Sentences with phrase «opening dance sequence»

An opening dance sequence set in a Cleaver American Fifties features more stunt people, professional dancers, and trampolines than Cirque du Soleil, its artificiality setting the tone for the rest of the film, while the scene's conclusion (with the picture's hero trapping the celebrants in a giant dance hall, dooming them to death should a fire break out) serves as a pretty succinct summary of the film's feckless themes and carelessness.

Not exact matches

L.A.'s traffic woes are so famous that the opening sequence of the Oscar - winning movie La La Land features frustrated commuters dancing on their parked cars.

This time she's Dominika, a fast - rising ballerina whose career is cut brutally short in a beautifully - shot opening sequence that juxtaposes her final stage performance against the careful dance between CIA Agent Nate Nash (Edgerton) and his secret informant.

Throughout, Haigh holds close on Rampling, studying her shifting reactions as «Smoke Gets In Your Eyes» plays on the soundtrack, in a dance sequence that's both beautiful and tense — and that culminates in the emotional swell that's been due since the opening credits.

There are some nice touches — a shy dance in Golden Gate Park, an opening sequence that wordlessly chronicles Mary's solitary, neat - freak existence as she fastidiously arranges cloth napkins and frozen dinners in front of the TV.

Indeed, her superfluous, slow - motion pole dance that sits beside the film's opening credits sequence does serve as a useful and immediate red flag as to the lazily familiar road the underpowered film will tumble down.

From the opening title sequence, the movie instantly kicks the humor in overdrive as Peter Quill aka Star - Lord dances like Michael Jackson to the tune of «Come and get Your Love» by Redbone in a temple extremely reminiscent to the one from the beginning scene of Raiders of the Lost Ark..

This is where beats like the naked women dancing in the opening sequence is a clever piece of foreshadowing.

How could such a pipsqueak of a director, they asked back in 1997, create a masterpiece that wowed right from its opening sequence: an audacious five - minute tracking shot that swoops and swirls through the nightclub of the film's title in joyful synchronisation to the dance music of the 1970s.

A central moment in the score is the opening sequence, which cuts between Nate in action on the streets of Moscow and Dominika dancing onstage in a ballet.

The movie opens with an amusing 007 credits sequence, but consisting of slinky cats, rather than dancing women.