Sentences with phrase «opening essay by»

The opening essay by Montserrat College of Art Director Leonie Bradbury offers a multifaceted overview of Brookes» impact on the current art landscape and is complemented by a variety of responses and writings from a wide range of interdisciplinary contributors.

This book's opening essay by Gustavo Gutiérrez and its central section, where it captures this complexity, are its most successful parts.

The opening essay by Jenson and the closing essay by Gunther Gassmann set the whole discussion within an ecclesiology of communio.

Not exact matches

An opening essay on Hartshorne's methodology is followed by eight others: the initial four focus in one fashion or another on Hartshorne's discussion of theism and the latter four attend to other aspects and implications of his thought.

One of the most explicit discussions of the matter is by Professor Hartshorne, who in a short but stimulating essay entitled «The Unity of Man and The Unity of Nature» (Included in The Logic of Perfection (Open Court Press, La Salle, Ind., 1962.)

John B. Cobb, Jr. and Clark Pinnock provide essays introducing the discussion by describing the basic difference between the Open view of God and the process concept of God.

In a larger sense, however, Berry's work must be counted a failure, As in the effort to get Americans to protect the climate, small victories have been overwhelmed by crushing losses, As Berry points out in the opening essay, America now has half the number of farms it had in 1977.

In an open letter on her town's web site, Osten mentioned Fusion by name in an essay about sewer and water rate increases in the region.

A critical essay by Sandy Flitterman - Lewis is also included, offering deeper analysis of the films than Varda's deliberately open - ended discussions.

Dushku posted a lengthy essay on Facebook last night, opening up about an incident from 25 years ago in which she says Joel Kramer — whose recent credits include high - profile projects like Blade Runner 2049, Star Trek: Discovery, and Westworld — first earned her and her family's trust during her time on the Arnold Schwarzenegger action vehicle, and then abused it by luring her to a hotel room in the guise of letting her swim at the facility's pool.

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

PLUS: An essay by critic Geoffrey Nowell - Smith, Antonioni's statements about the film after its 1960 Cannes Film Festival premiere, and an open letter distributed at the festival

August Strange Says the Angel (2017, Shalimar Preuss) From Nine to Nine (2017, Neil Bahadur)-- 5.6 + The Battle of Algiers (1966, Gillo Pontecorvo)-- 8.8 [~ same] The Wedding Banquet (1993, Ang Lee)-- 6.1 Xiao Wu (1997, Jia Zhangke)-- 7.1 Sweetgrass (2009, Ilisa Barbash & Lucien Castaing - Taylor)-- 7.3 As Tears Go By (1988, Wong Kar - wai)-- 6.9 Meshes of the Afternoon (1943, Maya Deren & Alexander Hammid) Leviathan (2012, Lucien Castaing - Taylor & Véréna Paravel)-- 7.2 By the Dike Sluice (1962, Peter Nestler) Manakamana (2013, Stephanie Spray & Pacho Velez)-- 7.9 Essays (1963, Peter Nestler) Remember My Name (1978, Alan Rudolph) 35 mm — 6.8 Rio Bravo (1959, Howard Hawks) 35 mm — 8.9 Ajantrik (1958, Ritwik Ghatak) 35 mm — 5.8 The Tall Target (1951, Anthony Mann) 35 mm — 7.1 + L'Avventura (1960, Michelangelo Antonioni) 35 mm — 7.2 [down from ~ 7.5] The Green Ray (1986, Eric Rohmer) 35 mm — 7.8 Poem of an Inland Sea (1958, Yuliya Solntseva) 35 mm — 6.3 The Story of the Flaming Years (1961, Yuliya Solntseva) 70 mm — 6.5 The Enchanted Desna (1964, Yuliya Solntseva) 70 mm — 7.0 Good Time (2017, Josh & Benny Safdie) DP — 7.3 Garrincha: Hero of the Jungle (1962, Joaquim Pedro de Andrade) 35 mm — 5.9 The Opening of Misty Beethoven (1976, Radley Metzger) 35 mm — 6.3 + Nocturama (2016, Bertrand Bonello) DP — 7.0 [same] Jackass: The Movie (2002, Jeff Tremaine)-- 6.9

The following response, written as an open letter to Ms. Ohanian, begins with reference to one example cited in the original essay, a group - centered writing workshop from which Ms. Ohanian made a hasty retreat — a retreat remarked upon by the group leader, «an earnest - looking type straight out of the L.L. Bean catalogue.»

It featured an essay by Clay Christensen and Michael Horn (C&H) that anticipated a full - length account of the best way to disrupt a classroom, opened its forum to Terry Moe and John Chubb (M&C), who made a case later fleshed out in Liberating Learning, and ran an excerpt from my Saving Schools: From Horace Mann to Virtual Learning.

