Sentences with phrase «opening action sequence»

The opening action sequence in Avengers: Age of Ultron is also plagued by terrible CG models, and the companies working on Justice League couldn't even remove Henry Cavill's mustache without making him look like a Ken doll.

Deadpool's prolonged opening action sequence on a city highway plays like the better, street - level scenes from Captain America: Winter Soldier.

The opening action sequence is full of SCS (Shaky Camera Syndrome).

The traditional opening action sequence finds Bond racing across Turkish rooftops on a motorcycle, while wearing a beautifully tailored suit.

«Anatomy of a Car Chase» is a featurette on the opening action sequence.

The action here is over the top, which sets a tone that the film is going to be a violent cartoon, but it never tops the insane sense you get from this opening action sequence.

Not exact matches

A priori (by «dichotomic» analysis of the various outlets theoretically offered to our freedom of action) as well as a posteriori (by classification of the various human attitudes in fact observable around us), three alternatives, together forming a logically connected sequence, seem to express and exhaust all the possibilities open to our assessment and choice as we contemplate the future of Mankind: a) pessimism or optimism; b) the optimism of withdrawal or the optimism of evolution; c) evolution in terms of the many or of the unit.

Nevertheless, I see them all on opening night — the action sequences are increasingly impressive, the cast is one of the most multicultural on the silver screen, and, to my personal delight, food plays a pivotal role.

Newcastle have produced a good W3 D1 L1 record so far on home soil this term, the only reverse in that sequence game against Spurs on the opening weekend of action.

It is a beautiful piece of verse, cunningly placed during an action sequence, which is to the British secret service what the Olympic Opening Ceremony was to British self - identity.

But new boy Christopher McQuarrie more than makes up for that with gasp - inducing action sequences that will have you holding your breath in sympathy with those getting pummeled: the opening sequence, in which Tom Cruise's IMF agent Ethan Hunt jumps onto the wing of an taxiing cargo plane and clings to its side as the enormous thing takes off beautifully ups the ante on Protocol's hanging - off - the - side - of - a-skyscraper stunt.

The opening sequences are among the best ever filmed treating the sheer terror and adrenaline rush of an out - and - out chase, and are nearly silent the whole time, such is the high action quotient.

The opening sequence of Ryan Coogler's Black Panther is not a muscular action extravaganza or a mind - bending cosmic adventure.

The new Bond movie has a great opening sequence, full of action and vertigo, but after that it seems like it looses the inspiration.

There are some nice action sequences, particularly in the opening two episodes, directed by Game of Thrones «Neil Marshall, and the series as a whole looks great, convincingly transforming the wilds outside Vancouver into something that feels genuinely alien.

Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed script; rich, dynamic characters; and, as promised, the world's cutest cat (other than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable comedy.

Those who adored Deadpool's hilariously self - deprecating opening - credits sequence need not worry when part two opens by jumping right into the action.

Some of the action beats are eye - opening in their brutality, but they amount to little more than cheap thrills so fans can relish in sequences of Willis shooting the bad guys.

Several of the action sequences are very compelling and include some genuinely eye - opening moments.

The final outing in the series for Shia LaBeouf and co (though Megan Fox was replaced here already, after falling out with Bay), with John Malkovich and Frances McDormand among those paying for new houses with a few weeks work, the film does at least have a striking moon - landing themed opening, and an enormous extended climax that marks a high watermark for the franchise's action (particularly an impressive Halo jump sequence done for real).

Unfortunately, their playful camaraderie isn't exploited nearly as much as it could be, because while the movie is incredibly lively in its opening and closing minutes (including one of the most ridiculous action sequences ever filmed), that sense of high - energy fun is absent for most of the middle section, when it starts to take itself too seriously.

The soundtrack is comprised of original tunes that really serve to capture the essence of Minecraft and complement the action unfolding on the screen perfectly, effectively striking the appropriate emotional response from the player on a consistent basis as the story becomes darker in tone after the light - hearted opening sequences.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening December 10, 2010 BIG BUDGET FILMS The Chronicles of Narnia: The Voyage of the Dawn Treader (PG for frightening images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land of Narnia to embark on a dangerous, seafaring mission taking them to the edge of theOPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening December 10, 2010 BIG BUDGET FILMS The Chronicles of Narnia: The Voyage of the Dawn Treader (PG for frightening images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land of Narnia to embark on a dangerous, seafaring mission taking them to the edge of theopening December 10, 2010 BIG BUDGET FILMS The Chronicles of Narnia: The Voyage of the Dawn Treader (PG for frightening images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land of Narnia to embark on a dangerous, seafaring mission taking them to the edge of the world.

Whether Wright perfectly edits and paces the opening chase sequences to match they rhythm of The Jon Spencer Blues Explosion's «Bellbottoms,» or he choreographs gunfire to stay on tempo with Focus's «Hocus Pocus,» «Baby Driver» is an innovative piece of action filmmaking.

The inclusion of several way out - of - left - field action sequences only cements Mr. Brooks» status as a seriously unfocused piece of work, though there's little doubt that the movie remains worth a look if only for Costner's eye - opening performance.

As in every Bond film, the movie opens with a spectacular action sequence, but this time around, the brief encounter on a train doesn't end the way we expect.

