In keeping with his signature approach, Marshall has painted his figures in strikingly
opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art - historical narratives written from a white, Western perspective.
Not exact matches
A few of the sculptures on view are milky white or translucent
black concave lenses that are densely
pigmented at their thick perimeter walls and thin to a transparent, glassy central oculus, and a few are open rings of
opaque gray or pinkish white.
He had merely given his «stream» painting a larger theatre; an aerated web of silver and
black line, of spattered paint, against a background of delicate colour diffusions and stains, replaced the old
opaque, resistant
pigment.