Sentences with phrase «onto the gallery walls of»

Not exact matches

Meanwhile, downtown, at Bridget Donahue, older works from Burgin's «UK76» series, in which advertisement - like images of British society are pasted directly onto the gallery wall, will be on view.

Commissioned by The Ballroom as a component of the Fire Into Music presentation, the silkscreened mural was printed directly onto the gallery walls.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&raWall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

When the BMA opens at 11 a.m., four volunteers will begin spitting colored food dye onto three walls of a gallery adjacent to the BMA's East Lobby, creating a vibrant backdrop for a new installation of Herring's work that will be on view beginning Saturday, October 22.

The sculpture is carefully arranged to emphasise and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor, encouraging the viewer to be conscious of the space

McQueen's films as an artist were typically projected onto one or more walls of an enclosed space in the gallery space, and often in black - and - white and minimalistic in nature.

Later, casting further and wider, she pulled in Japanese prints, Indian miniature painting (one of the most impressive compositions in the show, painted directly onto the gallery wall, is named Rajasthan), and ancient Egyptian tombs, whose carefully integrated decorative schemes inspired her approach to a set of hospital murals.

In another work, animatronic totems spray small blots of gray paint onto a white gallery wall.

Out of the three rooms their installations will occupy at the event at PACE in London, the largest will include six works and feature Universe of Water Particles, Transcending Boundaries, a virtual waterfall that extends beyond the gallery wall onto the floor, flowing through the space and around the feet of the viewer.

Art has acquired a habit of filling a gallery to its limits or, like Urs Fischer, bursting through the gallery walls and floors and onto the Lower East Side.

Stuffed onto a wall of the exhibit's spacious central gallery, the slate - gray canvas is filled with tightly wound loops, like one long continuous chalk scrawl.

The audacious roominess of the galleries, where paintings are plopped carefully onto large white walls, allows each portrait — or person — to exist both alone and in relation to those nearby.

Barth then extends this plane of composition onto the surrounding walls of the gallery by arranging her photographs in response to the room itself.

The artwork was arranged to emphasize and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor.

Taking advantage of an ancient optical principle that a ray of light entering through a small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit gallery.

Featuring a 24 carat gold leaf wall painting, a 13 - storey high design on a tower block and 5000 - word film script handwritten directly onto the gallery walls, the exhibition draws visitors through the SLG's new and existing spaces with a variety of approaches to making art directly on the walls.

One painting here has no other home than Mead gallery, painted directly onto the wall by Francis Baudevin The Only Truth samples the cover for Paul Haig's 12 ″ single of the same title.

In this show, Lawler takes her brand of appropriation one step further, tracing black - and - white outlines of her past photographs, printing them onto vinyl, and then mounting them directly on the gallery's white - washed walls.

Kydd's mural prints — large - scale photographs adhered directly onto the gallery walls — obliterate the materiality of the photograph, leaving only the image.

In addition to her works on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed in vinyl on the wall.

In this film installation, images of well - known paintings are projected, actual size, onto the gallery walls.

Here he's created a new room - size video installation consisting of «animated onomatopoeias» projected onto all four walls of the gallery; when the word «zoom» appears, it speeds along accordingly.

There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at selectGallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at selectgallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.

The walls of the gallery are transformed into vast paper collages in which folded pho - tographs of often overlooked urban infrastructure and dead zones — like multi-storey car parks, abandoned open - plan offices, motorway slip roads, tunnels and emergency exits — are mounted directly onto the walls.

The film will simultaneously be shown through four synchronized projectors onto the main gallery walls and will fill the space with an extraordinary sensorium of color, light, music and sound.

They have successfully gone beyond the walls of their gallery space and brought art experiences to unexpected places, from performances at a boxing gym to film screenings projected onto former concert hall facades.

In the work of Ann Veronica Janssens and Diana Thater, colored light is projected onto the walls of the gallery whereby the architectural space becomes the arena for an experience that melds physical and immaterial / mental coordinates.

