Sentences with phrase «open copyrighted works»

You can also buy books through Kobo books or open copyrighted works with an Adobe ID.

The trends in other industries will affect consumer expectations in publishing — and in small ways, it already has, with a movement geared to opening copyrighted works to the public, and the US Department of Justice suing all of the «big six» and Apple for price fixing (iBookstore prices differ widely from Amazon's), which will likely give Amazon the upper hand in setting ebook prices in the long run.

Not exact matches

«When the text is quoted in accordance with the requirements above, notice of copyright must appear on the t «itle or copyright page or opening screen of the work.

By rejuvenating copyright to certain open public website operates, and needing royal family obligations and confining kind works following twelve months right after renewal, institutions the first overstepped its constitutional power and failed to fully guard 1st amendment interests of dependency parties in the works.

Fellows will have the opportunity to work at public interest organizations at the forefront of debates on broadband and access policy, content regulation, copyright and trademark reform, consumer privacy, open government, and more.

One of the best things you can do is open up a few books to their copyright page, and pick a model that will work for the information you need to include.

A general word of caution: If you are working with beta readers, you are opening your ideas up to them, and those ideas are usually not copyrighted.

the digital reading revolution opened up readers» eyes to the potential for screen reading, authors may have believed they were limited to self - publishing their work via a dedicated e-reader platform, at least in the early days of this current climate of digital publishing, in actuality, publishing has taken on a whole new meaning and there are unique copyright issues that go along with it.

Unglue.it essentially works by allowing the rights holders to set a price for their books; once the pre-determined price is met through pledged donations, the copyright is removed from the book and it becomes an open source title for any individual or library to download as often as needed.

Accordingly, it seems that copyright only protects a tiny percentage of creative works and it is an open question whether the author retains that copyright and is benefited by 75 years of protection.

On the other hand, if you go to the trouble to use an imprint and have some non-POD copies printed, but your book looks unprofessional (cover, copyright page, formatting, typos, etc.), all of this extra work may not open up any doors.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

«An exhibition of the 31 - year - old artist's work was scheduled to open at the Grounds for Sculpture in Hamilton, NJ, on October 18, but due to allegations of possible copyright infringement by the estate of Abstract Expressionist sculptor David Smith, that show may not go on.»

Until 1990, he self - published six: Brian Griffin Copyright in 1978, Y in 1983, Open in 1986, Portraits in 1987, Portraits, Second Edition in 1988, and Work in 1989.

However, in repeating works, Sturtevant wanted to open up the space behind them, to initiate a critical discussion about the surface, the product, the copyright and the autonomy and the silent power of art.

Even with the advent of Creative Commons, a «nonprofit that offers a flexible copyright for creative work,» basically creating an open - source environment for art of all kinds, it's amazing how many people are sloppy or even scurrilous about tucking someone else's work anonymously into their own.

Bill Heinze reports that the U.S. Copyright Office is open to your comments on any compelling concerns raised by orphan works, specifically:

The short answer is that the copyright system designed in the 18th century simply doesn't work in the era of open standards, high - speed and low - cost data communications, and ever - cheaper and more powerful devices to store, transmit and play digital content.

Its website outlines work done in copyright, privacy, telecom policy, electronic surveillance, open information, digital expression, cyber spam and security, identity theft, accessibility and consumer protection.