Sentences with phrase «opening chase sequence»

No. 223 runs into the woman during the film's opening chase sequence, and then later on in a bar, where he picks her up and takes her to a hotel room, where she promptly falls asleep.

Colors pop throughout, particularly in the opening chase sequence and Bob's Diner, a location for many of the film's pivotal moments.

And yes, the opening chase sequence is worth the price of admission alone.

The Human Alley Cat traceur Mark Toorock If you watched the 2006 James Bond flick Casino Royale, you saw the sport of parkour in the opening chase sequence.

Whether Wright perfectly edits and paces the opening chase sequences to match they rhythm of The Jon Spencer Blues Explosion's «Bellbottoms,» or he choreographs gunfire to stay on tempo with Focus's «Hocus Pocus,» «Baby Driver» is an innovative piece of action filmmaking.

Not exact matches

The opening sequences are among the best ever filmed treating the sheer terror and adrenaline rush of an out - and - out chase, and are nearly silent the whole time, such is the high action quotient.

The stunt - driving is peerless (see the garage sequence); the opening and closing chases all - timers.

Instead, Dredd is a small - scale introductory escapade — outside of an opening chase scene and the sequences set within the Grand Hall of Justice, the film confines itself within the concrete interiors of Peach Trees.

However, plenty of scenes still mark Age of Ultron out as one of Marvel's superior efforts, including a kinetic chase sequence set in South Korea and the electrifying opening scene which reminds audiences exactly why we love seeing all of our favorite Marvel heroes fight together in one place.

Jump - cuts and sped - up action destroy any notion of the passing of time — we've little sense of how long these people are holed up in the farmhouse — while opening and closing chase sequences with bumbling authorities conjure Keystone runarounds from a playful visual style.

It simply is a continuation, and escalation of the cartoonish conclusion of the first film: exhibit A being the car chase - fight sequence that begins mere moments following the film's opening title on the Kingsman's tailor shop window.

The absence of true danger and, thus, suspense, proves a constant narrative obstacle, though it's nonetheless one occasionally hurdled courtesy of breakneck pacing and clean choreography that's first evident during a slam - bang opening chase, and regularly picks up again during similar sequences in which its characters race through streets, leap between apartment buildings, and sneakily infiltrate a crowded police station.

The action sequences are breathtaking throughout, but the bookends of the opening chase / fight sequence and the wall of destruction just before the film's conclusion are among the best I've ever seen.

It opens with a speeder chase through a dingy tunnel, segues to a sequence set on a twilit smoky battlefield, and the big moment when the Millennium Falcon is first revealed (as the «Star Wars» theme swells majestically in the background) takes place in an inky cave.

The chase that opens Danny Boyle's adaptation of Irvine Welsh's Trainspotting distilled the rowdy spirit of that novel in a zeitgeisty sequence full of rambunctious zip.

That opening sequence that begins with the callback to Sherlock Jr. features not just a car and motorcycle chase through Times Square but also a massive set - piece in which cars are flung around inside a spacious warehouse like two - ton hockey pucks, disabling other mechanical targets and sending human ones airborne like rag dolls.

Directed by the British filmmaker Kevin Allen («Twin Town,» «The Big Tease»), «Agent Cody Banks 2,» which opens today nationwide, is full of chase sequences and comic battles, but Mr. Allen's work is compromised by an apparent inability to match his shots in a spatially coherent fashion.

With that said, the ship crashes, chase sequences, the opening action, and especially boarding the Dreadnought all look fantastic.

With its frenetic opening chase and murder sequence onboard a speeding train, the film recalled the slick and stylised murder scenes from Suspiria, while the film's swooping autonomous camerawork was also reminiscent of earlier Argento arthouse horror experiments such as Deep Red.

These scenes include a major airline crash in the opening sequence, guns, car chases, and fist - to - fist combat.

The one thing that is immediately apparent is the omission of motion blur as you pan around - not necessarily a bad thing in my opinion (I disliked it in Perfect Dark Zero) but Starbreeze's implementation of it on The Darkness was pretty good; it certainly makes a difference in the game's opening car chase sequence and makes a good fist of papering over frame - rate inconsistencies.

Shoot some bad guys, run through a corridor or along a road, get to big open area, and shoot more guys with this loop being occasionally punctuated by a scripted turret or chase sequence.

Would I have to restart from scratch and keep rewatching the entire opening cutscene until I beat the chase sequence without dying?

With rapid camera movements in action sequences, such as the marketplace portion of the opening chase scene in Skyfall, some objects like extras in the crowd would momentarily flicker out of view.