Sentences with phrase «onto canvas»

These latest paintings were begun outdoors by pouring large amounts of a solvent onto canvas and immediately spraying metallic silver paint into the flowing pools of liquid.
Among these are several small paintings with elements that look as though they were drawn by squeezing tubes of acrylic paint directly onto the canvas.
Rather than project and trace images onto canvas, as would some of her Pop Art contemporaries, several of whom had commercial backgrounds, Drexler cropped, enlarged, printed and collaged her source material, then applied acrylics on top.
They are rich in texture and are a prime example of Chinese and Western influences converging together onto the canvas.
I try to distil everything I see onto the canvas.
When he is satisfied with a particular drawing, he transfers it onto canvas by tracing the forms and masking out certain sections with tape to create lines and shapes.
The artist begins with a digitalised grid format consisting mainly of triangular outlines, which he projects onto the canvas as a start point for the new work.
I'm into figuring out how to put the drawing onto a canvas so that it becomes a part of the painting history dialogue, and not part of a computer, or digital art dialogue.
The gesso he uses as primer is applied onto the canvas in horizontal and vertical strokes with a broom stick, to recreate the warp and weft of woven rugs.
The kaolin works are generally made from clay covered canvases folded horizontally, or sometimes cut - out squares of canvas coated in the clay and adhered onto the canvas; he created just nine large - scale relief paintings depicting folded cloth.
For each work, the image of a specific rug is silkscreened onto a canvas that has been primed with several layers of tinted gesso.
Mr. Onslow Ford shared the Surrealists» interest in dreams and the unconscious, and began making spontaneous paintings by pouring paint onto canvas in a process called coulage, predating Jackson Pollock's drip technique by a decade.
He painted Ironmongers, 1981, copied from a photograph of a shop front in Ludlow, Shropshire by copying the image of a slide projected onto canvas.
He was particularly drawn to amateur photography with its slightly blurred, painterly effects, which he would reproduce onto canvas carefully, as seen in his Brigit Polk, 1971.
In some places the artist forced or scrubbed it onto the canvas, whereas in others he scribbled it into abstract configurations that seem determined to obscure the principal figures.
This was a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas (source).
Judah recreates his scenes from scores of miniature buildings, immaculately constructed from foam board, complete with solar panels, water towers and staircases, which he systematically destroys after fixing them onto canvas.
Incidental photographs made from film accidentally exposed near the Large Hadron Collider are stuck onto a canvas covered in grass and debris from the site.
Elrod is a painter, his paintings originate from the graphics program Paint, he takes pictures of the screen, projects them onto the canvas and then copies them onto the canvas by hand.
Her current work is based around figurative art and using bold colors to extenuate her energy and emotion onto canvas.
He makes them by pouring oil paint on glass and then crumbling the resulting skin onto canvas.
In «Los Angeles,» her history with the city erupts onto the canvas.
These witty and often self - deprecating poetic musings of the artist's invention are cut out or collaged onto the canvas, creating texture and tone.
He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.
James Rosenquist came to prominence among New York School Pop Art figures like Roy Lichtenstein, Jasper Johns and Robert Rauschenberg is well known for his large - scale, fragmented works that bring the visual language of commercial painting onto canvas, from 1957 - 60, Rosenquist earned his living as a billboard painter.
(Notoriously, the critic E. C. Goossen, comparing her to her towering predecessor, Jackson Pollock, wrote, «What she took from him was masculine,» i.e., enamel paint flung onto canvas with a stick; «What she made with it was distinctly feminine: the broad, bleeding - edged stain on raw linen.»
Even within one's own city, there might be hundreds of buildings, views, nooks and crannies that bring about an idea that forces itself onto your canvas of choice.
The artist who painted the portrait of Bill Clinton that hangs in Washington's National Portrait Gallery says he painted a shadow of the Monica Lewinsky scandal onto the canvas.
Form is suggested by broad areas of color, sometimes applied with a heavy impasto or gauzy indistinctness, and scrubbed onto the canvas until it resembles a film of floating light.
It wasn't until 1971 - 2, when art teacher Geoffey Bardon encouraged the men at Papunya in central Australia to put their ephemeral sand paintings onto canvas, that a new world of painting began.
Then with the brush, midair on the ladder, she shoots from the hip, flicking calligraphic arcs of golden spatter onto the canvas, over the dense, metallic tendrils.»
Since the mid-1960s, Corse has developed an innovative technique that involves mixing acrylic paint with tiny glass beads commonly used in the white lines of lane dividers on highways and painting vertical bands onto the canvas.
I use them to transfer the underpaintings onto canvas and to make prints of my finished Portraits.
In Stubbs's version of tartan, verticals and horizontals that would normally be woven are expelled painfully onto the canvas and when the pressure drops off the gun is empty, the fact is dutifully recorded.
Using what he calls a «peeling process,» Hollingsworth waits for the material to toughen and then separates the paint from the plastic wrap support before placing it directly onto the canvas.
Mathieu often squeezed paint directly from tubes onto the canvas and emphasized the necessity of rapid execution in order to harness an intuitive expression.
23, Mr. Elrod is presenting 11 works created through various techniques of digital manipulation that are transferred onto canvas.
The artist continues to explore the physicality of abstract painting by composing sculptural daubs and delicate mounds of paint onto the canvas.
However, all are transformed when Richter puts them onto canvas, for they often become anonymous in the process or become significant simply for being included.
Set against a light ground, the dark image of of John Joseph Henehan Jr. that Warhol screened onto the canvas has a looming presence.
Some of his celebrity portraits were first «under - painted» by tracing simple outlines of the photographic image onto the canvas and painted in blocks of color.
The paintings start with a large curtain textile that the artist uses to push paint onto the canvas, revealing patterns, reapplying with varying intensities to create smudges and areas of pooled pigment.
Tony Gum's often minimalist, yet considered, approach to story - telling, translated onto canvas has, to date, informed her distinctive evolutionary journey.
Mr. Kanovitz's technique was to project photographic images onto a canvas and paint over them, allowing them to guide the work in composition and scale.
Minoliti photographs the composition, which is then printed onto canvas.
Using his computer, he crafts these images into an arrangement, which he then screen - prints in layers onto the canvas; creating works situated tantalizingly between the digital and the handmade.
Pouring paint directly onto a canvas, this process involves spilling different colors on top of one another in order to produce unexpected, swirling patterns.
As one drew nearer to several of the paintings, however, one began to discern the presence of Arabic texts (actually Sufist chants), meticulously transcribed onto the canvas in graphite or pigment, where they proliferate like coral.
Ahead of her summer group show with Foxy Production and a fall solo show at Night, four paintings — evoking Tom Wesselmann cut - outs with their scrappy and material canvas glued onto canvas — were quickly sold on the range of $ 6,000 — 7,500.
While continuing to paint in a realist manner, around 1961, Richter began using photographs, projecting and tracing images directly onto the canvas.
a b c d e f g h i j k l m n o p q r s t u v w x y z