Sentences with phrase «open space of canvas»

Not exact matches

Often during the construction of new Shacks, particularly those in new markets, we reimagine the often uninspiring plywood walls that surround a construction site and use this space as a canvas to begin the process of integrating the Shake Shack brand into the community prior to it even opening.
STILLPASS: You call this space opened up by the canvas a mental field, but it seems to me that your paintings invite a physical relationship as much as a mental one, especially the paintings you place in the middle of the room.
Gilbert Hsiao, a painter of retinally invigorating canvases, many of them geometrically shaped, is one of a number of artists participating in the American Abstract Artists show at The Painting Center in SoHo this month, and at the big Minus Space show at PS1 that opens next month.
Opening on October 22nd, their Mid-City space will be filled with Williams» hypnotic, large - scale paintings on canvas and metal that present the physical and conceptual disintegration of structures.
They turn perception inside out as you find spaces move and melt, shapes materialise in front of the canvas, reality itself burst open to reveal new dimensions.
The charge of violence and eroticism is implicit rather than clearly articulated and the application of paint is more open and free, embodying the content rather than describing it, thus developing the exploitation of the canvas as a fictional / artificial space, which requires a more sustained reading from the viewer.
Outdated notions are symbolically destroyed here by means of slashes or perforations while canvas, ceramic or sculpture are opened up for space, time and dynamic processes.
-- then there's a warmer, more intimate feel to the complementary show of later work in Almine Rech's newly - opened basement space, All include the face, such as this mother and baby study, which flowed into a shaped canvas of 1979 - 91.
Amm's masterful presentation of such interrelationships of space and canvas, fragment and whole, present and process, is an exercise in abstraction that appears to have opened the way to new spheres of artistic production, merging format, structure and style.
Many of Holyhead's painted shapes seemingly float on the canvas and, in the artist's words, «pierce the space open» for the viewer.
Tomorrow, the artist's first major solo show in the U.K. opens at South London Gallery, a nonprofit space where the entire content of the Murillo's studio will be on view, from stitched canvases and porcelain vases to dried beans and bottle caps.
Vance works in both oil on linen and watercolours and has said of her work: «I am constantly disguising and adding information, masking figuration, and opening and closing spaces in the canvas until the composition behaves in a way that challenges the paintings hanging on the wall next to it.»
In Vance's canvases, the background no longer surrounds the object, but breaks through it — by opening and closing these spaces in the pictorial plane the artist is able to create the illusion of a three - dimensional space.
On the one hand the vehicles for the text are technical devices like a hard drive that opens its own space of association or on the other hand they can be a hand - made canvas looking like a classic painting.
I remember the feeling your works evoked for me — a sense of physical scale that was different than the whole Greenbergian notion of flatness, in that your approach to gesture opened up the space in front of the canvas through the awareness of the body.
Although the festival is a central consideration given particularly susceptible to quenching aesthetics of public space (Week of Polish current muralizmu), civic organization or association is not unaware people of good taste under one diskoguľou, podium roof or canvas (film screenings in public spaces, music, opening and others...).
But the canvases vary wildly from one to the next — using her tried - and - true vehicles of action and comparison, Fiona Rae's recent paintings stretch from the pastoral «We go in search of our dream» (2007), featuring a bambi and butterfly peacefully grazing at the foot of a tree, to the nihilistic and menacing «My favorite puppy's Life» (2004), in which a now mutated bambi triskelion hurtles through the dark reaches of space, surrounded by rotating stencils, blobs, and brushstrokes (think of the opening sequence of Superman).
Opening on April 19 and on view throughout the summer, Richard Pousette - Dart: Painting / Light / Space invites visitors to immerse themselves in a group of mural - sized canvases by one of the great painters of the New York School.
Opening this Friday, January 24 and hosted by Galleria Marabari in Bologna, Italy, Reveal presents several large canvases and a series of drawings realized ad hoc for the exhibition space, a former church.
Beginning with her «Flamenco» series (2003), of large scale expressionist canvases in oils and acrylics, which alluded to the exclusion of Flamenco culture from mainstream Spanish society, O'Beirne progressed to more broad - based open / closed themes in her «Exits - Entrances» series (2003) depicting formally organised spaces.
Opening the pictorial space as an inclusive realm, Anderson invites the viewer to bring their own cultural experiences and memories to the canvas, thus creating a visual tension where viewer and artist are connected in their contextualisation of the imagery presented to us.
Although the color and canvas are bound together on a totally flat surface, our eye moves, in her words, «miles back and forth» through the fictive space the artist creates out of her large, open washes of color.
In a radical innovation, Schapiro worked with computer programmers at UCSD to rotate her open shapes in three dimensional space, projecting the digitally produced images to be transferred onto her canvases in order to create works of technical precision.
Accordingly, Grosse seeks to pictorially open up and dive into the space and surface of the images, contesting the two - dimensional quality of paint on canvas.
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