In fact, the assessment systems of most of the highest - achieving nations in the world are a combination of centralized assessments that use mostly open - ended and essay questions and local assessments given by teachers which are factored into the final examination scores.

This essay aims to review resources available to parents, who are interested in determining the academic performance of a prospective elementary magnet, and to expose the lack of easily obtainable information for prospective parents to use in informed decision - making, by examining two common ways parents obtain information about prospective schools: the first is directly from school representatives at school choice fairs or open house events, and the second is from a popular website, called GreatSchools.

After Facing History selects the top essays, we will invite the public to help select a winner by opening voting on April 6.

5 Anthologies Open to Submissions (all paying markets) These 5 anthologies, listed by Authors Publish Magazine are looking for stories, poems and essays that range from SciFi erotic poetry to Western fiction.

If the write - up by you impresses the college / university your door gets wide open easily and in case the essay fails, you may not get the...

If the write - up by you impresses the college / university your door gets wide open easily and in case the essay fails, you may not get the admission.

As we can not make you open Microsoft Office and type an essay by yourself, so we behave differently - we show you another side of boring and intimidating process of writing.

The color purple essays «The Color Purple» by Alice Walker will probably be the most unforgettable portrayal of a black female from south America that you will ever come across»... could be a suitable opening line for your introductory paragraph to the Color Purple Eessays «The Color Purple» by Alice Walker will probably be the most unforgettable portrayal of a black female from south America that you will ever come across»... could be a suitable opening line for your introductory paragraph to the Color Purple EssaysEssays.

Every year The Masters Review opens submissions to produce our anthology, a collection of ten stories or essays written by the best emerging authors.

This series of essays by 54 friends and colleagues of Noguchi's, including Yoshi Taniguchi, Thomas Messer, Issey Miyake, and Kenzo Tange, was published to commemorate the opening of the Isamu Noguchi Garden Museum in Japan.

The opening will be held from 6 - 9 pm on Saturday, March 12th at 8920 Melrose Ave, located on the corner of North Almont Drive, one block south of Santa Monica Blvd.. A full - color catalog with essay entitled «New Models, Strange Tools» by New York - based poet and art critic Raphael Rubinstein will accompany the exhibition.

In her catalogue essay, Guest Curator Catherine de Zegher, former Director of The Drawing Center in New York City and currently Co-Director of the 18th Biennale of Sydney, writes, «Seen as an open - ended activity, drawing is characterized by a line that is always unfolding, always becoming.»

This welcome reappraisal continues apace this month with the opening of a quartet of mini shows at MoMA (April 14 — August 5) spotlighting different major series from the»60s and»70s — including his famous installation The Store (1961 — 64)-- to be followed at the Walker Art Museum this September with «Claes Oldenburg: The Sixties,» a battleship of a survey organized by Vienna's MUMOK museum (and coming complete with catalogue essays by famed art intellectuals like Benjamin Buchloh).

It will open on September 7, 2017 and run through October 28, 2017 accompanied by a catalogue with an essay by Aruna D'Souza.

In 1980 she joined the History of Art Department at the Open University as a Lecturer working on groundbreaking courses there and publishing essays in the Modernity and Modernism textbooks, published jointly by the Open University and Yale University Press in 1993.

Abney's first solo museum exhibition, Nina Chanel Abney: Royal Flush, curated by Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art, opened in 2017 at the Nasher Museum of Art, North Carolina; with an accompanying comprehensive, fully - illustrated hardcover catalogue with critical essays published by Duke University Press.

The catalog opens with an insightful interview with Marshall conducted by Dieter Roelstraete and closes with essays by Navi Haq, who curated the exhibition, and Okwui Enwezor.

LEARN MORE Press Release Curatorial Essay IMAGES (1) Video still from Amy Khoshbin, The Myth of Layla, 2014 (2) Amy Khoshbin, Gold Lady: Terror Level Five, Eyes Open, Photo by Corbin Ordel (3) Video still from Amy Khoshbin, The Myth of Layla, 2014

Opening Event: In conjunction with the opening on August 22, Sharon Louden will host a talk about her book The Artist as Culture Producer: Living and Sustaining a Creative Life, which features a collection of essays by 40 visual aOpening Event: In conjunction with the opening on August 22, Sharon Louden will host a talk about her book The Artist as Culture Producer: Living and Sustaining a Creative Life, which features a collection of essays by 40 visual aopening on August 22, Sharon Louden will host a talk about her book The Artist as Culture Producer: Living and Sustaining a Creative Life, which features a collection of essays by 40 visual artists.