In addition to the opening plane stunt, the film has a handful of remarkable action sequences, including an extended, rhythmic assassination attempt inside a Vienna opera house.

But it's not nearly as out there or impactful as Diesel's other 2017 action - adventure, «XXX: Return of Xander Cage,» which also boasted an action sequence opening in an exotic location that has Diesel's hero save the day, then being roundly cheered by the locals.

This is a movie that should be embracing its brand and the fun that it brought to so many youngsters — me included — but ultimately can't because its focus on superficial action sequences will only leave viewers reminiscing about how the original G.I. Joe television show and animated movie (a must - see for its opening sequence alone) were so superior to this.

Whedon complains about small technical details and implies that the opening motorcycle race was inserted solely to get FOX on his side with an early action sequence.

He goes as far as integrating snippets of anime, clips stylized like J - POP videos, and an opening credits sequence rife with comic book action bubbles into his scattershot visual melting pot.

Amazingly, the team at Crystal Dynamics took Tomb Raider and made it even better with the sequel, Rise of the Tomb Raider, offering a more diverse open world, better action sequences and a solid story.

His way of shooting the action sequences, especially the opening train scene, keep you on the edge of your seat.

That disclaimer notwithstanding, anyone open - minded enough to forgive the blasphemous action sequences is in for a cinematic treat every bit as cerebral as it is visually captivating.

Director Sam Mendes again brings a powerful technical skill to the action sequences, especially the opening scene, but the story isn't as memorable as it could've been.

The movie started really strong and was quite entertaining, from the story being narrated by Nicholas Cage with humorous cartoony opening credits, to the action of the Rider in his first action sequence.

Understandably confusing to audiences (its aesthetic is weird but not explicitly futuristic) and a little too humanizing of Snake (as Russell observes), it's an opening sequence that would've at least provided an arc for Snake in the final cut (in addition to a mirror action for Barbeau's last stand) and is nice to have for posterity.

While the opening scene, which serves only as back - story and general reasons as to why it takes so long for Raleigh (Charlie Hunnam) to return to the Jaeger game, is fluff for the film and even in the moment felt unnecessary as opposed to just being retro - actively less awesome than the other greater action sequences.

The Replacement Killers tests our patience, however, by opening with not one but two consecutive action sequences.

That being said, an extended tour de force conclusion recalling the opening and closing of Vertigo and the climax of To Catch a Thief ranks among the most beautiful and visceral action sequences ever committed to genre cinema, a mini-masterpiece of direction, editing, and score.

From a whiz - bang opening sequence where space folds in on itself as combatants hurl magical fire at on another, to the charismatic, ahem, marvel that is Benedict Cumberbatch in the title role, this action film is... Read More»

From the opening sequence of young Mowgli (Neel Sethi) racing through the jungle in the company of his adoptive wolf family and his feline guardian, the black panther Bagheera (Ben Kingsley), through its comic setpieces with the layabout Baloo the Bear (Bill Murray) and its sinister interludes with the python Kaa (Scarlett Johansson), the despot orangutan King Louie (Christopher Walken), and the scarred Bengal tiger Shere Khan (Idris Elba), the movie bears you along on a current of enchantment, climaxing in a thunderous extended action sequence that dazzles while tying off every lingering plot point, and gathering up all the bits of folklore, iconography, and Jungian dream symbols that have been strewn throughout the story like Hansel and Gretel's breadcrumbs.

Between what I've played previously and after today's launch, it's a lovely little action RPG, packed with features one generally doesn't expect in a free mobile game, like combat pets that level alongside your character, or different opening sequences for each different Lightseeker race.

Despite its»80s high school allusions, Central Intelligence frolics happily in the nostalgia of the 1990s, reminiscing about Budweiser's «Wassup» adverts and featuring a soundtrack that opens with En Vogue's «My Lovin» and plays Blur's «Song 2» along to a vigorous action sequence which sees the pair crash out of a skyscraper in a mail cart.

Jump - cuts and sped - up action destroy any notion of the passing of time — we've little sense of how long these people are holed up in the farmhouse — while opening and closing chase sequences with bumbling authorities conjure Keystone runarounds from a playful visual style.

Straight - forward where the first movie was convoluted, action - packed where Hulk dithered, The Incredible Hulk dispenses with whatever back - story and exposition there is over the film's opening credit sequence.

Any hope that «Warcraft» would be the first great video game adaptation is promptly squashed within the opening 30 minutes, and it only gets worse from there as the audience is forced to suffer through the convoluted plot (including an unearned romance between Lothar and Garona), a clunky finale that's more interested in setting up future sequels than providing a satisfying conclusion, and a handful of unmemorable action sequences.

Picking up the action one year after its brutal opening sequence, Hostage finds Talley ensconced in a new job as police chief in a sleepy Ventura County hamlet, the sort of place where the peace does a reliably good job of keeping itself.

Director Nima Nourizadeh has fun with the action sequences and opportunities they open up for absurd, violent combat, but he never fully realizes these sequences.

The action sequences are breathtaking throughout, but the bookends of the opening chase / fight sequence and the wall of destruction just before the film's conclusion are among the best I've ever seen.