre with the young cast traveling by van only to be stuck in the middle of nowhere.

In X-Men: Days of Future Past, not only do we get Singer, but we get the best of both worlds as it reunites the original trilogy cast members plus the new actors that played their younger selves in X-Men: First Class.

Appearing only in the first of three vignettes, Ali is tasked with creating a complex and compelling father figure who casts a shadow over the rest of film, inspiring our young protagonist to gradually mould himself in his image.

The film looks to be a sequelboot of sorts, as it only has a couple of characters from the first movie while shifting its focus to a new, younger cast led by John Boyega.

Casting Willem Dafoe as the moral center and largely only established star in the film (he's collected a slew of award - season recognition alone including from the Golden Globes, SAG and Critics» Choice), Baker went for fresh faces in order to give a grounded, sincere sense of drama, specifically Bria Vinaite and Prince, who play a mother and young daughter, respectively, dancing at the end of a string to make ends meet.

Casting Haley Joel Osment in what might be one of the best child performances of all time, proved to pay off as he was the youngest actor to ever be nominated for an Academy Award, and it's not only a great performance by a child actor, but by any actor in general.

When the news was initially announced, fans pointed out that if Larson is cast in the role, she'll be one of the youngest actors to helm a potential franchise in the Marvel Cinematic Universe; at 26, the only actor younger and currently in the franchise is Tom Holland at 20, with Elizabeth Olsen close at 27.

A big reason for that is the cast of young up - and - comers — namely, Emma Watson, who's proven in movies like «The Perks of Being a Wallflower» and «My Week with Marilyn» that she's a legit talent that only gets better with each role, and the «Harry Potter» star most likely to succeed.

[18] Although the young hero tells Zelda that he must rest, [19] Zelda reminds him that only a single night remains until Agahnim, casts his final incantation on her and causes the entrance to the Dark World to open and overwhelm Hyrule with its evil.

This unique fundraising event will see top criminal barristers, a killer cast of celebrity performers and young people from our nationwide Festival unite on stage to perform a one night only theatrical production.