Sentences with phrase «open world games feel»

Sidequests and secondary activities in a lot of current open world games feel like an afterthought by comparison, and I think that's because, in open world games, technology has outpaced design for years.

Not exact matches

I don't feel like we have to come out of spring ball with it, but in a perfect world you'd like to know two weeks before your opening game,» Petrino said.

I really hate games that let's you run free in an open world without letting you feel forced into doing stuff.

The game is empty and boring, it tries to be an open world gamebut it's pretty linear and it lacks of a decent gameplay, unfortunately it's another interactive movie, it feels like you're watching a movie instead of playing a game, it tried to be a witcher 3 / zelda wannabe but it comes no where close to any of them, the onlything this game brings is graphics and nothing else.

The good side about this game is that it welcomes new comers with open arms and the environment and all of the open world feels natural just like a living place, unfortunately it just feels like that at the very beginning and then you realize how poorly made this game is.

YAWN - it feels like another generic open world game that doesn't exactly contribure much.

Burning through powerful foes and looting their corpses for rare treasures captures an excitement rarely felt in open - world games.

The game advertises as an open world game but feels on rails the entire time, The game is also very hard to find immersive, here i am fighting a giant combat robot that looks like a m1 abrams and i have to kill it by filling it up with arrows, it was pretty funny.

Good game, it's just I found it struggled to find its own identity, it's taken a lot of what has been done in other games and not brought much new to the table, still done very well it's just it didn't pull me in like I hoped, I felt like while the open world was very beautiful that's all there really was to it, it felt very empty to me, it didn't make me want to explore everywhere like say fallout or the witcher.

Good game, it's just I found it struggled to find its own identity, it's taken a lot of what has been done in other games and not brought much new to the table, still done very well it's just it didn't pull me in like I hoped, I felt like while the open world was very beautiful that's all there really was to it, it felt very empty to me, it didn't make me want to explore everywhere like

Sniper: Ghost Warrior 3 saw the addition of an open - world dynamic that is simply underwhelming, and the game honestly feels like an undercooked version of Call of Duty meets Far Cry.

The lack of travel options and quest variety are undoubtedly a detriment to the otherwise well - crafted world, but Yonder still feels like a breath of fresh air in the murk of homogeneous open - world games.

But when it comes to new open - world games, most aren't as unique or successful as Horizon, and it's led to an overwhelming feeling of homogeny within the genre.

I'm still looking forward to it, I feel it should have erred more towards a survivalist rpg than a bog standard open world action game.

The game doesn't have dozens of side objectives or mini-missions like most of the other open world games but it is still feels great to play this game.

2017 felt like a banner year for open world games.

Looking at a lot of open world games that are out there, we did feel that their unique selling point was their size — the sheer massiveness of the map or how long it takes to traverse it.

And, this can't be stressed enough, not only has Guerrilla crafted a fantastic looking game, but the mixture of familiar open - world gameplay elements as well as the game's new and unique world and story make it feel both exciting and refreshing.

Though still plagued by repetitive side missions, the new combat system, revamped vehicle controls (thank goodness) and the addition of interior environments give them a real open - world superhero game feel.

3D World feels even more random then most Mario games — they should have made a full snow world, one world with the japanese style levels (the ones where you can open doors with the touchscreen), revisit Sarasa Land and so on, each with its own narraWorld feels even more random then most Mario games — they should have made a full snow world, one world with the japanese style levels (the ones where you can open doors with the touchscreen), revisit Sarasa Land and so on, each with its own narraworld, one world with the japanese style levels (the ones where you can open doors with the touchscreen), revisit Sarasa Land and so on, each with its own narraworld with the japanese style levels (the ones where you can open doors with the touchscreen), revisit Sarasa Land and so on, each with its own narrative.

meh, kinda feel like id be more interested if it was an open world 3d donkey kong game.

Zenimax Online Studios felt they slowly addressed their initial problems, primarily by making the game feel more like an Elder Scrolls game by adding more open world systems.

By trimming the fat Ubisoft have sidestepped a lot of the issues that plague their open world games, and progression and discovery both feel much more dynamic and natural here; the combat and other gameplay elements may remain essentially the same but when they're as tight and polished they are here, then hey, who's complaining?

The world map is pretty lackluster to navigate and the game feels quite linear in nature, which might not be a bad thing for those who are tired of the open world formula that is repeated in majority of the games.

GTA2 and Vice City are unquestionably all - time favorites, and Crackdown reinvigorated my love for open - world games after feeling they'd become kind of stagnant.

Despite having an open world and feeling like it is a big budget game from Japan, the game falls short on the technical front and the design of the open world does little to help with its repetitive nature of missions and sidequests.

