Sentences with phrase «onto flat canvases»

In the early 1940's, a painter by the name of Jackson Pollock began developing a technique that allowed him to spontaneously drip enamel paint onto flat canvases, resulting in...

While Jackson Pollock is considered as the most well - known painter who created his abstract pieces by dripping paint onto a flat canvas, many before him experimented with this method as well.

Not exact matches

Below, the master suite continues the «luxury under canvas» theme, with a four - poster queen bed bedecked with canvas and leather trim, a steamer trunk acting as a media cabinet for the flat - screen 40 - inch TV, a canvas seating area that conceals a spare bed, and canvas - backed directors chairs set before sliding doors delightfully opening onto the pool deck.

Below, the Master Suite continues the «luxury under canvas» theme, with a four - poster king bed bedecked with canvas and leather trim, a steamer trunk acting as a media cabinet for the flat - screen 40 - inch TV, a canvas seating area that conceals a spare bed, and canvas - backed directors chairs set before sliding doors delightfully opening onto the pool deck.

Instead of the expressive, gestural application of paint that was so fashionable, @TheRealHennessy tweets are silkscreened onto a flat, monochrome canvas.

In the late 1940s, Jackson Pollock (1912 — 1956), now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat directly on the floor.

Turning Western tradition on its head by splattering and dripping paint onto canvases laid flat on the studio floor, Pollock's artwork favoured process over subject matter.

Adnan paints in oil, using a palette knife to apply the paint onto canvas laid flat on a table.

About the Artist Zhu Jingyi (China, b. 1975) reimagines classic shanshui landscapes in a three - dimensional format through the application of resin onto canvas and wire to create textured structures that enliven otherwise flat, ink painted works.

These works follow on from Pollock's abstract action paintings which saw the artist drip brightly coloured paint onto canvases laid flat on the studio floor, and are far lesser known yet just as intriguing as these early, pioneering works.

Rather than painting thickly with opaque paint, Frankenthaler used oil and then later, acrylic paint, thinly like watercolor, pouring it onto raw canvas and letting it soak and stain the canvas, flowing into shapes of flat translucent color.

As it is of the nature of paintings to be flat objects with canvas surfaces onto which colored pigment is applied, such things as figuration, 3 - D perspective illusion and references to external subject matter were all found to be extraneous to the essence of painting, and ought to be removed.

His experimentations led to the development of his famous «drip» technique, in which he energetically drew or «dripped» complicated linear rhythms onto enormous canvases, which were often placed flat on the floor.

Drawn and sometimes painted, onto paper or on canvas or linen, the compositions envelop the viewer's entire field of vision and appear at once fragile and monumental, flat and illusory.

To create them, large quantities of paint are poured onto a canvas laid flat on the ground; a variety of objects, which might include clumps of ribbon, shiny pipe cleaners, styrofoam balls, and other bric - a-brac, are then tossed into areas where the pooled paint has yet to dry.

In these works, Whitten poured and pooled different layers of acrylic paint onto a canvas lying on a flat surface.