Sentences with phrase «open narratives which»

Drawing from his mastering of glass techniques, as well as from historical, mythical, and personal sources, Erdos constructs open narratives which results in a sensory overload for the viewer.

Not exact matches

For the use of opening formulas and connecting particles by the Gospel writers in the Greek New Testament, there is no consistent renderings in any of the English as well as in most of the Indian versions.60 Therefore, the Indian versions, which are translated from English, lag behind to reflect the artistic mind of the author as well as the literary character of the narratives in the original source.

These sacred narratives reposition the benefactor; they open up a revelatory horizon against which the potential benefactor can discover herself to be a beneficiary.

I consider this an ambiguous gift: on the one hand, postmodern tendencies open up spaces for the new perspectives and voices mentioned above; on the other hand, as the social critic Jane Flax notes, a hard - core kind of postmodernity which would postulate the death of history, of the human being and of metaphysics undermines the kind of critical reason that is necessary to counter the «master narrative» constituted by capitalist globalization.

This is an infinite which expresses itself in a narrative vision, not a predetermined narrative nor one which intends to include only a particular kind of people or a particular reality, but a story which is much more open than the old story used to be — a story, indeed, with many strands rather than with one, and a story which is not going to any predetermined place but which is constantly open to the best possibility that is relevant for it.

This power to enable participation, so that the new is not only what comes to us but a new reality which we ourselves make as we express our own creativity and purpose, is one of the great functions of narrative vision, and it must be an aspect of any future - oriented vision which is really open to the new.

Faith is the memory of all of the ways in which God has acted to relativize the world and transform it — a memory which is illumined throughout by the narrative of Jesus, which warns us against establishing even our relation to that narrative as absolute and which opens us to transformation in the present by the new that now comes.14

Stories however have emerged stating that the Chilean forward sits alone during meal times at United's training ground Carrington, which inevitably has cast a sad and lonely narrative over Sanchez's opening months at United accompanied with recent poor form.

Such pressure, in turn, encourages researchers to engage in «a host of biased practices [including] reinventing history to «predict» results that were, in fact, unexpected, or selectively reporting analyses that allow more publishable narratives,» continued Chambers, who is the editor in charge of handling Registered Reports at Royal Society Open Science, an online - only journal which covers all fields of science, engineering, and math.

This sketched - in narrative only really becomes coherent after the opening third, which is so impressionistic as to make it difficult to piece together.

It's a lot of fun to play in the open world and the gameplay mechanics are fantastic, but the story kidnaps you and railroads you into a very strange narrative which doesn't really fit all that well with the rest of the gameplay experience.

In the film's opening moments, Kwon drops a bundle of letters sent by Mori, which is Hong's narrative justification for jumbling the chronology of events and exploring, once again, the fickleness of memory, perception and affection.

Keep the Change, which won the Best U.S. Narrative Feature, Best New Narrative Director, and the Nora Ephron Prize at the Tribeca Film Festival, opens in New York TOMORROW at the Quad Cinema, in Los Angeles on March 23rd at Laemmle Town Center and Laemmle Royal Theatre, followed by a nationwide rollout.

The film opens with the murder of a Japanese student by a pack of feral thugs, Robertson's investigation into which ostensibly gives the kinky narrative its spine.

Something like this, which doesn't have any kind of traditional narrative structure and is built to be open and meandering, will always have a high risk of dragging painfully in parts.

The opening movement which deals with how this was the first time that armies had designated cameramen - soldiers on this scale, makes for an interesting narrative and the interviews with the soldiers who found the camps is heart - wrenching and gripping viewing.

The absence of true danger and, thus, suspense, proves a constant narrative obstacle, though it's nonetheless one occasionally hurdled courtesy of breakneck pacing and clean choreography that's first evident during a slam - bang opening chase, and regularly picks up again during similar sequences in which its characters race through streets, leap between apartment buildings, and sneakily infiltrate a crowded police station.

Woody is addled with dementia and has settled into a kind of leave - me - alone stasis, but he's dead set on making the trip from Montana to Lincoln to claim it, which in turns leads to a stop in a place where he hasn't seen old acquaintances and relatives for decades — and which opens up the story to all sorts of narrative and thematic possibilities.

Filmmaker Cory Finley, working from his own screenplay, delivers an opening stretch that admittedly holds a fair amount of promise, as the writer / director does an effective job of establishing the characters and the palatial estate at which the bulk of the narrative transpires - with the stylish visuals certainly perpetuating the movie's watchable feel.

Beyond Good & Evil 2 will be a prequel set before the first game's protagonist Jade has been born, which opens the door to all sorts of interesting narrative possibilities.

by Walter Chaw Tom Green's Freddy Got Fingered is the most startling debut since Luis Buñuel's Un chien andalou, with which it has a few things in common: both are constructed with a wilful disdain towards narrative; both are aimed at the outer limits of shocking imagery; both display an open hostility for the cultural status quo; and both joke on their audience's entrenched preconceptions of film form.

But the stakes are high for the characters in her dark first narrative feature, «Every Secret Thing,» which opens May 15 in theaters, On Demand and on iTunes.

This Award is open to all original works of digital literature (e.g. fiction, non-fiction, poetry, graphic narrative) which are created for digital consumption.

As soon as the trailer opens with Max's narration I could instantly tell that Rockstar have not totally chucked out the Film Noir core that makes the Max Payne franchise unique.Which makes a lot of sense as one of Rockstars biggest releases this year has been LA Noir, which again follows a film noir narrative.

It's open world narrative was terrible, coupled with the terrible main narrative which was really non existent

And while I will be honest and say that I haven't clicked on the article because I didn't see how saying an open world (which isn't ecactly open) would be detrimental to the narrative and story made sense.

Beyond Good & Evil 2 will be a prequel set before the first game's protagonist Jade has been born, which opens the door to all sorts of interesting narrative possibilities.

You could argue that this is intentional, that by stripping everything back players are forced to focus on the main narrative (and Square Enix itself has claimed this), but the fact is that this long stretch simply isn't fun, and accompanied by an omnipresent villainous voiceover which regularly repeats lines, the whole sequence feels rather rushed and cheap - an afterthought to the lush, exciting open plains of Leide and Duscae.

This coupled with its unique, interesting and deep story which also combines fun and interesting gameplay with its open ended narrative makes it definitely one of those gaming experiences I personally will not forget.

Young Danielle would've been so transfixed by the opening cinematic (which is famous for being one of the first attempts at film - like narrative presentation in games) that I would have watched it several times in a row, dreaming of my own sweet revenge fantasy.

A co-op multiplayer is also introduced in the game which will allow up to four players to engage in narrative missions ranging from heists to assassinations, as well as explore its open - world map.

Unfortunately, most open world games suffer from this «disease», and besides using scripting (which goes against the point of having an open world) there isn't much one can do to control the player's attachment to the narrative, besides telling you to «go from here to there» and «do this for this particular reason».

Interestingly enough I really enjoyed the narrative in the story mode however I do feel that it kind of ended a bit abruptly although it was done in a way which left things open for a sequel.

After an action scene opening in which you get to fight Catwoman, the narrative transitions to a party for Harvey Dent, who is running for Mayor of Gotham, at Wayne Manor.

However, the game price hike and partnership with Gearbox Software suggests a much better chance of the game delivering on a true open world narrative, one which makes each run through the game feel fresh and shocking, and with as many stories and hidden paths to follow as any

However, the game price hike and partnership with Gearbox Software suggests a much better chance of the game delivering on a true open world narrative, one which makes each run through the game feel fresh and shocking, and with as many stories and hidden paths to follow as any Bioshock title.

That's especially true of the opening level which stands as a glorious testament to why Naughty Dog is often thought of as the king of single - player, narrative - driven experiences.

While Breath of the Wild's narrative has a definite beginning and end, you won't want to rush it — soaking in all the secrets and exploring every forest and mountain top become addictive pastimes, giving the game a longevity which few other open - world titles can muster.

By defining the painting as a made - up space in which an open - ended narrative (or dream) can unfold without reaching a resolution, Reginato gains an immense amount of freedom for himself.

Jens Hoffmann has suggested that the «X» of Noemí Escandell's Displacement, which opened the exhibition's first iteration, stands for the «canceling out» of hegemonic narratives.

Curates exhibition at MIT's Hayden Gallery titled The Narrative Impulse, which opens on 16 November and includes the work of Mazur, Mary Frank, Robert Birmelin, and Irving Petlin; joins the Robert Miller Gallery, New York (exhibits the Stoneham Zoo series of paintings, drawings, monotypes, and pastels); group exhibitions: Grafica Contemporanea Americana, Galleria Bevilacqua, La Massa, Venice, Italy; Nouvelle Sujectivité, Palais des Beaux - Arts, Brussels; Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine, Williams College Museum of Art, Williamstown, Massachusetts.

Artists like Lorraine O'Grady, David Hammons and Senga Nengudi were left out of the narrative of SoHo's heyday, though they did find a home at Linda Goode Bryant's Just Above Midtown gallery, which opened in 1974 on West 57th Street and moved to TriBeCa in 1980.)

She employs «scientific information» as an abstract, open metaphor for her diverse narrative, which functions simultaneously as a self — portrait and an insight into contemporary Israeli life.

Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out «the true artist helps the world by revealing mystic truths,» which at once summarized and opened to critique the perennial mystique of the artist, up through his three - venue Golden Lion Award - winning exhibition at the 2009 Venice Biennale, Nauman's work has long been an indispensable part of the narrative of recent American art.

Lexicon juxtaposes quotidian manifestations of language — including fragments of vintage signage, scrolling LED texts, neon signs, printed posters, cartoon and diary - like narratives — to create a kind of visual «chorus,» a polyphony of voices, in which language becomes more elastic and open to multiple readings and interpretations.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

The Whitney Museum is made up of multiple narratives which have emerged over the course of its eighty - two year history, and which continue to develop as the Museum prepares to move downtown with a new building opening in spring 2015.

She creates playful narratives and scenarios, from video to interactive mechanical installations, in which she seeks to open up the possibilities of expression and communication amongst her audience by facilitating play.

In these moments, and they occur throughout her work, Modica creates open - ended narratives where fact and fiction merge and blur, demonstrating to the viewer instances in which uncertainty and caution meet anticipation and hope.

Exposure to these works — with which many Chinese artists might be familiar only in reproduction or online — is seen by Tinari as a means of fostering creative dialogue between the two artistic traditions and diminishing the «time - lag» that hindered domestic art for so long after the Reform and Opening Up period that followed Mao's death in 1976, traditionally taken as the «starting point» of contemporary Chinese art (Tinari concedes that this is a useful marker, but suggests that a new generation of art historians should «complicate» such simplified narratives).