The alternate form of story telling Missing so many classic Zelda enemies and items that would have made so much sense in this open world game Some parts of the huge world feel bareky utilised

The game begins with a series of questions that determine the stats of my character and then it is off to an open world that feels alive and open.

Breath of the Wild turned one of Nintendo's cornerstone franchises into a Skyrim - style open world action game that feels vibrant, refreshing, and logical.

Monster Hunter World feels like an open - world game to some extent, with fantastically large maps of a scale that we haven't seen before (both vertically and horizontally), no discernable game - pausing loading screens between zones in hunting areas, and a wealth of beautifully rendered environments to slaughter colossal monsterWorld feels like an open - world game to some extent, with fantastically large maps of a scale that we haven't seen before (both vertically and horizontally), no discernable game - pausing loading screens between zones in hunting areas, and a wealth of beautifully rendered environments to slaughter colossal monsterworld game to some extent, with fantastically large maps of a scale that we haven't seen before (both vertically and horizontally), no discernable game - pausing loading screens between zones in hunting areas, and a wealth of beautifully rendered environments to slaughter colossal monsters in.

This is a game that has made open worlds feel interesting again, in the way that The Witcher 3 managed to.

The atmosphere feels grand and sweeping, and that's the sort of feeling that is surprisingly rare in an age of open world games.

The first Infinity's playsets were as bare as they come, and while 2.0 made positive strides, Twilight's cutscenes and open - world mission design make it feel much closer to a proper standalone video game than what's essentially a glorifed toolkit creation.

And yet it does feel like the first game in a series that needs to discover its own unique identity to help it stand out amongst a vast array of open world games that it competes against.

«Featuring an original storyline, trademark over-the-top open - world gameplay, and the look - and - feel of a distinctive superhero cosmos, Agents of Mayhem is a true Volition game,» said publisher Deep Silver.

While this game will look and feel familiar to seasoned LEGO pros, there is an undeniable joy and coming back to this franchise every time they open up a new brand to the world of building blocks and hilarious humor.

Gravity Rush is a delight, an open - world adventure game built around a truly new - feeling mechanic.

It all adds up to a game that feels naggingly overfamiliar, an open - world game that resembles many other Ubi efforts such as Far Cry and Watch Dogs.

This title also has a very open, non-linear feel as players are able to explore the world at will, taking objectives and completing quests as they go to uncover more of the enigma at the heart of the game.

Assassin's Creed was an important part of the open - world genre's development, but games like Origins honestly feel like they're just going through the motions.

It's important to bring this dichotomy across in a Superman game, by not only having a huge open world for the gamer to explore but having the city feel alive and filled with all sorts of dangers.

The recent run of Ubisoft games are a prime example; layers of mechanics placed in open worlds that can interact in so many different ways, and yet somehow still end up feeling lifeless.

The visuals in the game are very smartly crafted and really showcases the dedication of getting the world to feel just right; it shows from the opening scene to the last.

The review opens proper with GamesMaster eager to point out that surprisingly it isn't Dante himself that feels like the biggest change, but rather it's Limbo City where the game takes place that makes DmC feel so different: «Gone are the gothic spires and draughty castle corridors to be replaced by a world eerily reminiscent of our own — a world choked with invasive media surveillance and governmental oppression.

So, weather, day / night cycles, & that TOTAL open world feel, can be somewhat overated IMO... And that is why games like Unchartered, COD & TLOU, are so huge, popular & critically acclaimed... as they cater to not only hardcore gamers, but ALL types of gamers, as there story based, single player campaigns, are SO much easier to get into & identify with from the onset, due to the more focused, linear & tight productions.

The game opens up a world that feels instantly familiar, but a little spooky and incredibly bizarre.

But for a moment let's pretend my opinion matters here; it's a good game held back by its own inspirations, the flaws tarnishing a wonderfully charming return to a genre which often feels like it has left in the cold while shooters and open - world titles have their time in the sun.

«Because throwing the cap is a new action, we want players to feel empowered or encouraged to go ahead and try this action wherever they feel it might work,» said game director Kenta Motokura, highlighting the focus on exploration for the open - world title.

The change of scenery has both good and bad results - while the open world looks impressive, opens up room for extras and is fun to navigate, it does mean that there are more areas that you will only ever skim past, perhaps not as easily appreciated as the few beautifully crafted buildings that made up the entirety of Arkham Asylum — making the game feel a little more Assassin's Creed than Metroid, but the game does generally maintain all of the great qualities of the original and it feels like a natural transition to a larger scale setting.

While the demo shown at PAX featured a relatively restricted area, Hob will feel very much like an open world, and exploration will be emphasized as a means of improving your character and progressing in the game.