Sentences with phrase «opening cut scene»

From the opening cut scene alone, the game sets a comical tone which is where its greatest strength lies.

From the opening cut scene you suspect there is something special going on here.

Also, I'm deducting 185,962 points for the opening cut scene.

The game begins with an opening cut scene in London and a dialog between Poirot and Hastings about the murder case.

Remastered by the developers, the opening cut scene is (like the rest of the game) in 1080p and 60 fps.

It's so simple in fact, that this is all explained in a 5 - second opening cut scene.

However, Ground Zeroes doesn't give Snake much to say except for the opening cut scene.

You can probably guess the ending before the opening cut scene finishes and if you don't there's nothing mind - blowing after that anyways.

starting up this game you are confronted with an opening cut scene showing you the damage of the capital wasteland, a few minutes later its time to make your character.

I'd be lying if I said I understood Mutant Mudds» plot from its opening cut scene, which, as far I can tell, is just a very brief, random slideshow of pixelated images.

What's really interesting is its inclusion of a bonus DVD that contains promotional videos and cut scenes from various Sonic games, the most exciting of which is the Sonic CD opening cut scene.

Yes, you can finally own the Sonic CD opening cut scene on DVD!

Not exact matches

11 am: Doors open to Subscribers, FlexPass holders, and Community Members Ongoing: Self - guided backstage tours, Costume Corner, Scavenger Hunt 11:30 am: Props Activity: Build your own Rabbit Session # 1 (paint shop) 11:45 am: Cutting of the 30th Birthday cake 12 pm: Doors open to the general public 12 pm: 2012 - 2013 Season Talk with Managing Director Michael Maso 12:30 pm: Props Activity: Build your own Rabbit Session # 2 (paint shop) 1 pm: Audience - participatory reading of a 10 - minute play: The Pickup by HPF Lawrence Goodman (onstage) 1:30 pm: Shop Talk: Costumes, The Art of the Quick Change with Costume Director Nancy Brennan (onstage) 1:30 pm: Props Activity: Build your own Rabbit Session # 3 (paint shop) 2 pm: Audience - participatory reading of a scene from Our Town (on stage) 2:15 pm: Shop Talk: Paints, Marble Magic & Scenic Painting Technique with Scenic Charge Artists Kristin Krause (paint shop) 2:30 pm: Audience - participatory reading of 10 - minute play: Diamonds by HPF David Valdex - Greenwood (on stage) 2:45 pm: Raffle drawing 3 pm: Open House open to Subscribers, FlexPass holders, and Community Members Ongoing: Self - guided backstage tours, Costume Corner, Scavenger Hunt 11:30 am: Props Activity: Build your own Rabbit Session # 1 (paint shop) 11:45 am: Cutting of the 30th Birthday cake 12 pm: Doors open to the general public 12 pm: 2012 - 2013 Season Talk with Managing Director Michael Maso 12:30 pm: Props Activity: Build your own Rabbit Session # 2 (paint shop) 1 pm: Audience - participatory reading of a 10 - minute play: The Pickup by HPF Lawrence Goodman (onstage) 1:30 pm: Shop Talk: Costumes, The Art of the Quick Change with Costume Director Nancy Brennan (onstage) 1:30 pm: Props Activity: Build your own Rabbit Session # 3 (paint shop) 2 pm: Audience - participatory reading of a scene from Our Town (on stage) 2:15 pm: Shop Talk: Paints, Marble Magic & Scenic Painting Technique with Scenic Charge Artists Kristin Krause (paint shop) 2:30 pm: Audience - participatory reading of 10 - minute play: Diamonds by HPF David Valdex - Greenwood (on stage) 2:45 pm: Raffle drawing 3 pm: Open House open to the general public 12 pm: 2012 - 2013 Season Talk with Managing Director Michael Maso 12:30 pm: Props Activity: Build your own Rabbit Session # 2 (paint shop) 1 pm: Audience - participatory reading of a 10 - minute play: The Pickup by HPF Lawrence Goodman (onstage) 1:30 pm: Shop Talk: Costumes, The Art of the Quick Change with Costume Director Nancy Brennan (onstage) 1:30 pm: Props Activity: Build your own Rabbit Session # 3 (paint shop) 2 pm: Audience - participatory reading of a scene from Our Town (on stage) 2:15 pm: Shop Talk: Paints, Marble Magic & Scenic Painting Technique with Scenic Charge Artists Kristin Krause (paint shop) 2:30 pm: Audience - participatory reading of 10 - minute play: Diamonds by HPF David Valdex - Greenwood (on stage) 2:45 pm: Raffle drawing 3 pm: Open House Open House ends

Entitled «Healing Souls by Killing Russians», the video opens with scenes apparently showing the aftermath of bombing in Aleppo, and then cuts to various images suggesting Vladimir Putin in allied to the regime of Bashar al - Assad, Iran and even the US when it comes to Syria.

the Max Planck Institute for Astronomy and Haus der Astronomie on Königstuhl will open their doors to the public for a behind - the - scenes look at cutting - edge astronomical research.

In the opening scenes we see him leading his forces into battle against the barbarous Germans, who deserve everything they get for cutting off the head of the luckless Roman cavalryman despatched to issue a surrender ultimatum (like most mainstream movies, Gladiator is strong on audience emotion cues to nudge us in the right direction.

Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.

Replay is definitely a 10/10 on it's own, since skipping the cut - scenes opens up a lot of game play.

SUBSTANCE USE - A man takes a prescription drug (presumably a sleep aid), and a man injects another man with something before cutting open his leg (during a torture scene).

