Sentences with phrase «open paint can»

I was making a quick trip to the paint store and an open paint can in the back of my SUV tipped over spilling nearly a quarter of a can of white paint into the carpet and hidden third seat (leather)!

From experience, Holly has learned to take the time to do the right prep: «Cover everything and use good painter's tape, so when it's time to crack open the paint can, you have no distractions or holdups.»

You crack open your paint can and pour the paint into your paint tray.

Displayed in an aerial view, the newspaper's scrupulously hand - drawn international section is open to a full - page banking ad, one for a home furnishings sale and smaller stories about Chinese human rights abuses and the legacy of French colonialism; the open paint can, its circular lid and the angled stick between them create a double - image of a percentage sign — %.

Apparently, I'm an open paint can book.

Finally two weekends ago we had a break in the weather and I cracked open the paint cans out in the carport.

Not exact matches

The store will be hosting its Grand Opening Block Party from 11 a.m. to 3 p.m. Customers can enjoy face - painting, live music, refreshments and samples.

Upon walking into the restaurant, customers will see a wall made of hand painted wood, chalkboard, and butcher paper panels, which highlight the seasonal, rotating menu items that can be ordered at the open - style kitchen.

He can open a lot of space on the floor by being the a true offensive presence in the paint.

That's a nice mix, provided they can make enough shots to keep the paint open for Jackson and Drummond to work.

Looking fit and robust in shirts and sweaters spray - painted on to his buff body, the four - time major winner of two PGA Championships, a U.S. and a British Open can boom it out there with the Bubba Watsons and Dustin Johnsons of the world (see: Sunday's tee shot to the green on the par - 4 third).

Now, more than five years later, Albertville is a little brighter, because most main - street shops have been painted; a little quainter, with Victorian street lamps installed on a couple of newly cobblestoned shopping streets: a little trendier, with the opening of some antique stores and the brasserie St. Michel, a warm and woody combination of British pub and American saloon that has a sing - along piano and 71 brands of beer from 15 countries, including Bud en bo «Äö √ † √ ∂ «àö √ úte («in a can»).

Things like paper, scissors, markers, paints, that we keep out in the open that they can use at any time.

Or maybe mom and dad were re-doing the living room anyway and let the kids have at it with an open can of paint?

Even children who don't chew on paint chips can get lead into their system if there's lead - based paint in or around their home or another building they spend time in: Doors and window frames covered with lead paint release tiny particles of lead dust into the air every time they're opened or closed.

So instead of opening my favorite chalk paint can, Graphite, I paused and grabbed a can of taupe gray called French Linen, by Annie Sloan.

I lost quite a bit of AS when I opened about 4 cans and didn't use all the paint in them.

As soon as you'll step inside the MidiCi, you'll see the quote «People are the best thing that can happen to anyone» painted in large lettering on the wall of its open kitchen.

I usually get in mood to paint in Spring when we can have windows doors open.

You can see that the office opens into the dining room, so painting the legs of the desk the same color that I used on the dining room table and chairs makes it all tie together.

Oh God, now all we can imagine are the cars bursting open, vital organs spilling out like all the tiny people in that one Hieronymus Bosch painting.

It also has some footage you haven't seen before, a digitally - altered version of a shot from the film (above, with extra details added to the painting) and a little bit of the awesome Can song «Vitamin C» that is used to good effect in the film's opening.

«We can not speak other than by our paintings,» reads the opening quote (even the credits are painstakingly hand painted), and this project comes closest to realizing its potential during the quiet moments when it feels like we're seeing the world through van Gogh's eyes.

Painted on a larger canvas, The Bourne Ultimatum poses itself as an unavoidable political allegory (what with Greengrass fresh off the triumph of United 93), lending a lot of weight to its portrait of a completely broken world where one wrong word spoken on an open line can bring the whole weight of a rogue National Security Agency down on them like a concrete gargoyle.

The first minute of opening credits, a paint can thrown through a window, the ember ashes of a burned up vampire, and a DJ throwing a t shirt: these are the only things in the entire 106 minutes that I noticed really worth the 3D.

Pillars of Eternity II: Deadfire contains an enormous open world, a massive cast of characters, beautiful hand - painted backgrounds, and a story you can play your way.

