Sentences with phrase «opaque watercolor»

Mark Rothko, Untitled (Study for Harvard Mural)(verso), c. 1961, opaque watercolor on purple construction paper, (photo: Harvard Art Museums, © President and Fellows of Harvard College)

Anthony van Dyck (1599 — 1641), Diana and Endymion, ca. 1625 — 27, pen and point of brush, brown ink and brown wash, heightened with white opaque watercolor, on blue paper, faded to green gray, The Morgan Library & Museum, I, 240.

Honoré Daumier, French; 1808 — 1879, Two Lawyers Conversing, ca. 1862, Black chalk, lithographic crayon, watercolor and opaque watercolor with graphite, 1997.87.

When Hofflander, whose opaque watercolors have been described as «sophisticated primitives,» returned May 27 this year, it was for the dedication of a wildflower refuge in Bowen Park, which he is funding to the tune of $ 10,000, plus the proceeds from the raffle of one of his paintings, which he donated to the park district.

Gouache, an expensive opaque watercolor - like paint, has been around for millennia.

Artist Statement «This poster is from my original opaque watercolor painting.

Forms Follow Man, 1941 - 1943, Mark Tobey, American, 1890 - 1976, transparent and opaque watercolor on Crescent board, 14 1/4 x 20 3/4 in., Seattle Art Museum, Eugene Fuller Memorial Collection, 50.90, © Mark Tobey / Seattle Art Museum, Photo: Elizabeth Mann.

JACOB LAWRENCE, «Soldiers and Students,» 1962 (opaque watercolor over graphite on wove paper), is currently on view in the «Witness: Art and Civil Rights in the Sixties» exhibition at Hood Museum of Art, Dartmouth College.

Albrecht Altdorfer (ca. 1480 — 1538), Two Lovers by a Fountain in a Landscape, 1509 - 10, pen and black ink and white opaque watercolor, Thaw Collection, The Morgan Library & Museum, 2006.41.

Rummage, 1941, Mark Tobey, American, 1890 - 1976, tempera and opaque watercolor on paperboard, 38 3/8 x 25 7/8 in., Seattle Art Museum, Eugene Fuller Memorial Collection, 42.28, © Mark Tobey / Seattle Art Museum, Photo: Paul Macapia.

PAGE 51: Detail of «Soldiers and Students,» 1962 (opaque watercolor over graphite on wove paper) by Jacob Lawrence.

Still Life with Sun, 1975 watercolor, opaque watercolor, and graphite on paper 22 11/16 x 30 3/16 inches Collection of the Philadelphia Museum of Art

South Asian Indian, Rajasthan, Mewar, Udaipur, Folio From a «Six Seasons» Series: Sajjan Singh Holds Court under Moonlight, ca. 1876, opaque watercolor, gold, silver on paper, 12 ⅞ x 10 3/4 in (folio); 9 1/2 x 7 1/2» (painting).

Ilya Bolotowsky, Study for Mural for Williamsburg Housing Project, c. 1936, opaque watercolor and pen and ink on board, 16 x 30 in.

Portrait of Muhammad Safdar «Ali Khan of Rampu», 1863/64, Babu Mangal Sen, opaque watercolor on paper.

Transparent and opaque watercolor, pen and ink, and graphite pencil on paper, 31 × 23 1/2 in.

Chokha, Indian, Rajasthan, Devgarh, Rawat Gokul Das and Rajawat Juvanji, 1826, opaque watercolor and gold on paper, 11 x 8 1/4 ``.

NORMAN LEWIS, «Too Much Aspiration,» 1947 (opaque watercolor, ink, and graphite on paper).

Among the artworks to be included are a series of Lawrence's early gouache (an opaque watercolor style) paintings and a series of photographs of Lawrence at the campus taken by Beaumont and Nancy Newhall.

Opaque watercolor, pen and ink, and graphite on paper, 5 3/8 x 10 1/8 in.

noon to 1 p.m. Thursday, February 5 FACULTY BIENNIAL ARTIST TALKS: Believable Fictions: Three Ways with Ronald Christ, professor of painting and drawing, and Life Under Pressure: Re-Contextualizing the Print with Monika Meler, assistant professor of printmaking Ronald Christ's studio practice includes work in oil painting, opaque watercolor, and drawing.

Opaque watercolor on pale green construction paper.

BILL TRAYLOR, «Untitled (Red Goat with Snake),» circa 1939 — 1942 (opaque watercolor and pencil on cardboard).

TOP IMAGE: BILL TRAYLOR, «Untitled (Radio),» circa 1939 — 1942 (opaque watercolor and pencil on printed advertising cardboard).

BILL TRAYLOR, «Untitled (Dog Fight with Writing),» circa 1939 — 1942 (opaque watercolor and pencil on cardboard).

BILL TRAYLOR, «Untitled (Construction with Yawping Woman),» circa 1939 - 1942 (opaque watercolor and pencil on cardboard).

BILL TRAYLOR, «Untitled (Legs Construction with Blue Man),» circa 1939 — 1942 (opaque watercolor, pencil, and charcoal on cardboard).

Details from two folios of the Shahnama of Shah Tahmasp, ca. 1525 — 30, opaque watercolor, ink, gold, and silver on paper.

Opaque watercolor on vellum, brown leather binding, gold - stamped title on red leather back label, and silver clasp

REINVENTING THE DISLOCATION, 1989 — 1997, transparent and opaque watercolor on hand - prepared wasli paper, 33 × 23 cm.

Transparent and opaque watercolors over graphite on gray / green, moderately thick, smooth textured wove paper, Sheet: 101/16 x 147/16 in.

One particularly striking work from this period, «Too Much Aspiration» (1947), is an opaque watercolor, with ink and graphite on paper.

BILL TRAYLOR, «Untitled (Radio),» circa 1939 — 1942 (opaque watercolor and pencil on printed advertising cardboard).

Artist unknown, Krishna and Radha, c. 1750, opaque watercolor and gold on cotton.

Catherine St. John, A Checkered Pass Along the Dragon and Jug, opaque watercolor, tempera and gouache on canvas

Jacob Jordaens (1593 — 1678), Christ Among the Doctors, ca. 1663, watercolor and opaque watercolor, red and black chalks, charcoal, red chalk with wet brush and pen and brown ink, sheet extended by the artist on both sides with vertical strips; purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III, 170.

Transparent and opaque watercolor, graphite pencil, and fabricated chalk on paper, 13 1/2 × 19 7/8 in.