Five, New York, a project for Open City Stephan Balkenhol, Editions Dis Voir, Paris, essays by Jeff Wall, Ludger Gerdes, Hervé Vanel, Ingrid Schaffner

2001 Open City: Street Photographs since 1950, published by the Museum of Modern Art Oxford, Oxford, UK, pp. 18, 168 — 173, [ill., cover] Over Exposed: Essays on Contemporary Photography, published by The New Press, New York, NY, 2001 Bohn - Spector, Claudia and Jennifer Watts, eds., The Great Wide Open: Panoramic Photographs of the American West, published by Merrell Publishers Ltd., London, UK, 2001, pp. 104 — 107 [ill.]

In an essay written for the catalogue which accompanies this exhibition, featuring photographs of Herrera's New York studio and home, American curator and critic Robert Storr states: «In Alpes (2015) Herrera sets up what promises to be a pattern of green and white triangles alternating like clenched teeth but leaves out the last green «tooth» so that the whole sequence dissolves into an open expanse of white that is barely contained by the outer edge of the diptych.»

Including essays by Tom Eccles, Douglas Fogle, and Caoimhin Mac Giolla Leith; a thorough guide to the source material for Edmier's work by the artist's longtime friend, Jade Dellinger; an interview with Keith Edmier by artist Matthew Barney; and a comprehensive bibliography, the book will be officially released at the opening reception of Keith Edmier 1991 - 2007 at CCS Bard on October 20.

To reflect the museum - quality nature of this collection, the «Eyes Wide Open» exhibition and auction are accompanied by a scholarly catalogue, which features texts by curators and critics such as Carolyn Christov - Bakargiev, Hans - Ulrich Obrist and Sarah Whitfield, as well as essays by the collectors.

Since Tristan Eaton's new show Uprise opens this month at Galerie Itinerrance in Paris, we're revisiting the essay on Eaton by Carlo McCormick from our July 2017 issue.

Actually, Audre Lorde opens an essay from around then by remarking: «Since I returned from Russia a few weeks ago, I've been dreaming a lot.»

An epic poem of early Pop by the architects Alison and Peter Smithson, in an essay published in November 1956, three months after the landmark Independent Group exhibition «This is Tomorrow» opens at the Whitechapel Gallery: «Gropius wrote a book on grain silos, Le Corbusier one on aeroplanes, and Charlotte Perriand brought a new object to the office every morning; but today we collect ads.»

In anticipation of her upcoming solo show at MoMA PS1 (the Chinese artist's first in the U.S., opening Friday, April 3), we turn to an essay by Hans Ulrich Obrist from Phaidon's Defining Contemporary Art, in which the curatorial superstar points to Cao's fantastical 2004 series COSPlayers as a prime example of her groundbreaking «postmedium» practice.

The book opens with photographs and an essay by the artist.

Her essay, «Theater of Gender: David Bowie at the Climax of the Sexual Revolution», was commissioned by the Victoria & Albert Museum for the catalog of its major exhibit of Bowie costumes, which opened in London in 2013 and is currently touring internationally.

Art historian Douglas Crimp's influential 1980 essay, «On the Museum's Ruins,» opens with a pointed analysis of an angry review by Hilton Kramer that lambasted a recent reinstallation of the Metropolitan Museum's 19th - century - painting galleries.

Opening: «That I am reading backwards and into for a purpose, to go on:» at The Kitchen This group show, curated by Whitney Independent Study Program fellows Magdalyn Asimakis, Jared Quinton, and Alexandra Symons Sutcliffe, takes its name from a citation in an essay by Ian White, whose writing often dealt with the experience of viewing artworks.

Opening: Glenn Ligon at Luhring Augustine Accompanying the current exhibition of work by Glenn Ligon at Luhring Augustine's Bushwick space, this corresponding show of the artist's work features a series of 17 ink - jet prints that showcase Ligon's well - worn copy of James Baldwin's 1953 essay, «Stranger in the Village.»

1 Howard Hodgkin, Desert Island Discs with Sue Lawley, 1994 2 Jean - Paul Stonard 3 Richard Morphet 4 Howard Hodgkin in conversation with Michael White, «On Designing for the Stage», Daily Telegraph, June 2002 5 John - Paul Stonard 6 Jann Parry, «An Eye for Dance, Observer, July 1989 7 «Howard Hodgkin Interviewed by David Sylvester», Howard Hodgkin: Forty Paintings 1973 - 84, Whitechapel Art Gallery, London 8 Jonathan Jones, The Guardian, 2011 9 Julian Barnes, Keeping an Eye Open: Essays on Art, 2015

Editor's Note Yishu 85 opens with an essay by Susanna Ferrell and Britta Erickson on the early work of Yang Jiechang, one of contemporary Chinese art's most important artists and among the first to exhibit outside of China.