Sentences with phrase «op art design»

Not exact matches

The original is a (lovely) bauble, of course, but without Michel Legrand and the op - art designs to embellish it, I thought the remake fell rather short.

A versatile resource looking at album cover design, and focussing on the use of colour in Pop Art and pattern in Op Art.

Virtuos made 3D art, designed levels, and helped program many of the industry's biggest games, including Uncharted 4: A Thief's End, NBA 2K18, Middle - earth: The Shadow of War, Forza Motorsport 7, Prey, Star Wars Battlefront II, Need for Speed Payback, Watch Dogs 2, Far Cry 4, Metal Gear Solid V: The Phantom Pain, Marvel vs. Capcom: Infinite, Halo 5: Guardians, FIFA 17, Battlefield 1, Call of Duty: Black Ops 3, and Mortal Kombat X.

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

Touching on formal elements such as color theory and Op Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is up.

The new 176 - page monograph, Edna Andrade, takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

Inspired by the success of The Responsive Eye and a resulting explosion in enthusiasm for the Op Art (also known as Optical Art) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt (also known as Optical Art) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigart collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt paintings in his collection into textile designs.

ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract desiArt, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract desiart that relate to the pure pursuit of geometric and abstract design.

Referencing Op Art in the geometry of his mandala designs and interweaving the cosmic with the symbolic, he meticulously embeds thousands of gems into plexiglass canvases, bringing into being something comparable to the glowing stained - glass windows of Italian Gothic churches.

The style became wildly popular in the swinging»60s, when psycholodelic designs infiltrated fashion, design, and art — but Op Art was more than just a treart — but Op Art was more than just a treArt was more than just a trend.

The restricted black and white designs display my attraction in sharp contrasting Op - Art visual effects.

Widely known as an icon of Op art, Riley first came to prominence in the 1960s — notably after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and - white paintings that actively engaged the viewer's perception, using geometrical patterns that were quickly taken over by the fashion and design industries throughout the «Swinging Sixties».

Carlos Cruz - Diez, a Venezuelan artist recognized for kinetic and Op art, was then commissioned to work with the idea of «dazzle» camouflage to cover a historic pilot ship owned and conserved by Merseyside Maritime Museum in bright, dizzying designs.

His exhibition record includes: a one month durational performance during the exhibition Onderweg at Cultuurcentrum Zwaneberg, Heist - op - den - Berg, Belgium (2017); a solo exhibition at MART Gallery, Dublin, Ireland (2015); participation with Flux Night 2012 (Nuit Blanche Atlanta, Georgia) with a multi — channel video installation, Small Meteorites, projected within five vehicles; a city wide art installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (201art installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (201Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (2011).

That ticket also afforded aficionados advance shopping - ops among 43 internationally renowned gallerists (including Marion Goodman, Matthew Marks, Todd Merrill, R & Company's Zesty Meyers, John Berggruen, Jessica Silverman, Ratio 3's Chris Perez) and their tricked - out booths filled with cutting - edge contemporary design and modern art masterworks.

Illingworth Kerr Gallery, Alberta College of Arts + Design (works by Miruna Dragan and Jason de Haan, Mikhail Karikis, Hans Op de Beeck, Sara Ramo and Julian Rosefeldt) 1407 — 14 Ave. NW, at the Main Mall Working hours: tues — fri, from 12 pm to 6 pm; sat from 12 pm to 4 pm T: [phone]

The combined forces of his formal training, quick graffiti chops, and expert skills as a draftsman, along with multiple artistic influences (Mexican Muralists, tramp art, surfer culture, graffiti from the 1970s and 1980s, the beat poets, geometric abstraction, op art, early video and site - specific works, graphic design, typography, and cartoons) have factored into his unwieldy, yet unmistakable visual lexicon.

Tags: Bauhaus, Bridget Riley, Hans Knuckel, Japan, Josef Albers, Jurg Nanni, Lars Müller Publishers, Op Art, Poemotion 1, Poemotion 2, Seesaw, Switzerland, Takahiro Kurashima, Victor Vasarely Posted in Art, Books, Design No Comments»

2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France

In their work they fuse artistic styles of geometric abstraction, op art, and neo-futurism, with street art, architecture and design, thus illuminating a new, futuristic construction of contemporary geometric abstraction.

Le Parc, a famed proponent of kinetic and Op art, has produced 60 silk creations with his characteristic abstact designs.

Fashion brands soon popularized the bold patterns of Op Art through their «Mod» designs, while art critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeArt through their «Mod» designs, while art critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeart critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeal.

Edna Andrade takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US; traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum of Art, New York, US Mail Exhibition, Nova Scotia College of Art and Design, Halifax, CA

In Italy, Franco Grignani, who originally trained as an architect, became a leading force of graphic design where Op Art or Kenetic Art was central.

He believes «Op Art failed in that the work became about design issues, rather than art issues.&raqArt failed in that the work became about design issues, rather than art issues.&raqart issues.»

It is a dynamic sensory experience, evoking the visual play of Op Art, combined with the commercially driven message making of graphic design.

Alan Montgomery, Senior Specialist in the Contemporary Art and Design Department at Bonhams comments, «The 1960's were a pivotal decade for the worlds of art and design, and the following five decades have shown that Pop and Op art were two of its most influential and enduring movemenArt and Design Department at Bonhams comments, «The 1960's were a pivotal decade for the worlds of art and design, and the following five decades have shown that Pop and Op art were two of its most influential and enduring moveDesign Department at Bonhams comments, «The 1960's were a pivotal decade for the worlds of art and design, and the following five decades have shown that Pop and Op art were two of its most influential and enduring movemenart and design, and the following five decades have shown that Pop and Op art were two of its most influential and enduring movedesign, and the following five decades have shown that Pop and Op art were two of its most influential and enduring movemenart were two of its most influential and enduring movements.

The origins of Op Art go back to pre-war painting theories, including the constructivist ideas of the 1920s Bauhaus design school in Germany, which stressed the importance of the overall formal design, in creating a specific visual effect.

• Biography • Early Life in Budapest • Paris: Graphic Design • Abstract Painting • Optical Art • Op - Art Paintings • Awards and Collections • Legacy

There is a studied playfulness in Leach's work that suggests a web of references: from the foliate designs of Arts and Crafts fabric and wallpaper to Brigette Riley's 1960s Op paintings; from the interlace of illuminated manuscripts to printed vinyl upholstery fabric found on thrift shop furniture.

For the issue, writers reached out to environmental thinkers to pen Op - Ed pieces, and got staff writers to discuss issues like organic food, environmental art and sustainable design.