REINVENTING THE DISLOCATION, 1989 — 1997, transparent and
opaque watercolor on hand - prepared wasli paper, 33 × 23 cm.
Opaque watercolor on vellum, brown leather binding, gold - stamped title on red leather back label, and silver clasp
Opaque watercolor on pale green construction paper.
Portrait of Muhammad Safdar «Ali Khan of Rampu», 1863/64, Babu Mangal Sen,
opaque watercolor on paper.
Rummage, 1941, Mark Tobey, American, 1890 - 1976, tempera and
opaque watercolor on paperboard, 38 3/8 x 25 7/8 in., Seattle Art Museum, Eugene Fuller Memorial Collection, 42.28, © Mark Tobey / Seattle Art Museum, Photo: Paul Macapia.
Not exact matches
Watercolor Paint Set - Best Artist Kit of 24 - Color Paint - for Kids Adults Beginners and Professionals - Extra Light Travel Case - Brush in the Kit -
Opaque Pan Set - Create Great Painting
on Paper
His
watercolors turn darker and more
opaque as he tackles images of abandoned scrap yards, ships, foreboding industrial landscapes and lonely houses
on small town streets.
PAGE 51: Detail of «Soldiers and Students,» 1962 (
opaque watercolor over graphite
on wove paper) by Jacob Lawrence.
South Asian Indian, Rajasthan, Mewar, Udaipur, Folio From a «Six Seasons» Series: Sajjan Singh Holds Court under Moonlight, ca. 1876,
opaque watercolor, gold, silver
on paper, 12 ⅞ x 10 3/4 in (folio); 9 1/2 x 7 1/2» (painting).
Ilya Bolotowsky, Study for Mural for Williamsburg Housing Project, c. 1936,
opaque watercolor and pen and ink
on board, 16 x 30 in.
Chokha, Indian, Rajasthan, Devgarh, Rawat Gokul Das and Rajawat Juvanji, 1826,
opaque watercolor and gold
on paper, 11 x 8 1/4 ``.
NORMAN LEWIS, «Too Much Aspiration,» 1947 (
opaque watercolor, ink, and graphite
on paper).
Opaque watercolor, pen and ink, and graphite
on paper, 5 3/8 x 10 1/8 in.
BILL TRAYLOR, «Untitled (Red Goat with Snake),» circa 1939 — 1942 (
opaque watercolor and pencil
on cardboard).
TOP IMAGE: BILL TRAYLOR, «Untitled (Radio),» circa 1939 — 1942 (
opaque watercolor and pencil
on printed advertising cardboard).
BILL TRAYLOR, «Untitled (Dog Fight with Writing),» circa 1939 — 1942 (
opaque watercolor and pencil
on cardboard).
BILL TRAYLOR, «Untitled (Construction with Yawping Woman),» circa 1939 - 1942 (
opaque watercolor and pencil
on cardboard).
BILL TRAYLOR, «Untitled (Legs Construction with Blue Man),» circa 1939 — 1942 (
opaque watercolor, pencil, and charcoal
on cardboard).
Details from two folios of the Shahnama of Shah Tahmasp, ca. 1525 — 30,
opaque watercolor, ink, gold, and silver
on paper.
Transparent and
opaque watercolors over graphite
on gray / green, moderately thick, smooth textured wove paper, Sheet: 101/16 x 147/16 in.
One particularly striking work from this period, «Too Much Aspiration» (1947), is an
opaque watercolor, with ink and graphite
on paper.
Artist unknown, Krishna and Radha, c. 1750,
opaque watercolor and gold
on cotton.
Catherine St. John, A Checkered Pass Along the Dragon and Jug,
opaque watercolor, tempera and gouache
on canvas
For the purposes of this publication, drawings are works
on paper that do not contain a collage element and that are executed exclusively in one or more dry mediums (such as graphite, charcoal, or crayon), and / or in fluid mediums other than paint (such as ink,
watercolor, or gouache, which is an
opaque form of
watercolor).
Anthony van Dyck (1599 — 1641), Diana and Endymion, ca. 1625 — 27, pen and point of brush, brown ink and brown wash, heightened with white
opaque watercolor,
on blue paper, faded to green gray, The Morgan Library & Museum, I, 240.
Jacob Jordaens (1593 — 1678), Christ Among the Doctors, ca. 1663,
watercolor and
opaque watercolor, red and black chalks, charcoal, red chalk with wet brush and pen and brown ink, sheet extended by the artist
on both sides with vertical strips; purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III, 170.
Transparent and
opaque watercolor, graphite pencil, and fabricated chalk
on paper, 13 1/2 × 19 7/8 in.