Sentences with phrase «onto the gallery wall in»

While Zurita recites two poems — one from before the dictatorship, one from after — a live - stream projection will depict a performer tracing Lehyt's drawings onto a gallery wall in the Carpenter Center.
Her new body of work for Timothy Taylor perfectly demonstrates this philosophy, encompassing a stained glass window intervention, a range of paintings, and a large site - specific work, which Cain will paint directly onto the gallery wall in the days leading up to the exhibition.
Just as Monk dramatizes the intimate experience of two - dimensional images in Ruscha's book, «Sunrise» and «Sunset» leap off the cover from LeWitt's book onto the gallery walls in the form of neon signage written in the original Western typeface.

Not exact matches

Meanwhile, downtown, at Bridget Donahue, older works from Burgin's «UK76» series, in which advertisement - like images of British society are pasted directly onto the gallery wall, will be on view.
For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&raWall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»
(2001/2016), a long inkjet print in a vivid green hue, hangs unframed from the wall and extends onto the gallery floor like a backdrop.
Inner defiance comes in the ways Hoseini extends her paintings onto the wall, integrating her space, the gallery's, and ours.
The sculpture is carefully arranged to emphasise and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor, encouraging the viewer to be conscious of the space
McQueen's films as an artist were typically projected onto one or more walls of an enclosed space in the gallery space, and often in black - and - white and minimalistic in nature.
Later, casting further and wider, she pulled in Japanese prints, Indian miniature painting (one of the most impressive compositions in the show, painted directly onto the gallery wall, is named Rajasthan), and ancient Egyptian tombs, whose carefully integrated decorative schemes inspired her approach to a set of hospital murals.
In another work, animatronic totems spray small blots of gray paint onto a white gallery wall.
Out of the three rooms their installations will occupy at the event at PACE in London, the largest will include six works and feature Universe of Water Particles, Transcending Boundaries, a virtual waterfall that extends beyond the gallery wall onto the floor, flowing through the space and around the feet of the viewer.
The audacious roominess of the galleries, where paintings are plopped carefully onto large white walls, allows each portrait — or person — to exist both alone and in relation to those nearby.
Barth then extends this plane of composition onto the surrounding walls of the gallery by arranging her photographs in response to the room itself.
The artwork was arranged to emphasize and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor.
Situated in a hexagonal space built into the gallery, the artist projects his film about cellphone inventor Martin Cooper projected onto three mirrored walls, reflecting the piece's hypnotic imagery in a continuous, disorienting loop.
In this show, Lawler takes her brand of appropriation one step further, tracing black - and - white outlines of her past photographs, printing them onto vinyl, and then mounting them directly on the gallery's white - washed walls.
In addition to her works on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed in vinyl on the walIn addition to her works on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed in vinyl on the walin vinyl on the wall.
In this film installation, images of well - known paintings are projected, actual size, onto the gallery walls.
There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at selectGallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at selectgallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.
The walls of the gallery are transformed into vast paper collages in which folded pho - tographs of often overlooked urban infrastructure and dead zones — like multi-storey car parks, abandoned open - plan offices, motorway slip roads, tunnels and emergency exits — are mounted directly onto the walls.
In the work of Ann Veronica Janssens and Diana Thater, colored light is projected onto the walls of the gallery whereby the architectural space becomes the arena for an experience that melds physical and immaterial / mental coordinates.
Like advertisements on the street, the eleven photographs at Bridget Donahue are presented in large - format panels pasted directly onto the gallery walls.
A tiny hole in the blocked - out windows projects the action from the neighboring BQE upside down onto tall plastic walls in the pitch - black gallery — an epic, neverending video work drawn directly from life.
This took the form of a slideshow projected onto a gallery wall and a film can containing the film of the same name in a vitrine.
The piece was installed in the side gallery where four live television streams were projected onto two walls.
You have captured so eloquently how Rachelle brings wind, sun rays, electrical energy and pulse from the outside inside and onto our Gallery's walls in her abstract landscape paintings.
Wall painting is Riley's current artistic focus, and she will spend a month painting directly onto the wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to MarchWall painting is Riley's current artistic focus, and she will spend a month painting directly onto the wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to Marchwall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to March 10.
