Sentences with phrase «opening an image through»

For example, opening an image through the Google Camera app on the first - generation Pixel and XL opened the file locally on the device.

Not exact matches

The man's emails containing the images as attachments had been opened without a warrant, after AOL's system detected the file and sent it to the National Center for Missing and Exploited Children (NCMEC) through its CyberTipline.
After posting the image with the caption, «This is a cupboard that can never be opened,» the image of got more than 12,000 likes and more than 600 comments, with people from around the world talking him through the impossible task of opening of the cabinet.
This gives us the image of God holding open the door of reconciliation, waiting for us to respond and walk through.
This becomes clear when Hartshorne continues in a vein that runs through realistic epistemic claims of any sort, including the Whiteheadian: «On the other hand, if what I have in present experience is not the past itself but a newly created substitute or image, then the door is open to solipsism of the present moment, and only arbitrary fiat will keep that door closed» (italics added).
10, A Hypnobirthing book — Unfortunately the image of my cervix opening like a flower was well and truly stamped on by the image of lovely pain numbing drugs coursing through my veins.
On the heels of the decade of the brain and the development of neuroimaging, it is nearly impossible to open a science magazine or walk through a bookstore without encountering images of the human brain.
The movie opens with abstract geometric images; it proceeds through a series of slowly paced, nearly identical seductions and murders.
After some opening images — a shadowy blond figure, complete with trench coat and heels, dumping a corpse off a bridge — that immediately frame its tale of moneyed madness through the greasy lens of B - movie schlock, the film moves to an aging Durst (here renamed David Marks and played by Ryan Gosling) on the witness stand.
Eventually the money came through (from Participant Media and Abu Dhabi's Image Nation), Chandor and Isaac hooked up, and the result is «A Most Violent Year,» which opens AFI Fest on Nov. 6 ahead of its limited release in theaters Dec. 31.
The opening images, unexplained and abstract, feel like something from «2001» as a glowing circle travels through the darkness, forming into an eye over the words «Film, film, film.»
Though the opening image of their boat wading through peaceful waters of Australia might call to mind a tourism commercial, their lives are far from idyllic.
We open, for instance, in the rain, as a throbbing Tindersticks track underscores a series of beautiful but inscrutable nocturnal images: glimpses of a man forlornly staring out his window, languorous tracking shots of a nude young woman in heels roaming through a deserted street, and finally a tableau of a dead man's body splayed out beneath a fire escape, surrounded by paramedics in the background as a woman, probably his wife, is draped in a tinfoil blanket in the fore.
Alienation was thus his destiny, and amid his numerous violent clashes, director Refn shrewdly pinpoints — through images of a free Bronson getting trapped in his parents» locked car, proving unable to open a locked gate, and facing closing doors — how psychosis of this extreme sort could only lead to literal and figurative captivity.
The Rum Diary sets the tone quickly, opening with credits over an image of a small red plane, blissfully soaring through the clouds set to the tune of something tropical.
In the opening sequence, an intricate construction of sound / image relationships, Maureen, alone at night, walks through her brother's old country house, looking and listening for traces of his presence.
You enter a topic by tapping or clicking on the block and then scroll down the page working your way through the content, opening and closing tabs in accordions, narrative sequences, and image hot spots, just to name a few of the interactive tools on offer.
A book detailing a bicycle journey across the country might attract readers with an image of a road through wide - open rugged landscape.
Quietly told and expressively illustrated, the story of the child as a budding naturalist is charming on its own, but the photo on the last page opens it up through a well - chosen image that illuminates the connections between childhood dreams and adult reality.
It allows you to search through folders, copy and paste, rename / delete files, preview images and text files, and open files with their respective application.
If you open the Dividend Returns spreadsheet you can rotate the image to see through to all the decades yourself.
Light passes through the clear window - like cornea on the front surface of the eye, through the dark round opening called the pupil, and enters the lens which focuses the light images onto the retina at the back of the eye.
If you click through on any of these images, each one will open in a new tab at Zazzle, the place that handles the manufacturing of sales of mugs (and much more) from many different designers.
The strange act of communal cat video watching is just a small part of «How Cats Took Over the Internet,» a new exhibit at the Museum of the Moving Image in Queens, NY, that's open through January.
Players can look through the images at their leisure, and also use them to set traps by laying the centerfolds open on the battlefield to distract enemies.
