Sentences with phrase «open cultural project»

An idea of hope and a sense of the romantic — encapsulated in the authorisation of «now is right now», — a confident voice of a generation that can be witnessed in Taiga, the liveliest self - initiated, non-institutional open cultural project space in St. Petersburg.

Not exact matches

The cultural and tourism projects include theme parks, which Wang appeared to be bullish on last year when competitor Shanghai Disneyland opened.

ACC Accounting & Auditing, AFR Africa, AGE Economics of Ageing, AGR Agricultural Economics, ARA Arab World, BAN Banking, BEC Business Economics, CBA Central Banking, CBE Cognitive & Behavioural Economics, CDM Collective Decision - Making, CFN Corporate Finance, CIS Confederation of Independent States, CMP Computational Economics, CNA China, COM Industrial Competition, CSE Economics of Strategic Management, CTA Contract Theory & Applications, CUL Cultural Economics, CWA Central & Western Asia, DCM Discrete Choice Models, DEM Demographic Economics, DEV Development, DGE Dynamic General Equilibrium, ECM Econometrics, EDU Education, EEC European Economics, EFF Efficiency & Productivity, ENE Energy Economics, ENT Entrepreneurship, ENV Environmental Economics, ETS Econometric Time Series, EUR Microeconomics European Issues, EVO Evolutionary Economics, EXP Experimental Economics, FDG Financial Development & Growth, FIN Finance, FMK Financial Markets, FOR Forecasting, GEO Economic Geography, GRO Economic Growth, GTH Game Theory, HAP Economics of Happiness, HEA Health Economics, HIS Business, Economic & Financial History, HME Heterodox Microeconomics, HPE History & Philosophy of Economics, HRM Human Capital & Human Resource Management, IAS Insurance Economics, ICT Information & Communication Technologies, IFN International Finance, IND Industrial Organization, INO Innovation, INT International Trade, IPR Intellectual Property Rights, IUE Informal & Underground Economics, KNM Knowledge Management & Knowledge Economy, LAB Labour Economics, LAM Central & South America, LAW Law & Economics, LMA Labor Markets - Supply, Demand & Wages, LTV Unemployment, Inequality & Poverty, MAC Macroeconomics, MFD Microfinance, MIC Microeconomics, MIG Economics of Human Migration, MKT Marketing, MON Monetary Economics, MST Market Microstructure, NET Network Economics, NEU Neuroeconomics, OPM Open Macroeconomics, ORE Operations Research, PBE Public Economics, PKE Post Keynesian Economics, POL Positive Political Economics, PPM Project, Program & Portfolio Management, PUB Public Finance, REG Regulation, RES Resource Economics, RMG Risk Management, SBM Small Business Management, SEA South East Asia, SOC Social Norms & Social Capital, SOG Sociology of Economics, SPO Sports & Economics, TID Technology & Industrial Dynamics, TRA Transition Economics, TRE Transport Economics, TUR Tourism Economics, UPT Utility Models & Prospect Theory, URE Urban & Real Estate Economics.

ACC Accounting & Auditing, AFR Africa, AGE Economics of Ageing, AGR Agricultural Economics, ARA Arab World, BAN Banking, BEC Business Economics, CBA Central Banking, CBE Cognitive & Behavioural Economics, CDM Collective Decision - Making, CFN Corporate Finance, CIS Confederation of Independent States, CMP Computational Economics, CNA China, COM Industrial Competition, CSE Economics of Strategic Management, CTA Contract Theory & Applications, CUL Cultural Economics, CWA Central & Western Asia, DCM Discrete Choice Models, DEM Demographic Economics, DEV Development, DGE Dynamic General Equilibrium, ECM Econometrics, EDU Education, EEC European Economics, EFF Efficiency & Productivity, ENE Energy Economics, ENT Entrepreneurship, ENV Environmental Economics, ETS Econometric Time Series, EUR Microeconomic European Issues, EVO Evolutionary Economics, EXP Experimental Economics, FDG Financial Development & Growth, FIN Finance, FMK Financial Markets, FOR Forecasting, GEO Economic Geography, GRO Economic Growth, GTH Game Theory, HAP Economics of Happiness, HEA Health Economics, HIS Business, Economic & Financial History, HME Heterodox Microeconomics, HPE History & Philosophy of Economics, HRM Human Capital & Human Resource Management, IAS Insurance Economics, ICT Information & Communication Technologies, IFN International Finance, IND Industrial Organization, INO Innovation, INT International Trade, IPR Intellectual Property Rights, IUE Informal & Underground Economics, KNM Knowledge Management & Knowledge Economy, LAB Labour Economics, LAM Central & South America, LAW Law & Economics, LMA Labor Markets - Supply, Demand & Wages, LTV Unemployment, Inequality & Poverty, MAC Macroeconomics, MFD Microfinance, MIC Microeconomics, MIG Economics of Human Migration, MKT Marketing, MON Monetary Economics, MST Market Microstructure, NET Network Economics, NEU Neuroeconomics, OPM Open Macroeconomics, PBE Public Economics, PKE Post Keynesian Economics, POL Positive Political Economics, PPM Project, Program & Portfolio Management, PUB Public Finance, REG Regulation, RES Resource Economics, RMG Risk Management, SBM Small Business Management, SEA South East Asia, SOC Social Norms & Social Capital, SOG Sociology of Economics, SPO Sports & Economics, TID Technology & Industrial Dynamics, TRA Transition Economics, TRE Transport Economics, TUR Tourism Economics, UPT Utility Models & Prospect Theory, URE Urban & Real Estate Economics.

