Sentences with phrase «open arms toward»

If you want to get a better idea of who at big banks are embracing the blockchain, have a read of the five mainstream finance figures who have open arms toward the technology.

Not exact matches

Some of them are just now swelling and splitting underground; others are breaking through the surface with a garish flash of green; others are meandering toward the sun, desperate for light or rain or some sort of trellis; others are growing slow and steady into tall shade tress with limbs like arms wide open to the world, welcoming the birds of the air to nest in their branches.

I am not ashamed because there are all these little mustards seeds scattered across our broken, shameful world, some of them just now swelling and splitting underneath the dark soil; others breaking through the surface with a garish flash of green; others meandering toward the sun, desperate for light or rain or some sort of trellis; others growing slow and steady into tall shade tress with limbs like arms wide open to the world, welcoming the birds of the air to nest in their branches.

On an exhale, step your left foot back into a low lunge, spin your left heel down, and cartwheel your arms up and open, right toes facing directly forward, left foot turned slightly in toward the center of your body.

Draw the knee across your body and lower it toward the floor as you open your right arm out to the side.

With your left palm faced open toward you, move it underneath your right underarm, with all four fingers in your armpit and your thumb resting toward your shoulder, and keeping your right arm by your side.

On the exhalation, roll the upper arms back toward the wall, opening the chest between the sternum and shoulder.

Open your arms like a scarecrow and squeeze your shoulder blades tight, then extend your arms toward the floor with your elbows extended, and finally bend them back to the scarecrow position.

To get even more height in your pelvis and begin to open your chest, roll your upper arms outward, tuck your outer shoulders in toward your midline, and come up onto the top of your shoulders, just as you would for Sarvangasana (Shoulderstand).

Next, open your chest to the ceiling and extend your top arm up overhead toward the foot of the extended leg.

In addition, other liking behavior can include: leaning in toward you, feet pointing toward you and wiggling happily, legs uncrossed and comfortable, arms open and palms up, playfully fondling jewelry or hair, smiling, extended eye contact or looking down shyly.

VIOLENCE / GORE 7 - Native Americans ride on horseback toward a house where a man arms himself and a woman with three children runs away; the man opens fire on the riders and they shoot back hitting him in the leg (blood spurts), then shooting him in the back with an arrow and one rider scalps him (we see the knife crossing the flesh and blood pours); the woman runs with the children and one young girl is shot (blood spurts), the other young girl is shot (blood splatters) and the infant in the woman's arms is shot (blood splatters).

When waiting with your own child, teach them to wait until the stop arm is fully extended and the bus door opens before moving toward the bus.

In the early morning of May 13, 1862, the side - wheel steamboat Planter left its dock in the Charleston, South Carolina, harbor and eased past an array of heavily armed Confederate fortifications toward the open sea.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Mira Dancy's gorgeous, joyful mural of a reclining female nude, for instance, takes off across from the ecstasy of feminist artist Mary Beth Edelson's Woman Rising (1973), a black - and - white photograph in which a woman stands in an open desert, her arms stretched out toward the sky in a gesture of empowerment and freedom that is reinforced by a V - shaped line of contrails in the sky.

While governments in the US (particularly the SEC), China and Russia have all taken strict or uncertain regulatory positions toward digital currencies, Switzerland has welcomed the movement with open arms.