While Zurita recites two poems — one from before the dictatorship, one from after — a live - stream projection will depict a performer tracing Lehyt's drawings
onto a gallery wall in the Carpenter Center.
Her new body of work for Timothy Taylor perfectly demonstrates this philosophy, encompassing a stained glass window intervention, a range of paintings, and a large site - specific work, which Cain will paint directly
onto the gallery wall in the days leading up to the exhibition.
Just as Monk dramatizes the intimate experience of two - dimensional images in Ruscha's book, «Sunrise» and «Sunset» leap off the cover from LeWitt's book
onto the gallery walls in the form of neon signage written in the original Western typeface.
Not exact matches
Meanwhile, downtown, at Bridget Donahue, older works from Burgin's «UK76» series,
in which advertisement - like images of British society are pasted directly
onto the
gallery wall, will be on view.
For West
Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&ra
Wall, Dwan Main
Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.
Gallery (1967), a now classic exhibition presented
in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty
gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.
gallery, silkscreened that image
onto a slightly smaller canvas, and installed that work on the
wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&ra
wall, making «the
wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&ra
wall... a kind of ready - made mural,» thus changing «every show
in that space thereafter.»
(2001/2016), a long inkjet print
in a vivid green hue, hangs unframed from the
wall and extends
onto the
gallery floor like a backdrop.
Inner defiance comes
in the ways Hoseini extends her paintings
onto the
wall, integrating her space, the
gallery's, and ours.
The sculpture is carefully arranged to emphasise and reveal the architecture of the
gallery, often being presented on
walls,
in corners, or directly
onto the floor, encouraging the viewer to be conscious of the space
McQueen's films as an artist were typically projected
onto one or more
walls of an enclosed space
in the
gallery space, and often
in black - and - white and minimalistic
in nature.
Later, casting further and wider, she pulled
in Japanese prints, Indian miniature painting (one of the most impressive compositions
in the show, painted directly
onto the
gallery wall, is named Rajasthan), and ancient Egyptian tombs, whose carefully integrated decorative schemes inspired her approach to a set of hospital murals.
In another work, animatronic totems spray small blots of gray paint
onto a white
gallery wall.
Out of the three rooms their installations will occupy at the event at PACE
in London, the largest will include six works and feature Universe of Water Particles, Transcending Boundaries, a virtual waterfall that extends beyond the
gallery wall onto the floor, flowing through the space and around the feet of the viewer.
The audacious roominess of the
galleries, where paintings are plopped carefully
onto large white
walls, allows each portrait — or person — to exist both alone and
in relation to those nearby.
Barth then extends this plane of composition
onto the surrounding
walls of the
gallery by arranging her photographs
in response to the room itself.
The artwork was arranged to emphasize and reveal the architecture of the
gallery, often being presented on
walls,
in corners, or directly
onto the floor.
Situated
in a hexagonal space built into the
gallery, the artist projects his film about cellphone inventor Martin Cooper projected
onto three mirrored
walls, reflecting the piece's hypnotic imagery
in a continuous, disorienting loop.
In this show, Lawler takes her brand of appropriation one step further, tracing black - and - white outlines of her past photographs, printing them
onto vinyl, and then mounting them directly on the
gallery's white - washed
walls.
In addition to her works on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed in vinyl on the wal
In addition to her works on acetate, which will stretch down a
gallery wall at MASS MoCA and
onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed
in vinyl on the wal
in vinyl on the
wall.
In this film installation, images of well - known paintings are projected, actual size,
onto the
gallery walls.
There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel
Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select
Gallery (most recently
in March); a two - person show last summer at the Untitled
gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select
gallery with a rear
wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened
onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio
in Germany
in advance of the group's MoMA retrospective; the hidden rooms and trap doors
in Swedish artist Klara Lidén's shows (there's one
in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.
The
walls of the
gallery are transformed into vast paper collages
in which folded pho - tographs of often overlooked urban infrastructure and dead zones — like multi-storey car parks, abandoned open - plan offices, motorway slip roads, tunnels and emergency exits — are mounted directly
onto the
walls.
In the work of Ann Veronica Janssens and Diana Thater, colored light is projected
onto the
walls of the
gallery whereby the architectural space becomes the arena for an experience that melds physical and immaterial / mental coordinates.
Like advertisements on the street, the eleven photographs at Bridget Donahue are presented
in large - format panels pasted directly
onto the
gallery walls.
A tiny hole
in the blocked - out windows projects the action from the neighboring BQE upside down
onto tall plastic
walls in the pitch - black
gallery — an epic, neverending video work drawn directly from life.
This took the form of a slideshow projected
onto a
gallery wall and a film can containing the film of the same name
in a vitrine.
The piece was installed
in the side
gallery where four live television streams were projected
onto two
walls.
You have captured so eloquently how Rachelle brings wind, sun rays, electrical energy and pulse from the outside inside and
onto our
Gallery's
walls in her abstract landscape paintings.
Wall painting is Riley's current artistic focus, and she will spend a month painting directly onto the wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to March
Wall painting is Riley's current artistic focus, and she will spend a month painting directly
onto the
wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to March
wall of the
gallery to create works that will be displayed alongside canvases
in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to March 10.
