by Molly Fergus LG Travel News Editor Tales of travel bloggers who rake in six - figures remind me of
the opening montage of He's Just Not That Into You.
The musical selections range from hyperkinetic rap to somber selections by Seal, Chaka Khan and Marc Dorsey (whose «People in Search of a Life» makes the film's
opening montage of crime scene photos one of the saddest credit sequences of all time).
When you fire up the game you get the now obligatory video intro with
an opening montage of quiet, peaceful and empty tracks which quickly have their serenity blasted away by a thunderous pack of souped up, maxed up out of racing cars.
Terence Rattigan's 1952 play about an unhappy love triangle gets the Terence Davies treatment — which is to say, it positively swoons in impassioned misery, right from the expressionistic
opening montage of its heroine's suicide attempt.
The opening montage of events literally sets the stage, and we eventually see Anna (Keira Knightley) preparing to leave her home in St. Petersburg to visit her brother Stiva (Matthew Macfadyen) and sister - in - law Dolly (Kelly Macdonald).
In
the opening montage of Steve's many dates, he reveals he has no responsibilities or commitments and hopes to keep it that way.
Yep, just like Steve Austin in
the opening montage of the Six Million Dollar Man.
Not exact matches
The shoestring - budget movie
opens with a bleak, de-saturated
montage of -LSB-...]
ABOUT BOUCHON IN BEVERLY HILLS:
Opened in 2009, Bouchon in Beverly Hills is the third location
of Chef Thomas Keller's French bistro found in the heart
of the Beverly Hills Business Triangle, adjacent to the Beverly Canon Gardens & the
Montage Hotel.
After a brief
montage of scenes from the closing moments
of last fall's «Harry Potter and the Deathly Hallows Part 1» (former Hogwarts headmaster Dumbledore's crypt being
opened by Ralph Fiennes «villainous Voldemort), we are right back where we left off: heroic house elf Dobby is buried in the sand, and surviving members
of the melee — among them Harry and his steadfast pals Hermione (Emma Watson) and Ron (Rupert Grint), along with a wand maker (John Hurt) and a nasty banking goblin (Warwick Davis).
Another notable change, the addition
of an
opening montage parodying newsreels, was reportedly the result
of network pressure after Allen's initial cut proved too short for the planned time slot.
A cleverly - edited
opening montage shows that games like Pictionary, Scrabble and charades are the foundation
of their relationship and led to their marriage.
It
opens with a marriage ceremony
montage whose sombre voiceover is an indication
of the sobering things to come (Dornan's earnest rendition
of Paul McCartney's Maybe I'm Amazed being just one example).
Credits began following the trademarked
opening of a close - up view
of a match - head igniting, and the lighting
of a sparking fuse, accompanied by a blindingly - fast
montage of action scenes from the film - and
of course, Lalo Schifrin's memorable theme music.
The movie
opens on a painfully repetitious
montage of Bulworth's latest commercials condemning affirmative action.
The
opening sequences
of Lucy feature lots
of arty
montages that show us natural predators devouring their natural prey.
But the problem with the film is that Jerry experiences the biggest personality transformation in his life as part
of a
montage that facilitates the
opening credits.
The campy
opening credits
montage depicts murderous women in film, as if Harris were continuing a long - honored tradition
of lovers who were wronged taking action against former lovers when they try to get out
of the relationship.
«Fergus & Mor» du» An Alternate
Opening Fallen Warriors
Montage Dirty Hairy People It is English... Sort
Of Angus The Tapestry Promotional Pieces Art Gallery Wee Gaffes Renaissance Animation Man Teasers and Sneak Peeks
It's a challenge issued in its
opening montage, where every bit
of action and dialogue is an important clue that will help you solve the puzzle.
That status isn't immediately apparent, however, as Allen's latest
opens with a beautiful if unimaginative day - to - night travelogue
montage of Paris» most famous sights (the Eiffel Tower!
Pixar's Up
opens with a beautiful and heartbreaking
montage of life, love, loss and regret for the time slipped by.
Opening with a
montage of retinas and the voiceover
of its main character, lab researcher Ian Gray (Michael Pit), «I Origins» introduces «the eyes that changed the world.»
The
opening sequence shows a
montage of a whirlwind relationship between Josh (Rafe Spall) and Nat (Rose Byrne).
Almost Christmas
opens with a
montage portraying the forty - five - year marriage
of Grace (A. Sabrena Farmer) and Walter (Danny Glover).
You know you're in trouble when the highlight
of your film is an
opening montage comprising real footage
of idiots trying to kill one another in their backyards; you know you're in bigger trouble when the title
of your movie comes from an early moment in which a character steps on a pile
of dog excrement.
This go - round, the nine - time emcee revived such trademarks
of his tenure as an
opening song - and - dance as well as an inspired spoof
of the Best Picture nominees via a movie
montage.
The movie
opens with their wedding and a brief
montage of their whirlwind courtship (which we learn was a mere seven months).
Gary King (Simon Pegg) narrates a brief
opening montage, introducing his four best friends and how they tore up the streets in a small town outside
of London back in 1990.
Based on a Patricia Highsmith story (enough said), the film
opens with a cross-cut
montage of two men's walking shoes, getting nearer to their train berths and, eventually, culminating in a flirtatious game
of footsy.
Hot Fuzz, from its rapid - fire
opening montage to its explosive finale, deflates the pomp
of the action genre's posturing with hilarious precision.
The film
opens with a
montage of shocking scenes that catapults you right into the tone and feel
of the film.
The movie
opens with a confounding
montage of people on their computers.
The film
opens with a
montage of grainy early -»70s news footage, but any warm feeling toward the counterculture is tainted by an air
of smugness, like tear gas wafting through a peace rally.
There's also an alternate
opening scene, a costume - test
montage, and one very short special feature on the use
of animals in the film that's only notable for Kenneth Branagh's apparent diplomacy regarding furry creatures.
Dawn
of the Dead
opens gangbusters, its prologue — which segues into a title
montage scored just right to Johnny Cash tune — the most nihilistic - feeling bit
of cinema I've seen since the first broadcast
of The Day After, and right in line with our apocalyptic cinema environment.
The film
opens in an unexpected and very graceful way with a
montage of faces
of the audience members as we listen to the musical overture.
Although The Silence
of the Lambs
opens with an FBI training
montage that one might deem typical
of its genre, there's a strong visual undercurrent
of unspoken sexism that trainee Clarice Starling (Jodie Foster, who got the role when Michelle Pfeiffer passed on it for the same reason Hackman did) is dealing with.
The film does
open up with a tacky, but cute
montage of Chris, Natalie and Amanda's pre-Paul trip footage, but then it ditches the handycam for a somewhat more traditional shooting style.
Presumably as a result
of including both viewing formats on the same disc, Disney's DVD skimps on the extras but the few things it does provide — short featurettes, an alternate
opening, a music video, bloopers, a commentary, and karaoke
montages — add value to the package, while picture and sound quality are terrific.
We
open on a
montage of a perfect day in Frances and Sophie's harmonic roommate - hood: They meet up after work, fake - fight in the park, drink too much with friends, then go home to snuggle in Sophie's bed and text guys as Sophie tells Frances «the story
of us» (an inspirational tale about the two friends» imminent world takeover).
The main screen
opens with a brief
montage of typical Vietnam war movie imagery (which happen to be scattered throughout this film) leading into an even briefer cycle
of busy footage
of Cronauer doing his antics in the booth once the selections load.
Goddammit, a zombie plague has broken out, caused by the traditional unknown mutant virus - the film's
opening montage hints at a mankind's - abuse -
of - nature theme which is never developed.
But in the middle
of the
opening winning
montages, Lightning McQueen starts losing.
More than anything, it reminded me
of those «Previously on...»
montages which
open the later episodes
of TV drama serials.
Opening with the trailer which appeared last month and closing with a
montage of previously seen images, five separate sequences from the film were screened in between (a total
of approx. 10 - 12 minutes).
Even the
opening credits where they roll over the
montage of news clippings highlighting what happened after that fateful day when the girls kidnapped the infant scream B movie.
After a cute
montage of opening screens from all the past Dragon Quest games, we see the faces
of different people scrunched up, staring at the screen, playing — people across a variety
of ages, genders and appearances.
The menu presents a scratchy graphic hybrid
montage in the vein
of the cover art that is set to the film's
opening / only music.
A third - grader would know there should be a comma after «Love» since, as the holly - jolly folly
of a cliché - engorged
opening montage confirms, it refers to the clan's preferred salutation on their greeting cards that duly employs, yes, a comma.