Walking into the night club triggered a cut scene that introduced me two twin sisters, their opening monologue hinting at some sort of mysterious greater power and the fact that Greene has been set - up to be the cause of the zombie outbreak... again.

This is an original LEGO story, in the vein of 80's cop dramas, and it had me laughing out loud from the opening cut - scene.

The deleted scenes could've been included in the final cut, but I agree the bit with the waitress (Ashley Johnson) and the deleted opening with a shell - shocked Agent Hill were on the slow side.

Llewelyn's scene at the Regal Motel is another triumph of sound design: Unscrewing the grate, cutting the blind - cord, snapping open the case, sliding it into the air shaft.

A cocktail party features glasses of wine held by men and women and a few of each drink from their glasses, a man at a party sips from a glass of whiskey and another man chugs from a bottle of clear liquor (the label is hidden), a man drinks expensive whiskey in his office and his living room, a man holds an open can of beer on a sidewalk, four men in the back of a pickup truck drink from beer cans as the vehicle is moving, a man drinks from a small bottle of whiskey in his living room (the scene cuts to him lying asleep on the floor with the empty bottle, two crushed beer cans, and a cigarette butt around him), a man at a party says that he is wasted (implying intoxication, no drugs are seen or mentioned), a man offers a worker a 6 - pack of beer to bring a shovel and help clean a bathroom (please see the Violence / Gore category for more details), a man offers another man a drink and he declines saying that he is high on life, and a man holds a can that could be beer.

In its opening minutes, Nymphomaniac signals the brutality in store, with the rain pinging off tin roofs cut short by Rammstein's «Führe Mich,» a rupture of tranquility and forecast of bad - things - in - store that recalls Michael Haneke's use of a raucous John Zorn in the early scenes of his Funny Games.

For me most REVOLUTIONARY scene of this year was that f-ing 17 minutes without cut in opening of gravity.

Also missing is «Production Progression», which built off of the «Production Tour» (which did make the cut) by presenting the movie's opening scene in four different stages of production.

If you want to spoil the opening animated cut scene for Mania, you can watch it in the video below.

The opening cut - scene featuring the hero's father Ortega is gone, and so is the dice game.

Danny's occasional outbursts of rage, like an opening scene focusing on the stress of finding a New York City parking spot, are cathartic and funny — in part because Baumbach often cuts them off mid-scream and in part because Sandler does have a funny screaming voice, at once furious and desperate.

The world of the piece is typically opened up, characters are added, it takes place in numerous settings, scenes and musical numbers may be cut or added.

Well, technically, «The Apprentice» host wasn't fired as much as his scene was cut out of the film which opens Friday.

They reflect on their film, from conception to reception, touching upon such topics as the intense opening scene, their research trips from scuba diving to a sewage treatment plant (the latter, for a cut sequence), working with Ellen DeGeneres and Albert Brooks, the animation challenges, this being seen as the less desirable project to the concurrently advancing The Incredibles, and the film's enduring legacy.

Mike Bracken: They're not off the hook for the rest of Final Fantasy XIII, including its chapter 12 opening cut - scene that would make Michael Bay shake his head in embarrassment at how overproduced and edited it is.

With an almost Kubrickian opening credit sequence, it then cuts to a very realistically shot, written and acted scene.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

There are no deleted scenes here, but there is an odd alternate opening, in pan-and-scan (upconverted to 1080i), that is apparently used for television screenings and has some material that doesn't show up in the theatrical cut.

Largely employing a variation on continuity editing, the opening scenes are ponderous and there is little sense of dynamic montage, aside from the punctuation of the axial cuts, until the stunning and disorientating «Battle on the Ice» sequence.

Carried over from the previous DVD release are the complete ten - minute robbery sequence that Carpenter cut from the film (it was meant to be the opening scene) with optional commentary by Carpenter and Russell, the vintage promotion featurette «Return to Escape From New York,» trailers, and a gallery of stills, posters, and promotional art.

The Bottom Line The budget desktop scene is due for a shake - up with Intel's new chips and AMD's impending price cuts, but the Velocity Micro Vector GX Campus Edition is a strong opening volley.

The budget desktop scene is due for a shake - up with Intel's new chips and AMD's impending price cuts, but the Velocity Micro Vector GX Campus Edition is a strong opening volley.

The video then cuts to «Now...» and we see the same relative as in the opening scene sitting down at the kitchen table with his iPad, ready to read a book.

«Bryon's work on TheMercy of the Night was crucial in making the opening stronger and tighter, eliminating repetition and cutting unnecessary sections, maximizing dramatic impact through rethinking the scene weave, and much more.

There's a well - known scene in the movie Jaws where Richard Dreyfuss» character cuts open the belly of a shark and pulls out some unexpected items, including a Louisiana license plate.

Three hours of cut - scenes sure does sound like a lot, but it shouldn't be looked at negatively as this opens up the reality of actual gameplay being quite lengthy.

As the story begins, you're treated to an opening cut - scene that shows Jon and his brother, Robert, as kids bonding out in the woods before Jon prepares to ship off to Afghanistan for active duty.

The game opens with a cut scene which serves to explain the basics of the plot, including the fact that the Green Goblin is planning world domination by invading and conquering via an army of cloned venom symbiotes.

I find myself go to and from places and end up opening random cut scenes - in which I have no clue what took place for me to get to that scene.

The majority of Rain's story is told via in - game cut - scenes, but the game opens and closes with a absolutely stunning watercolor - style cinematic.

I'm getting used to it now, and also as the game opens up and allows for more free play the cut scenes are spread out a little further as I explore on my own, so that helps too.