Images indicate that this rogue of the seas will be sailing out on the open seas, sneaking his way through the trees of tropical jungles, and diving down to the treasures of the deep.
Upon placing said fish in front of Lord Jabu - Jabu (whose image many believe was inspired by this very fish) he opens his mouth, inhales you and allows you to progress through the game.
Please use the back - next buttons to navigate through the images and open them in a new window to see in full s...
There is a point at which they commenced, but they began with an image of nothing, as Lund initially burned an open rectangle approximately 8.5 x 11 inches into a silkscreen, unevenly forcing black ink through the blank image onto a canvas.
2.2 Timeline: Identify major milestones through completion.: Exhibition Project January 1 - venue confirmation January 23 - submit four images, bio, artist statement for gallery pr February 12 - ship artwork and label information February 28 - opening reception March 29 - closing reception
The Chilean pavilion at the 55th Venice Biennale opens with a large lightbox bearing the image of the Italian artist Lucio Fontana stepping gingerly through the ruins of his Milan studio after World War II.
BEST EXHIBITION SCHEDULE AT A MUSEUM IN UPHEAVAL The Met's, which included shows of camera - phone images exchanged by 12 pairs of artists; the nearly abstract etchings of the 17th - century Dutch artist Hercules Segers; Marsden Hartley's Maine paintings; an astounding survey of Japanese bamboo art and basketry (through Feb. 4); and, of course, the recently opened shows of David Hockney's paintings (through Feb. 25) and Michelangelo's drawings.
It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver gelatin print photographs taken from
By simply opening the window, Smith has created a fresh, new landscape, a series of dramatic, desaturated images amplified through movement of air currents and rays of streaming light.
Over and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.»
The original image - text pieces created by Lasch also serve as the starting point for others to produce their own monsters through public workshops, open calls, and direct invitation.
Image: BijaRi, On the rooftops of Santa Domingo - Savio neighborhood as part of the project Contando con Nosotros, 2011 Opening Reception 3 - 5 pm / Walk - through with curator Bill Kelley, Jr. 3:30 pm
Opening Reception: Friday, February 24th, 7 - 9 pm On view through March 28th, 2017 * image: Leslie Smith III, Tall Tales, 2015
Fast's new commission for MATRIX comprises two films that work together to break open the uncanny relationship among internal imagination, external reality, and the images we consume through media and popular culture.
Image: Chantal Akerman at the Blaffer opening of her first U.S. solo museum exhibition, Moving Through Time and Space, in 2008.
Through distortion and re-contextualization of these images, Fekete celebrates their similarities and hopes that we too might open our minds, taking a daunting yet critical step into his fantastical world.
«MIRRORED IMAGES: Realism in the 19th and 20th Centuries» opens Dec 8 and remains on view through Mar 24, 2013.
A photograph was then taken through the opening of a crate where the sheets of paper used were originally stored and this image made into a limited edition print.
If these fractures remedy transparent mediation with immediate obstruction, the various interference patterns and suprematist graphics populating the multiple screens and projections do the same: shapes open like curtains or obstruct a view of the video's narrative, making certain images more present through their «redaction» (Huffman's term for this effect).
Look through the open areas on the silkscreen and use the film positive underneath to line up the image.
It is that of a work of translation, i.e. I can open mental spaces in order to imagine that I move through an exhibition...» The publication was published on occasion of Doris Lasch's exhibition at Kunsthaus Baselland and is accompanied by the text The Love of images by Dominiek Hoens and an interview with Ines Goldbach.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London ArThrough Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Arthrough me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Work from 1861 to 1967 by artists with diverse sexualities and gender identities will be showcased, and will range from covert images of same - sex desire such as Simeon Solomon's Sappho and Erinna in a Garden at Mytilene 1864 through to the open appreciation of queer culture in David Hockney's Going to be a Queen for Tonight 1960.
DeMarco said that when he is «just cruising on the impersonal internet — you know, the current, like, Facebook, Twitter, you're barely on the open ocean of the internet anymore, it's almost always filtered through one of those things... when you see the cracks form or some x-factor image that feels like its a weird thing that you're seeing, it's cool to have a place to put it» — which is to say, on the Yuppie Dystopia channel.
Writing about the museum a few months in advance of its opening, my first call was to MOCAA executive director and chief curator Mark Coetzee, whose voice echoed as he answered my questions while walking through MOCAA's Center for the Moving Image.
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