Sentences with phrase «open shot of»

When you put children in peril (open shot of the dead girl) you are trying too hard.

Seeing a severed hand as one of the opening shots of a film meant for families probably would have been a difficult conversation to have with children too young to recall 1980's «Empire Strikes Back.»

Every week this winter, more than 100 million people across the globe will gather for the iconic opening shot of Downton Abbey, ITV's period drama phenomenon.

I clicked over to your blog, saw that gorgeous opening shot of the pancakes, and automatically started to scroll down, thinking, «Okay, can't eat that, on to the next post.»

ALBANY, N.Y. (AP)-- Gov. Andrew Cuomo offered the opening shot of his election - year agenda with a State of the State speech that touched on a...

By Ian Dunt Follow @IanDunt The opening shot of The Iron Lady shows Margaret Thatcher's hand taking a carton of milk from a fridge, an allusion to her reputation as the prime minister so mean she tried to end free milk for school children.

The State of the State acts as the opening shot of the annual legislative session, which will go on for months.

From the opening shot of David Cameron's speech to the offensive sensationalism of the current adverts, this is a negative campaign armed with lies and preying upon ignorance and fear.

Place a large bowl beneath the open shoot of the popper to catch the popped corn.

It reminded me of the opening shots of Full House, -LSB-...]

The consequences of Brady's injury are apparent, from the opening shots of the multiple staples in his head, to the revelation that he has a metal plate fused to his skull, and to the violent fits of vomiting that arrive with even with smallest effort of a cowboy's usual work.

The aforementioned opening shots of Snape look more like Impressionist paintings than a scene from a kiddie film.

The opening shots of Jonathan Glazer's Under the Skin depict a human eyeball under construction by an alien machine constantly lingering just out of view.

It's almost a miracle, given the enormity of her pregnant belly, that Marlo (Charlize Theron) even manages to trudge down the stairs of her home in the opening shot of Jason Reitman's Tully.

The opening shots of Game Night show the future couple meeting competitive at a pub trivia night; as their teams go head - to - head, they're drawn to each other by their mutual drive toward victory, even in arenas where it's not especially important.

Close's burnished enigma characterization works beautifully because Damages, which will spend its 13 - episode season detailing the six months that led to the opening shots of a blood - covered Ellen escaping a murder scene, is more a well - oiled genre exercise than the stuff of rigorous personality study.

The very opening shot of Garland's film makes clear that the phenomenon of Area X is extraterrestrial in origin.

The opening shot of American planes drifting out of a sunrise is gorgeous but obviously computer - generated, and many of the images are self - consciously iconic.

But Footloose version 2.0 can't be taken on its own merits: from the opening shot of the shuffling sneakers to its retro - licious soundtrack to the shot - for - shot recreations, this new film isn't just a remake, it's a homage.

From the opening shots of an unknown cameraman sneaking footage with his videocam while Lucy sleeps on a train, voyeurism — and the artist's relationship to his subject — is one of the filmmaker's main motifs.

When a movie starts with an opening shot of a Helicopter battle with Dire Straight's «Money of Nothing» playing over the opening credits, you know you are in for something a little different.

I mean, the opening shots of black static were so amateurish I was sure it was a short preceding the feature.

The opening shot of a movie can tell us a lot about how to view and interpret what follows.

That newfound, gentle tactility is literalized in the opening shots of Marlo (Charlize Theron) using a hairbrush to methodically massage the bare limbs of her nervy eight - year - old son, Jonah (Asher Miles Fallica); the impression of a mother connecting protectively with her child is palpable, as is the sense that, for whatever reason, she knows not to push too hard.

In the opening shot of Paul Schrader's new movie, the camera creeps slowly toward First Reformed Church, a small chapel in upstate New York that has welcomed parishioners since 1767.

In the opening shot of William Wyler's The Best Years of Our Lives (1946), Captain Fred Derry walks into an airport terminal in hopes of catching a flight home to Boone City, USA.

Citadel wears its budget on its sleeve, and this 1080p transfer does the best with that material: Shot digitally and with the eye of a competent amateur, the image is often clean, unfussy, but generally uninspired (the opening shot of the highrise sets a high - water mark that's never again matched).

The opening shot of «The LEGO Batman Movie» is a black screen.

The opening shots of rolling sea and thundering Berber cavalry, well - handled as they are, don't really hint that The Wind and the Lion is going to be a good — more precisely, a special — movie.

From its opening shots of a city by night to its final image of a teenage boy entering an apartment block, La Granja (English title: «The Farm») declares its interconnectivity and sociological credentials for all to see.

The film, itself, is not always up to Patel's level, but it is mostly competently made, with beautiful cinematography courtesy of Greg Fraser (Zero Dark Thirty), whose opening shots of a little child playing in a cloud of butterflies sets a dreamscape tone for the innocence soon to be lost.

From the opening shot of Dawn, you know something is not quite right.

After the opening shots of Phoenix in the Navy, Anderson openly references John Huston's 1946 documentary Let There Be Light, about mentally ill soldiers.

The opening shots of «Ghost World» drop you right into the pages of a Dan Clowes comic book and more importantly shows the juxtaposition between Enid and her surroundings.

In establishing this matrix of border crossings, Touch of Evil «s celebrated opening shot — mercilessly parodied in Robert Altman's The Player and sometimes vilified as mere Wellesian exhibitionism — is in fact an entirely appropriate bit of audacity, and one that earns its place, more so than such progeny as the opening shot of John Carpenter's Halloween, the tracking shot from the sidewalk to the stageside nightclub table in Martin Scorsese's Goodfellas, the elbow - to - the - ribs opening of The Player.

The opening shot of the star destroyer in Star Wars blew audiences away in 1977.

The opening shot of Son Hayes (Shannon) putting on a shirt, where we see his back peppered with old wounds from shotgun pellets, says far more than any of the fight scenes that break out between the rival siblings.

This is truly a trade - off, as the DTS track is irreproachable — and demonstration material from the opening shots of Folsom's trembling superstructure as Johnny's band warms up inside.

The opening shot of Cristian Mungiu's Beyond the Hills may look somewhat familiar.

They come in both one and two shots (the famous long kiss between Grant and Bergman almost becomes an abstraction along the lines of the opening shots of Hiroshima, mon amour).

Right from the low - angle, opening shot of the gaping maw of a ferry carrying the writer's unrecovered vehicle, a sense of dread looms over us.

The storyboards begin with the opening shot of Chihiro in the car, and end just as she first sees the bath house.

In the opening shot of Skyfall, Roger Deakins» (The Assassination of Jesse James by the Coward Robert Ford, Shawshank Redemption) cinematography has established a very distinct visual language that doesn't exist in Bond films prior.

Love those opening shots of Diana looking over, and diving into, the water.

Really loved that opening shot of the inn burning in the distance.

Yes, they care deeply for one another as Orlando has made plans for a birthday trip to Iguazu Falls, which appear in the opening shot of the film.

The opening shot of young Marco (Isaac Leyva) slowly navigating abandoned streets while clutching a blonde - haired doll is enough to inspire a lump in the throat and provides an interesting contrast to the opening scene, in which drag queen Rudy (Cumming) meets divorced lawyer Paul (Garret Dillahunt) at a gay club.

Is there a more quintessential Michael Bay image than the opening shot of Pain & Gain?

The best shot is the opening shot of a giant ominous spaceship floating through space like in the opening shot in Star Wars with a bumper sticker proclaiming «We brake for no - one.»

This is the terrific opening shot of «The Arrival,» the directorial feature debut of veteran screenwriter David Twohy («The Fugitive») and a movie that raises and answers two very basic questions: