Sentences with phrase «opening framing story»

Freeman (director Jackson's first choice for the title role) is inspired casting as Bilbo Baggins, and makes for a more likeable protagonist than Wood's rather other - worldly Frodo (who, along with Holm as the older Bilbo, makes an appearance in the film's opening framing story).

Not exact matches

The press frames every story about Francis as a break with the rigidity, dogmatism etc, of his predecessors — Benedict's back in the doghouse, so to speak — and the latest example of a new, caring, open, pastoral (read: lenient) Catholicism.
March 5th — May 25th visit any Tuesday — Friday from 10 am — 4 pm (please note: special weekend processing dates will be announced but Story Land will not be open on the weekends during this time frame unless noted, activation can only take place during these hours mid-week.)
Yet Werwie also opened up about the framing device of the film, which he believes allows Kloepfer's perspective and beliefs to actually rule the story.
The film, which opens March 7 in Los Angeles, has a rather complicated framing structure that creates a story within a story within a story within a story.
Framing the film in its 1.85:1 widescreen theatrical aspect ratio (as opposed to the DVD's 1.33:1 open matte), New York Stories» picture is extremely sharp, clean, and detailed.
This is Fleischer's first film for Fox and he meets the house CinemaScope style — handsome, roomy sets, strong color, open spaces and long, fluid takes (the better to drink in the widescreen images)-- with careful staging and frames filled with little dramas, but he also puts an edge to the stories that play out in the glossy spaces.
This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.
This luxury penthouse at Crystal Springs Condominiums features an open floor plan framed by beautiful cedar posts and beams, with a spacious living room anchored with two - story gas - burning fireplace, large leather sectional sofa, flat - screen TV, vaulted ceiling, and massive wall - to - wall windows with French doors opening to a private balcony.
National Park Service Golden Gate National Recreation Area Media Advisory: COMPLETELY RESTORED WARMING HUT REOPENS FOLLOWING FIRE LAST WINTER WHAT: The Warming Hut Café, Park Store & Visitor Information Center is open WHEN: Reopened, Monday, December 3, 2007; open daily 9 am to 5 pm WHERE: West Bluffs, Crissy Field, Golden Gate National Parks, San Francisco, CA HISTORY: The historic 1909 wood frame two - story structure was originally built as an U.S. Engineer Storehouse.
As picture - perfect as a postcard, the resort welcomes you with a three - story, open - air lobby featuring stone archways that frame dramatic views of volcanic mountains and the resort's mile - long crescent beach.
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
A brief opening sequence sets up the basic story of the game, which has you framed for the Empress's murder and imprisoned in jail.
A woman's heel next to a broken glass; a young man about to enter a wood; the bloodied mouth of a reclining woman — when contemplated in sequences, these frames form open, interpretable stories, although Devriendt establishes no clear - cut script or coherent narrative that might explain their connection.
In addition, she constantly provided resources that helped me to get into the right frame of mind to open up and share my career story.
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