Tilman, 12 Colors for Texas, 2007 Adhesive foil to be mounted directly onto the wall or framed 13 5/8 x 10 5/8 inches, Edition of 10 with 2 Artist Proofs Published by CCNOA (Brussels) & Gallery Sonja Roesch (Houston)

This took the form of a slideshow projected onto a gallery wall and a film can containing the film of the same name in a vitrine.

Wall painting is Riley's current artistic focus, and she will spend a month painting directly onto the wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to MarchWall painting is Riley's current artistic focus, and she will spend a month painting directly onto the wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to Marchwall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to March 10.

Lisson Gallery, London, 25 March — 9 May 2015 Visitors to the Royal Academy's Anish Kapoor exhibition in 2009 will have seared in their memories the 30 - tonne train of thickened paint that moved through the neo-classical galleries, as well as the canon that shot the same red pigment onto their white walls.

The artwork was carefully arranged to emphasize and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor (source).

The website features a continuous animation of abstracted shapes falling onto themselves which, in the installation, are projected onto the gallery walls and reflected in shards of broken mirror scattered on the floor.

The dancers then led you into a darker part of the gallery where four large video works were projected onto the walls and down onto shipping pallets.

All three artists share an interest in remodeling and remaking, using techniques that range from pencil drawing directly onto gallery walls, to the use of textiles and found objects that range from skulls to fake designer handbags.

In Gallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a couGallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a cougallery, the side wall of which opens through glass doors onto a courtyard.

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

Wright, who moved to Scotland from London at a young age, will now move onto his next big project - to permanently design wall paintings for the great staircases of the Dean Gallery in Edinburgh.

Twenty years after appearing as one of the first of the National Gallery's Artist's Eye series of modern artists and their influences among the Gallery's pictures, this ever - evolving mistress of abstract form returns with a similar display of influences and new pictures, including two large works painted directly onto the Gallery's walls.

Located in a separate section of the gallery, Light Symbol # 5 (2016) and Shadow Symbol # 3 (2016), at first glance, appear to consist of little more than bare incandescent bulbs on stands, each with a lens focusing its bulb's light onto a spot on the wall.

An assemblage of 90 speakers casts a shadow of one of the world's most familiar skylines onto the gallery wall and plays a continuous loop of sampled radio broadcasts, sirens and helicopters.

Sharing the title of the exhibition, a digitally modified 2018 video of Turner's oleaginous sea is projected onto the outer walls of the gallery interior.

The second section, Collecting to astonish, collecting for research, begins in three visually impressive rooms, dedicated to Venetian explorers, which narrate the history of scientific expeditions by using an intentionally «old - fashioned» style; explorers» memorabilia and artifacts are placed into imposing glass and wood cabinets in the main gallery, while a number of hunting trophies and stuffed animals are arranged onto the walls of the two adjoining rooms.

In the 1930s, American photographers pushed the genre of documentary photography to the forefront of public culture in the United States and onto the walls of newly opened museums and art galleries.

What appears to be a nightmarish pile - up of road kill turns out to be a self - portrait of shadows projected onto the gallery wall; scrap metal metamorphoses into copulating rats; a heap of trash transforms into silhouettes of «Tim and Sue» having a drink and smoke, apparently content with the work they have made and in which they take star billing.

For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large - scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.

«Double Act» 2006 is a «play in two parts» suggesting a stage set whereby Floyer uses a theatre spotlight to project the image of a red theatre curtain onto the gallery wall.

The Scottish - born, Finland - based artist is known for large, continually changing text collages governed by computer programs and projected onto the walls, floors, and even ceilings of museums and galleries.

A skateboarder sees the clear light Canvas Can't Contain Work That Literally Spills Onto Walls of Contemporary Art Gallery by Jack Fischer, Mercury News published Sunday, July 20 read the review

The images are projected onto the walls of the Tate's longest gallery from three slide projectors.