Not exact matches
Often during the construction
of new Shacks, particularly those in new markets, we reimagine the often uninspiring plywood walls that surround a construction site and use this
space as a
canvas to begin the process
of integrating the Shake Shack brand into the community prior to it even
opening.
STILLPASS: You call this
space opened up by the
canvas a mental field, but it seems to me that your paintings invite a physical relationship as much as a mental one, especially the paintings you place in the middle
of the room.
Gilbert Hsiao, a painter
of retinally invigorating
canvases, many
of them geometrically shaped, is one
of a number
of artists participating in the American Abstract Artists show at The Painting Center in SoHo this month, and at the big Minus
Space show at PS1 that
opens next month.
Opening on October 22nd, their Mid-City
space will be filled with Williams» hypnotic, large - scale paintings on
canvas and metal that present the physical and conceptual disintegration
of structures.
They turn perception inside out as you find
spaces move and melt, shapes materialise in front
of the
canvas, reality itself burst
open to reveal new dimensions.
The charge
of violence and eroticism is implicit rather than clearly articulated and the application
of paint is more
open and free, embodying the content rather than describing it, thus developing the exploitation
of the
canvas as a fictional / artificial
space, which requires a more sustained reading from the viewer.
Outdated notions are symbolically destroyed here by means
of slashes or perforations while
canvas, ceramic or sculpture are
opened up for
space, time and dynamic processes.
-- then there's a warmer, more intimate feel to the complementary show
of later work in Almine Rech's newly -
opened basement
space, All include the face, such as this mother and baby study, which flowed into a shaped
canvas of 1979 - 91.
Amm's masterful presentation
of such interrelationships
of space and
canvas, fragment and whole, present and process, is an exercise in abstraction that appears to have
opened the way to new spheres
of artistic production, merging format, structure and style.
Many
of Holyhead's painted shapes seemingly float on the
canvas and, in the artist's words, «pierce the
space open» for the viewer.
Tomorrow, the artist's first major solo show in the U.K.
opens at South London Gallery, a nonprofit
space where the entire content
of the Murillo's studio will be on view, from stitched
canvases and porcelain vases to dried beans and bottle caps.
Vance works in both oil on linen and watercolours and has said
of her work: «I am constantly disguising and adding information, masking figuration, and
opening and closing
spaces in the
canvas until the composition behaves in a way that challenges the paintings hanging on the wall next to it.»
In Vance's
canvases, the background no longer surrounds the object, but breaks through it — by
opening and closing these
spaces in the pictorial plane the artist is able to create the illusion
of a three - dimensional
space.
On the one hand the vehicles for the text are technical devices like a hard drive that
opens its own
space of association or on the other hand they can be a hand - made
canvas looking like a classic painting.
I remember the feeling your works evoked for me — a sense
of physical scale that was different than the whole Greenbergian notion
of flatness, in that your approach to gesture
opened up the
space in front
of the
canvas through the awareness
of the body.
Although the festival is a central consideration given particularly susceptible to quenching aesthetics
of public
space (Week
of Polish current muralizmu), civic organization or association is not unaware people
of good taste under one diskoguľou, podium roof or
canvas (film screenings in public
spaces, music,
opening and others...).
But the
canvases vary wildly from one to the next — using her tried - and - true vehicles
of action and comparison, Fiona Rae's recent paintings stretch from the pastoral «We go in search
of our dream» (2007), featuring a bambi and butterfly peacefully grazing at the foot
of a tree, to the nihilistic and menacing «My favorite puppy's Life» (2004), in which a now mutated bambi triskelion hurtles through the dark reaches
of space, surrounded by rotating stencils, blobs, and brushstrokes (think
of the
opening sequence
of Superman).
Opening on April 19 and on view throughout the summer, Richard Pousette - Dart: Painting / Light /
Space invites visitors to immerse themselves in a group
of mural - sized
canvases by one
of the great painters
of the New York School.
Opening this Friday, January 24 and hosted by Galleria Marabari in Bologna, Italy, Reveal presents several large
canvases and a series
of drawings realized ad hoc for the exhibition
space, a former church.
Beginning with her «Flamenco» series (2003),
of large scale expressionist
canvases in oils and acrylics, which alluded to the exclusion
of Flamenco culture from mainstream Spanish society, O'Beirne progressed to more broad - based
open / closed themes in her «Exits - Entrances» series (2003) depicting formally organised
spaces.
Opening the pictorial
space as an inclusive realm, Anderson invites the viewer to bring their own cultural experiences and memories to the
canvas, thus creating a visual tension where viewer and artist are connected in their contextualisation
of the imagery presented to us.
Although the color and
canvas are bound together on a totally flat surface, our eye moves, in her words, «miles back and forth» through the fictive
space the artist creates out
of her large,
open washes
of color.
In a radical innovation, Schapiro worked with computer programmers at UCSD to rotate her
open shapes in three dimensional
space, projecting the digitally produced images to be transferred onto her
canvases in order to create works
of technical precision.
Accordingly, Grosse seeks to pictorially
open up and dive into the
space and surface
of the images, contesting the two - dimensional quality
of paint on
canvas.