Signature (1993) translates a sense of Hawkinson's own being into a machine, giving life to a combination of working parts that continuously pens the artist's signature
onto slips of paper.
Not exact matches
The walls
of the gallery are transformed into vast
paper collages in which folded pho - tographs
of often overlooked urban infrastructure and dead zones — like multi-storey car parks, abandoned open - plan offices, motorway
slip roads, tunnels and emergency exits — are mounted directly
onto the walls.
Slips of neatly arranged photographic
paper flanked by two sinks are projected
onto each table.
We then transferred our lists
onto 365 small, fortune - sized,
slips of paper and nestled them inside lidded, glass wire - bale jars.