Sentences with phrase «opening narrative still»

And trust me, that opening narrative still isn't that long.

Not exact matches

An open mind must still engage in some process of choice and selection, and it would take a very rare kind of atheist to select Gregory's narrative, however persuasive it might be on its objective merits.

Until these moments, our characters are moving forward, but still in the past, and they all come together with unexpected narrative unity that balances open - endedness with diamond - cut clarity.

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

The film opens with then Attorney General John Ashcroft announcing Hanssen's arrest for espionage, and while that clearly undermines the surprise of the revelation within the narrative, it still has a significant impact when Burroughs finally tells Eric the real reason for investigating Hanssen.

He plays the film's narrative cards close to the chest but is still an open book, enticing and alluring to the audience and Domhnall Gleeson's protagonist.

That is not to say that the director compromised his style in any way; many will still find his glacial pacing, aversion to traditional narrative and the film's almost total lack of action an agonising ordeal, but for those willing to open themselves up to Hou's cinematic majesty, the results are intoxicating and mesmerising in a way no other film could accomplish in 2015.

And while the open world and the wealth of riddles, side missions, and challenge rooms mostly make up for any narrative shortcomings, I still don't think this game is a true classic like its predecessor.

Speaking with Joystiq, Danny Bilson, THQ's executive VP of Core Games, alludes that the tentatively titled Red Faction 3 would be more akin to a narrative shooter, but would still maintain the third - person viewpoint and open - world environments associated with Guerrilla.

The result is still a game that often feels like a stunningly confident, competent shot across the bow of the open world genre, folding in an incredibly strong narrative and a good sense of consequence to the decisions that present themselves throughout, presenting a fun bit of combat creativity into a genre that desperately needs it.

It makes sense, then, that Telltale Games would target her to expand their repertoire of narrative - driven experiences, and while Michonne's opening episode doesn't reach the highs of Telltale's main Walking Dead series, it's still an interesting look into its titular protagonist's psyche.

When Naughty Dog set out to make a huge, open - ended area for «Uncharted: The Lost Legacy», they had to adapt their usual «wide - linear» narrative techniques to allow for more player choice, while still keeping the development of Chloe and Nadine's relationship consistent and natural.

The former can still take place within a closed narrative structure, while an open - ended world can only be achieved with techniques like sideshadowing.

I definitely understand that GTA deliberately channels you in a specific narrative direction, and that that is a valid artistic choice, but it's still one that I found chafing, and kind of jarring in the context of the game's open - world mechanics.

Still, if the fall openings here pay a price for refusing that narrative, in a certain tame familiarity, they also lay out the alternatives and fill in a history.

Still, the people probably have more to do with the artist's presence than narrative, and ampersands leave things open - ended.

With the opening of that gallery Mr. Twombly fully entered what might be called the Old Master stage of a career that had taken a long time to arrive there, though his presence is still muted in the narrative of postwar art told by many American museum collections.

Verene's approach removes language from the titular and applies it to the narrative postscript, while still leaving much unsaid and open.

For all of its thematic and narrative issues, the newest Far Cry still manages to add a few very welcome features to the long - running open - world series.