Over the last 10 years, the project has held more than 20 public meetings, participated in numerous one - on - one meetings and group presentations, and has engaged in open dialog and meaningful discussions with community members and stakeholders to better understand the island's issues as well as the cultural and natural significance of Maunakea.

The Sundance Institute Theatre Program works in «the space in - between» an artist's idea and a project's production as well as opening up new spaces of aesthetic, cultural and geographic exploration

«One of the main reasons why I opened it is because I have a son, which is perhaps the reason behind many cultural projects, they are very personal,» Sonia told Publishing Perspectives at the store in the city of Cuernavaca.

Before diving into the Internet Archive and the Open Library Project, let's ask ourselves some questions about the value of books and other cultural expressions.

The 150 - room Hilton Rabat, expected to open in 2022, will be part of the Wessal Bouregreg project, which contains a range of high - end residential, entertainment and cultural attractions along the river Bouregreg....

2004 Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY Tokyo - Chicago - New York, Tokyo National University of Fine Art and Music, Japan Sympathetic Nerve, Capsule Gallery, New York, New York The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York Six Outdoor Projects, Long Island University, NY Slice and Dice, Visual Arts Gallery, New York, NY Transmotion, Lower Manhattan Cultural Council, NY 1800 Frames 2004, City Without Walls, Newark, NJ

Shani Peters (collaborator: Sharita Towne), «Tradução: Intercultural Media Exchange: US & Brazil» A cultural exchange project organized by collaborators Shani Peters and Sharita Towne, the project will bring an interdisciplinary U.S. based «playlist» to Bahia, Brazil to be translated and analyzed in open dialogue sessions, in tern participants will create and contextualize a playlist of their own to send back to the U.S.

His largest project to date, the Smithsonian Institute National Museum of African American History and Culture, opened on the National Mall in Washington, DC in fall of 2016 and was named Cultural Event of the Year by the New York Times.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

Prof. Su Xinping, Vice President of CAFA, Bérénice Angremy, Cultural Commissioner of the French Embassy in China, Isabelle Bertolotti, one of the curators of the exhibition and Director of the Museum of Contemporary Art of Lyon / mac LYON, Georges Verney Carron, Founder of the Institute of Contemporary Art, Villeurbanne / Rhône - Alpes, Marilou Laneuville, the assistant curator from France, participating artists from France and China, Project Coordinator Yu Meng, and Gao Gao, the assistant curator from China attended the opening ceremony.

Erik's work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events & Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska — Omaha, University of Wisconsin - Milwaukee, and Columbia College, among others.

Ceci n'est pas... is a project initiated by the Cultural Services of the French Embassy in the United States in association with the Institut Français, with the support of the Alliance Française of Los Angeles, the French Ministry of Culture and Communication and the participation of many local institutions.Ceci n'est pas... will begin on December 1, 2012 with the opening of the exhibition LOST IN LA, organized by the FLAX Foundation and will continue for 5 months, ending in April 2013.

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

Consisting of sixteen large - scale silver, black, and white flags encircling Collins Park, the flags further Pendleton's «Black Dada» project, a long - term exploration pairing two previously unrelated concepts: Dada, the early twentieth - century absurdist cultural movement, and the notion of «black» as an open - ended signifier.

The LES Studio Program allows emerging and underrepresented artists to have free studio space and access to art professionals, the annual Open Studios held in conjunction with the Clemente Soto Velez Educational and Cultural Center provides the public with an opportunity to see artists» work, and the Art (Inter) Actions initiative directly collaborates with the local community through educational and outreach projects.