Make sure each student, with or without your help, can open the drawing program you've chosen and can use the paint, brush, spray can, eraser, and any other tools.

If you avoid that you can actually accelerate a little before braking again for the right, and it's possible to open things out by using some of the painted sections of track (don't go near them in the wet).

Wrapped in a two - tone gold candy paint scheme, the «Solid Gold» Kia Sportage is outfitted wîth custom - built vertical - opening doors, a hydraulic suspension system that can raise and lower all four wheels independently, and a 2,000 - watt audio / video system complete wîth navigation, DVD and satellite television capabilities and headrest monitors.

It paints a quaint image: a Calico lapping at a saucer of milk, or a pet owner adoringly popping open a can of Chicken of the Sea Tuna for their Persian kitten.

The ingredients for a restorative weekend are all here: expansive suites with record players, cashmere throws, and alfresco plunge pools; a kitchen helmed by Sydney favorite Stefano Manfredi and stocked with the region's best produce; and an open - plan living area where guests can play the baby grand piano or admire paintings by Australian masters.

The Imperial opened in 1931, and it recalls the halcyon days of the Raj; the walls lined with paintings of colonial life, a priceless collection that you can get to know better with a tour from one of the hotel's curators.

This pavilion has spectacular high wooden white painted ceilings, set with overhead fans and the wide roof overhang and large terraces ensure that guests can enjoy all the benefits of open tropical living and can still be protected from the elements.

This read really gave me a out of the box view on Nintendo these past few years, this opened my eyes on why Nintendo gets criticized so massively and even by me myself but I never realized and held the actual developers accountable for negativity going Nintendos way, though They brought some on their own, games are what matter when it's all said done, and sadly this shovel ware paints a bad picture for Nintendo and says a 1000 awful words, hopefully Nintendo can prove why their the timeless warriors of the gaming industry staying to their roots and doing everything they do fir the loyalty of gaming, us real gamers who aren't just interested in blood n gore though I do like it, it's just now what it's all about but innovative games that can grab hold of any aged gamers, this read should be spread around, good shit

You can customize your hero's Play of the Game pose, spray paint design, taunt and character skin by opening Loot Boxes.

So much information... So little time... So I'm creating a new body of work, photographing finished paintings in high resolution so that I can keep my options open for reproductions and print on demand services.

By defining the painting as a made - up space in which an open - ended narrative (or dream) can unfold without reaching a resolution, Reginato gains an immense amount of freedom for himself.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

One can see the first two as color and space, visual and tactile, systematic and unsettled, cosmopolitan Paris and open quarries, or the center of a movement and a painter apart, even when painting his wife.

Rey Akdogan does it with metal tiling as incomplete as that of Carl Andre, Olof Inger with trash bags converted into the painting of light and space, Gabriel Kuri with black slabs crushing beer or soda cans like a Richard Serra that collapsed during an opening, Charlotte Posenenske with heat ducts as building blocks, Cameron Rowland with shelving brackets as line drawing, and Jean - Luc Moulène with rebar as an open cage.

John Opera will lead an open discussion on surface as it pertains to contemporary photography and painting, where surface can be treated as a point of transparency.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

KJM In a way that hole you're talking about is the space that's opened up so that you can make a painting, so that you can make another picture.

An Exhibition of Paintings and Sculpture from the Private Collections of Members of the Executive Committee of the Contemporary Art Society (CAS) opened at the Tate Gallery on 21 March (closed 27 April).

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

1995 Choice Morsels from the Collection of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogue)

Ruairiadh O'Connell «Invisible Green» Jessica Silverman Gallery 488 Ellis Street, San Francisco, CA, 94102 Reception: May 23, 6 - 8 pm May 23 — June 28, 2014 Jessica Silverman opens a new exhibition of painting and...

Lali Foster Sound of a Beer Can Tab Popping Open, 2016 Pencil drawing, frame, hardware, burnt silk ribbon, laser cut wood, paint Dimensions variable

«In 1981, when the Chinese paintings galleries opened, we had only enough A-class paintings to rotate them once,» Mr. Hearn recalled, explaining that these works are light - sensitive and can not be continuously on view.