Lisson Gallery, London, 25 March — 9 May 2015 Visitors to the Royal Academy's Anish Kapoor exhibition in 2009 will have seared in their memories the 30 - tonne train of thickened paint that moved through the neo-classical galleries, as well as the canon that shot the same red pigment onto their white walls.
The artwork was carefully arranged to emphasize and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor (source).
The website features a continuous animation of abstracted shapes falling onto themselves which, in the installation, are projected onto the gallery walls and reflected in shards of broken mirror scattered on the floor.
All three artists share an interest in remodeling and remaking, using techniques that range from pencil drawing directly onto gallery walls, to the use of textiles and found objects that range from skulls to fake designer handbags.
In Gallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a courtyarIn Gallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a couGallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a courtyarin Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a cougallery, the side wall of which opens through glass doors onto a courtyard.
It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.
Wright, who moved to Scotland from London at a young age, will now move onto his next big project - to permanently design wall paintings for the great staircases of the Dean Gallery in Edinburgh.
Located in a separate section of the gallery, Light Symbol # 5 (2016) and Shadow Symbol # 3 (2016), at first glance, appear to consist of little more than bare incandescent bulbs on stands, each with a lens focusing its bulb's light onto a spot on the wall.
A single bare bulb, hanging in the center, projects the images onto the gallery walls, doubling the portraits.
The second section, Collecting to astonish, collecting for research, begins in three visually impressive rooms, dedicated to Venetian explorers, which narrate the history of scientific expeditions by using an intentionally «old - fashioned» style; explorers» memorabilia and artifacts are placed into imposing glass and wood cabinets in the main gallery, while a number of hunting trophies and stuffed animals are arranged onto the walls of the two adjoining rooms.
In the 1930s, American photographers pushed the genre of documentary photography to the forefront of public culture in the United States and onto the walls of newly opened museums and art gallerieIn the 1930s, American photographers pushed the genre of documentary photography to the forefront of public culture in the United States and onto the walls of newly opened museums and art galleriein the United States and onto the walls of newly opened museums and art galleries.
What appears to be a nightmarish pile - up of road kill turns out to be a self - portrait of shadows projected onto the gallery wall; scrap metal metamorphoses into copulating rats; a heap of trash transforms into silhouettes of «Tim and Sue» having a drink and smoke, apparently content with the work they have made and in which they take star billing.
For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large - scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.
«Double Act» 2006 is a «play in two parts» suggesting a stage set whereby Floyer uses a theatre spotlight to project the image of a red theatre curtain onto the gallery wall.
In 2013, Ling was invited by The Mayor Gallery to paint directly onto the gallery's walls to mark the closing of the 22a Cork StreetGallery to paint directly onto the gallery's walls to mark the closing of the 22a Cork Streetgallery's walls to mark the closing of the 22a Cork Street space.
In the exhibition space of the Future Generation Prize at the Palazzo Contarini Polignac during the last Venice Biennale, the viewer was surrounded by looped hand - drawn animations of 9 naked woman projected onto the wall of the gallery space.
Finished in glossy sheens, their beveled edges throw fluorescent reflections onto the gallery walls.
Is it any wonder that Lowry has included in his plans for the future «a new flexible, double - height glass - walled gallery for contemporary art and performance — opening directly onto 53rd Street.»
The inaugural exhibition in Santa Monica featured Stroke, an installation by British artist Anya Gallaccio, consisting of chocolate smeared onto the gallery walls.
Facing the large gallery windows that open onto Grand Street, four white organic pillow - like shapes hang on a free - standing floor to ceiling wall; one in each corner.
This monumental and colourful work from the ARTIST ROOMS collection was first installed at Fraenkel Gallery, San Francisco in 2004 and is a late example of LeWitt's work, where vibrantly coloured bands are painted directly onto the wall of the galleryGallery, San Francisco in 2004 and is a late example of LeWitt's work, where vibrantly coloured bands are painted directly onto the wall of the gallerygallery space.
The Spot Paintings were perhaps the most iconic images which populated most of Hirst's ground breaking exhibitions of this period from Freeze in 1989 when he was painting directly onto the walls, to his much celebrated installation at the Saatchi Gallery in 1992 which included the iconic works The Physical Impossibility of Death in the Mind of Someone Living and A Thousand Years, to his exhibition of the Mother and Child Divided at the Venice Biennale in 1993, which announced his presence on the global scene, and his nomination for the Turner prize in 1994, the year the present work was executed.
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