Knight Foundation January 21 - April 8, 2018 - Solo Show The Unavoidable Twilight - AIRIE Nest Gallery - Everglades National Park October 18, 2017 - January 8, 2018 - Solo Show Mythology & Site - Deering Estate - Miami November 19, 2017 - January 5, 2018 - Group Show SIXTH - curated by Jane Hart Bridge Red Studios / Project Space November 30, 2017 - Four Women Show The Reform of Consciousness - curated by Nina Surel Collective 62 October - November 2017 - Artist Residency - Crandon Park September 8 - October 22, 2018 - Group Show Dual Frequency South Florida Cultural Consortium - Art and Culture Center of Hollywood June 28 - Open Studios Fountainhead Studios June - September 2017 - Two of my drawings are featured in the Perez Art Museum's Inside / Out Public Art Program, which brings reproductions of artworks from their collection into Miami neighborhoods.

In spring 2007, cultural producers Dorothee Bienert, Dortje Drechsel, Marina Sorbello and Antje Weitzel opened a project space in Berlin - Wedding to the public — a multifunctional space for exhibitions, meetings, presentations, seminars, conferences, screenings and workshops, featuring Berlin based and international artists.

It is the ambition of this project to not only commission a permanent public sculpture for The Hepworth Wakefield but to work closely with the wider Wakefield Museum / Cultural Services team to create a site - specific work for Castleford, forging links between the two locations and opening up discussion and debate around the role of public art.

In spring 2007 cultural producers Dorothee Bienert, Dortje Drechsel, Marina Sorbello and Antje Weitzel opened to the public the project space uqbar in Berlin - Wedding, a multifunctional space for exhibitions, meetings, presentations, seminars, conferences, screenings and workshops, featuring Berlin - based and international artists.

Our current plan is to open an office in Brussels early in 2010 and to continue to work on the international projects (amongst others: With Your Eyes Only @ Medienturm Graz, My Eyes Keep Me in Trouble @ Urban Institute for Contemporary Arts (UICA), Grand Rapids, Michigan, and Centro Cultural Recoleta, Buenos Aires, CAN - Centre D'Art, Neuchatel) scheduled up to the year 2011.

In spring 2007 cultural producers Dorothee Bienert, Dortje Drechsel, Marina Sorbello and Antje Weitzel opened to the public the project space uqbar in Berlin - Wedding, a multifunctional space for exhibitions, meetings, presentations, seminars, conferences, screenings and workshops, featuring Berlin based and international artists.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Lee explains that not only are there three private museum openings planned for next year in Shanghai but that he's also launching a large cultural event this coming September — the Shanghai Project.

As Artistic Director of the Moroccan organisation Feddan, she develops its large - scale permanent residency and exhibition project Trankat Street (opening in 2013, Tétouan part of Marseille 2013, European Cultural Capital).

artscope proudly sponsors the region's culture and art institutions, including: Amherst Biennial Arts Affair 9th Annual Artists for Humanity Greatest Party on Earth 12th Annual Marina Bay Boardwalk Arts artistprojectny / Architectural Digest Home & Design Show Asian Cultural Center of Vermont Boston Public Library Brattleboro Gallery Walk Breast Cancer Research Burlington Open Studios Bristol Warren Art Night Cambridge Arts Council Cambridge Open Studios Cambridge River Festival Chelsea, NY High Line Development Project Copley Society of Art Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak: Contemporary Craft MassArt Auction Montserrat College of Art, Artrageous!

As part of our participation in Lower Manhattan Cultural Council's Process Space artist residency program, we are pleased to invite you to see progress of our newest project Sitings at LMCC's Open Studios, which is presented as part of River To River Festival 2016.

Emile is responsible for curating the exhibition, Uncontained: opening the Community Arts Project archive (2012), public of a collection of artworks that has largely lain dormant in the storerooms of Community Arts Program (CAP) and Arts and Media Access Centre (AMAC), and the re-activation of the archive from neglect by mainstream cultural history.

Leah Oates Prior to opening Station Independent Projects, Oates curated exhibitions in the New York City area at The Pulse Art Fair, The Scope Art Fair, The Center for Photography at Woodstock, Asya Geisberg Gallery, Chashama, Artists Space, Nurture Art and The Kauffman Arcade Gallery and in the Chicago area at Randolph Street Gallery, The Peace Museum and The Noyes Cultural Arts Center.

15 November, 2011 - The Power Plant opens two major exhibitions: a new project by renowned Canadian artist Stan Douglas; and an international group exhibition of work by younger artists — both reflect on poignant moments in cultural history and their enduring effects on our contemporary experience.