Lisson
Gallery, London, 25 March — 9 May 2015 Visitors to the Royal Academy's Anish Kapoor exhibition
in 2009 will have seared
in their memories the 30 - tonne train of thickened paint that moved through the neo-classical
galleries, as well as the canon that shot the same red pigment
onto their white
walls.
The artwork was carefully arranged to emphasize and reveal the architecture of the
gallery, often being presented on
walls,
in corners, or directly
onto the floor (source).
The website features a continuous animation of abstracted shapes falling
onto themselves which,
in the installation, are projected
onto the
gallery walls and reflected
in shards of broken mirror scattered on the floor.
All three artists share an interest
in remodeling and remaking, using techniques that range from pencil drawing directly
onto gallery walls, to the use of textiles and found objects that range from skulls to fake designer handbags.
In Gallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a courtyar
In Gallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a cou
Gallery Mark Mueller, Swallowed
in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a courtyar
in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious
gallery, the side wall of which opens through glass doors onto a cou
gallery, the side
wall of which opens through glass doors
onto a courtyard.
It can be read as an early indicator of her need to impose a limiting framework upon herself —
in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly
onto the
walls of the space, drawing attention to the physical characteristics of the
gallery itself.
Wright, who moved to Scotland from London at a young age, will now move
onto his next big project - to permanently design
wall paintings for the great staircases of the Dean
Gallery in Edinburgh.
Located
in a separate section of the
gallery, Light Symbol # 5 (2016) and Shadow Symbol # 3 (2016), at first glance, appear to consist of little more than bare incandescent bulbs on stands, each with a lens focusing its bulb's light
onto a spot on the
wall.
A single bare bulb, hanging
in the center, projects the images
onto the
gallery walls, doubling the portraits.
The second section, Collecting to astonish, collecting for research, begins
in three visually impressive rooms, dedicated to Venetian explorers, which narrate the history of scientific expeditions by using an intentionally «old - fashioned» style; explorers» memorabilia and artifacts are placed into imposing glass and wood cabinets
in the main
gallery, while a number of hunting trophies and stuffed animals are arranged
onto the
walls of the two adjoining rooms.
In the 1930s, American photographers pushed the genre of documentary photography to the forefront of public culture in the United States and onto the walls of newly opened museums and art gallerie
In the 1930s, American photographers pushed the genre of documentary photography to the forefront of public culture
in the United States and onto the walls of newly opened museums and art gallerie
in the United States and
onto the
walls of newly opened museums and art
galleries.
What appears to be a nightmarish pile - up of road kill turns out to be a self - portrait of shadows projected
onto the
gallery wall; scrap metal metamorphoses into copulating rats; a heap of trash transforms into silhouettes of «Tim and Sue» having a drink and smoke, apparently content with the work they have made and
in which they take star billing.
For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency
in the
gallery creating an interior
wall - mural and a series of large - scale oil paintings depicting women engaged
in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running
onto the
gallery walls.
«Double Act» 2006 is a «play
in two parts» suggesting a stage set whereby Floyer uses a theatre spotlight to project the image of a red theatre curtain
onto the
gallery wall.
In 2013, Ling was invited by The Mayor
Gallery to paint directly onto the gallery's walls to mark the closing of the 22a Cork Street
Gallery to paint directly
onto the
gallery's walls to mark the closing of the 22a Cork Street
gallery's
walls to mark the closing of the 22a Cork Street space.
In the exhibition space of the Future Generation Prize at the Palazzo Contarini Polignac during the last Venice Biennale, the viewer was surrounded by looped hand - drawn animations of 9 naked woman projected
onto the
wall of the
gallery space.
Finished
in glossy sheens, their beveled edges throw fluorescent reflections
onto the
gallery walls.
Is it any wonder that Lowry has included
in his plans for the future «a new flexible, double - height glass -
walled gallery for contemporary art and performance — opening directly
onto 53rd Street.»
The inaugural exhibition
in Santa Monica featured Stroke, an installation by British artist Anya Gallaccio, consisting of chocolate smeared
onto the
gallery walls.
Facing the large
gallery windows that open
onto Grand Street, four white organic pillow - like shapes hang on a free - standing floor to ceiling
wall; one
in each corner.
This monumental and colourful work from the ARTIST ROOMS collection was first installed at Fraenkel
Gallery, San Francisco in 2004 and is a late example of LeWitt's work, where vibrantly coloured bands are painted directly onto the wall of the gallery
Gallery, San Francisco
in 2004 and is a late example of LeWitt's work, where vibrantly coloured bands are painted directly
onto the
wall of the
gallerygallery space.
The Spot Paintings were perhaps the most iconic images which populated most of Hirst's ground breaking exhibitions of this period from Freeze
in 1989 when he was painting directly
onto the
walls, to his much celebrated installation at the Saatchi
Gallery in 1992 which included the iconic works The Physical Impossibility of Death
in the Mind of Someone Living and A Thousand Years, to his exhibition of the Mother and Child Divided at the Venice Biennale
in 1993, which announced his presence on the global scene, and his nomination for the Turner prize
in 1994, the year the present work was executed.