Sentences with phrase «opaque watercolor with»

Not exact matches

noon to 1 p.m. Thursday, February 5 FACULTY BIENNIAL ARTIST TALKS: Believable Fictions: Three Ways with Ronald Christ, professor of painting and drawing, and Life Under Pressure: Re-Contextualizing the Print with Monika Meler, assistant professor of printmaking Ronald Christ's studio practice includes work in oil painting, opaque watercolor, and drawing.

[1] Usually used with thicker, opaque paints like oils, acrylic, gouache, and tempera, the method is rarely used with «thin» mediums, such as watercolor or dry pastels.

BILL TRAYLOR, «Untitled (Red Goat with Snake),» circa 1939 — 1942 (opaque watercolor and pencil on cardboard).

BILL TRAYLOR, «Untitled (Dog Fight with Writing),» circa 1939 — 1942 (opaque watercolor and pencil on cardboard).

BILL TRAYLOR, «Untitled (Construction with Yawping Woman),» circa 1939 - 1942 (opaque watercolor and pencil on cardboard).

BILL TRAYLOR, «Untitled (Legs Construction with Blue Man),» circa 1939 — 1942 (opaque watercolor, pencil, and charcoal on cardboard).

Rather than painting thickly with opaque paint, Frankenthaler used oil and then later, acrylic paint, thinly like watercolor, pouring it onto raw canvas and letting it soak and stain the canvas, flowing into shapes of flat translucent color.

One particularly striking work from this period, «Too Much Aspiration» (1947), is an opaque watercolor, with ink and graphite on paper.

Samuel Palmer, The Sleeping Shepherd; Early Morning, 1857, etching, hand - colored with watercolor and opaque white with gold highlights, Rosenwald Collection, 1943.3.6711

Anthony van Dyck (1599 — 1641), Diana and Endymion, ca. 1625 — 27, pen and point of brush, brown ink and brown wash, heightened with white opaque watercolor, on blue paper, faded to green gray, The Morgan Library & Museum, I, 240.

Jacob Jordaens (1593 — 1678), Christ Among the Doctors, ca. 1663, watercolor and opaque watercolor, red and black chalks, charcoal, red chalk with wet brush and pen and brown ink, sheet extended by the artist on both sides with vertical strips; purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III, 170.