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

Interstate Firehouse Cultural Center, Portland, OR Open House Opening (project coordinated by Michelle Ross & Karl Burkheimer), private residence, Portland, OR

The opening days of the Sharjah Biennial 9 coincides with Art Dubai 2009 (18 - 21 March 2009), offering international visitors the opportunity to experience the diversity of cultural projects now underway in the Gulf region.

Nadim Abbas is in the group show «interval in space» — the second part of a Switzerland Cultural Exchange Project with NAIRS Foundation — at Osage Gallery in Hong Kong, which will open 15 December 2017.

Come una falena alla fiamma (Like a Moth to a Flame) is the title of the great exhibition project realised together by OGR Torino and Fondazione Sandretto Re Rebaudengo, which opens next 3 November at the premises of the two cultural institutes of Turin.

Each year Artspace presents several gallery - based exhibitions as well as touring and off - site projects; hosts artist residencies; operates a regular open studio program; initiates a range of public programs and education activities including conferences, lectures and artist discussions; and publishes cultural theory books and artist monographs.

Horowitz's project will open with a Green Ribbon - cutting event and reception to mark the transformation of this site from a meatpacking factory to a lab for artmaking and cultural commerce.

After the adrenaline rush and press attention of the Biennial opening, Satterwhite is back at work in his Lower Manhattan Cultural Council studio, laboring on yet another computer - intensive project.

Following the much buzzed - about opening of the National Museum of African American History and Culture, Sir David Adjaye will soon count another American cultural institution on his project roster.

Recent selected group exhibitions include: Basic Structures of, Austrian Cultural Forum, London, UK; FACE TO FACE: A Selection of International Emerging Artists from the Ernesto Esposito Collection, Palazzo Fruscione, Salerno, IT (both 2016); A Natural Syntax for Rhythmic Forms and Semiotic Variations, BID Project, Milan, IT; Madrugada: Louisa Gagliardi, Fay Nicolson, Tomorrow Gallery, NY, USA; Jacopo Miliani, Fay Nicolson, Jackson Sprague, Frutta, Rome, IT; Elapse / End, MAISTERRAVALBUENA, Madrid, ES; As it seems, COSAR HMT, Dusseldorf, DE; Palourde Cuites, Christopher Crescent, Brussels, BE; Exquisite Collapse, blip blip blip, Leeds, UK; The Decorator and the Thief -LRB-...), NGCA & Priestman Gallery, Sunderland, UK (all 2015); ACCORDION, Laura Bartlett Gallery, London, UK; before breakfast we talked about the furthest visible point before it all disappeared, Tenderpixel, London, UK; Textile Languages, Thalie Art Project, Brussels, BE (all 2014); Open Cube, Mason's Yard White Cube, London, UK (2013).

DS+R is currently engaged in two significant cultural projects in New York: the renovation and expansion of the Museum of Modern Art, phase one of which was completed in June 2017; and New York's first multi-arts center, known as the Shed, designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, scheduled to open in spring 2019.

Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.

His largest project to date, the $ 540 million Smithsonian National Museum of African American History and Culture, opened on the National Mall in Washington DC in autumn of 2016 and was named cultural event of the year by the New York Times.

Group Exhibitions 2015 — «Plagiar o Futuro», (Plagiarizing the Future) Hangar, Lisboa, Portugal (curated by Bruno Leitão, Andrea Rodríguez Novoa)-- «Imagine Brazil» — Artist's Books, DHC / ART Founation, Montreal, Canada (curated by Jacopo Crivelli Visconti, Ana Luiza Fonseca)-- «Happeland», Radiator Arts / New York, EUA (curated by Eva Davidova, Almudena Baeza)-- «Open Sessions», Drawing Center, New York, EUA — «Theorem», Mana Contemporary, Jersey City, USA (curated by Octavio Zaya)-- «Contramuro», (Counter-mure) Galería Instituto de Visión, Bogotá, Colombia (curated by Omayra Alvarado)-- «Ejercicios de Traslado», (Practices on transference) Centro de Arte de Alcobendas, Alcobendas, Spain (curated Osbel Suárez)-- «La angustia de casi saber y quedarse no sabiendo», (The angst of almost knowing but remain ignorant) Galería Diablo Roso, Panama City, Panamá — «Instalations», Studio Sandra Recio / Geneva, Switzerland 2014 — «Cruce de Colecciones», (Collections Crossroads) Centro Atlántico de Arte Moderno, Las Palmas, Spain — «The Language of Human Consciousness», Athr Gallery, Jeddah, Saudi Arabia — «Cine Bogart, Imaginar un edificio», (Bogart Cinema, a building imagined) Centro Centro, Madrid, Spain (curated by Ines Caballero)-- «Objects in the mirror are closer than they appear», Lugar a Dudas, Cali, Colombia (curated by Daniel Silvo) 2013 — «La copia de la copia» (The copy of the copy), Museum of Contemporary Art, Guayaquil, Ecuador (curated by Hernan Pacurucu)-- «Cuando el mundo se hace plano» (When the world becomes flat), Centro de Cultura Contemporánea San Martin, Las Palmas de Gran Canaria, Spain - «Brutalidade Jardim», Galeria Marilia Razuk / São Paulo, Brazil (curated by Kiki Mazzucchelli)-- «Imagine Brazil» — Artist's Books, Astrup Fearnley Museet, Oslo, Norway (curated by Jacopo Crivelli Visconti, Ana Luiza)-- «On Painting», CEART — Centro Cultural Tomás y Valiente, Fuenlabrada, Spain (curated by Omar - Pascual Castillo)-- «Playtime», Museo Nacional de Arqueologia Subacuática, Cartagena, Spain — «Gracia Divina» (Divine Grace), Sala Gasco, Santiago, Chile (curated by Andrea Pacheco)-- «Hacer en lo cotidiano», Sala de Arte Joven de la Comunidad de Madrid, Madrid, Spain (curated by Beatriz Alonso)-- «En Obras» (In the Works), Galería Nuble, Santander, Spain (curated by Iciar Sagarminaga)-- «On Painting», Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (curated by Omar - Pascual Castillo)-- «Objects in the mirror are closer than they appear», Galeria Isabel Hurley, Málaga, Spain (curated by Daniel Silvo) 2012 — «Expanded Drawing», Casal Solleric, Palma de Mallorca, Spain (curated by Pilar Ribal)-- «Carnaza para los Dioses» (Offering to the Gods), CAAM — Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain — 11th Havana Biennial, Havana, Cuba 2011 — 11th Cuenca Biennial, Cuenca, Ecuador — «Inside», Cidade da Cultura, Santiago de Compostela, Spain (curated by Rafael Doctor)-- «New Brazilian Sculptur» e, Caixa Cultural, Rio de Janeiro, Brazil (curated by Alexandre Murucci)-- 8th Mercosul Biennial, Porto Alegre, Brazil — Bologna Art First, Pinacoteca di Bologna, Bologna, Italy (curated by Julia Draganovic) 2010 — 12th International Cairo Biennale, Cairo, Egypt — «Synergie's, Museum of Contemporary Art, Union Fenosa (MACUF), La Coruña, Spain (curated by Carlos Jimenez)-- «Look Up», Alfandega, Porto, Portugal (curated by David Barro)-- «Kierkegaard's Walk», Galeria Marilia Razuk, Sao Paulo, Brazil (curated by Jacopo Crivelli Visconti)-- «Synergies», Museum of IberoAmerican Contemporary Art in Extremadura (MEIAC), Badajoz, Spain (curated by Carlos Jimenez)-- «Postgraffiti, Geometry and Abstraction», Fundación Caixa Galicia, A Coruña, Spain (curated by Javier Abarca) 2009 — «Residency 09», Futura Project, Prague, Czech Republic — «Building, Dwelling, Thinking — Strategies for Contemporary Art and Architecture», IVAM, Valencia, Spain (curated by Fernando Castro Florez)

The project — conceived in collaboration with Kuwaiti architect and artist Aziz Al Qatami, founder of the architecture firm Atelier Aziz Al Qatami and member of the artist collective GCC, who was commissioned to create the Grand Opening Reception exhibition design — questions the role of «artistic positions in contemporary institutional marketing and the eventisation of cultural production in the form of local identity creation».

With a mandate to support creative initiatives, Alserkal Avenue is known for supporting local talent and cultural projects: Quoz Arts Festival, the first free, community arts festival in the UAE, Galleries Night, a biannual feature on Dubai's art calendar; galleries and creative spaces simultaneously open their doors to the public, including live performances by local musicians; and Urban Market, a seasonal, daylong, outdoor festival to bring the community together, celebrating arts, food and creativity.

In spring 2007 cultural producer Dorothee Bienert, Dortje Drechsel, Marina Sorbello and Antje Weitzel have opened to the public a project space in Berlin - Wedding, a multifunctional space for exhibitions, meetings, presentations, seminars, conferences, screenings and workshops, featuring Berlin based