Sentences with phrase «opening of a new survey»

January 2004 marked the opening of a new survey exhibition which travels to museums in Turin, Düsseldorf, Sydney, Montreal and Johannesburg.

Not exact matches

Nearly a quarter of the 588 large companies surveyed by Towers Watson this year already have on - site medical clinics for both factory and office workers, and next year, another 12 % of those corporations will open new clinics for employees.

Existing Spaces Are Expanding: According to Deskmag's 2nd Annual Coworking Survey, 36 % of all coworking spaces plan to open at least one new location in the coming year and 37 % plan to expand their existing space of move to a larger space.

William Dudley, President and CEO (Speaker) Date: Friday, November 18, 2016 Time: 9:35 AM EST Subject: Opening Remarks Event: Economic Press Briefing on Survey of Consumer Expectations Location: Federal Reserve Bank of New York, 33 Liberty Street, New York, NY

If you're to believe a (clearly unscientific) survey conducted by the USA Network in conjunction with Satisfaction, its new TV series, Millennials are open to ditching the «until death do us part» version of marriage for a beta marriage — a limited term marital contract.

In recent months, New Trier officials have launched an extensive community outreach program, huddling with hundreds of residents at a series of open - house events and gauging residents» opinions of the project both online and via 25,000 surveys mailed to homes in the township.

Open to all, but especially relevant for new and prospective Waldorf community members (teachers, parents, grandparents, staff, board members) and lovers of education, our popular Waldorf Weekend workshop is designed to provide an in - depth and experiential survey of the basis and the basics of Waldorf Education.

Of 105 facilities surveyed by the New York City Council in 2009, 39 percent offered evening hours, and 50 percent were open on weekends.

Fran Rabinowitz, executive director of Connecticut Association of Public School Superintendents, says a survey of her members finds that not having a state budget is an obstacle to opening school for the new academic year.

Our conference could be a wonderful example of open government, especially if every Focus team in the country conducted a resident's survey not just on local issues but on the question of what a New Deal for Britain should contain and brought these to Conference.

She said the effort could be part of the solution to another issue borne out in the survey: Western New York employers said that while a majority of them plan to hire, they are struggling to find qualified candidates for the open positions.

Now, a new survey by ConservativeHome, has found that 55 per cent of Tory members are open to a «non-aggression pact» between the coalition partners in seats where they are first and second - placed, with 11 per cent describing such an agreement as «ideal».

WEST SENECA, N.Y. (WBEN)- Assemblymen Mickey Kearns and David DiPietro along with State Senator Patrick Gallivan announced that nearly 6,000 surveys were returned to Kearns» office in support of keeping the Western New York Children's Psychiatric Center open.

«Sky surveys are in some ways fundamental to opening up new classes of objects to investigation with larger telescopes,» he explains.

A recent survey in several Indian states found that in 40 % of households with toilets, at least one family member continued to defecate in the open, even if the toilet or latrine was brand new, and free.

We anticipate that systematic surveys of cocoon fossils coupled with advances in non-destructive analytical methods may open a new window into the evolution of minute, soft - bodied life forms that are otherwise only rarely observed in the fossil record.

Kepler's new mission, K2, is targeting several open clusters and star - forming regions around the ecliptic to... ▽ More Open clusters have been the focus of several exoplanet surveys but only a few planets have so far been discoveopen clusters and star - forming regions around the ecliptic to... ▽ More Open clusters have been the focus of several exoplanet surveys but only a few planets have so far been discoveOpen clusters have been the focus of several exoplanet surveys but only a few planets have so far been discovered.

By surveying the whole sky, we will find systems that orbit stars 10 times closer and 100 times brighter than those found by Kepler — opening up new possibilities for measuring planet masses and densities, studying their atmospheres, characterizing their host stars, and establishing the full nature of the systems in which the planets reside.

Australians are on of the most open - minded people on the planet, naturally an exciting no strings attached way to meet new people like the one offered by Saucy Dating must have a section for OZ, besides, the stats from survey carried out speaks for it self:

Obesity rates in Australia and New Zealand have soared by more than 80 per cent in the past 33 years, the biggest increase in a groundbreaking survey of The Global Matching Project is the division of the free and open source People Matching Project that helps users find the person with the most similar

According to the university of University of Massachusetts Amherst, a new survey shows that white straight men and lessbians are more open to interracial dating than are white gay men and straight women.

This weekend, new offering «Hotel Transylvania 2» will probably open at No. 1 with an estimated box - office take of $ 32 million to $ 37 million, according to people familiar with pre-release audience surveys.

In surveys with 300 New York City public school teachers that included an open - ended question about the largest threat to school safety, the most common response was a lack of cohesive culture and positive relationships between staff and students.

More inexperienced teachers are in today's classrooms than ever before and they are more open than their veteran colleagues to performance - driven options for how they're evaluated and paid, according to the results of a new survey conducted by the Boston - based nonprofit Teach Plus.

By Alan Marsh / The Uppercu Cadillac — Number 1 in a new series by Nick Baldwin entitled «The best that money could buy» / Art and the automobile, Part 3 — The conclusion of Michael Worthington - Williams's survey of early automobile advertising / Guide to motor museums, Part 2 — Details of over 300 motor museums in Continental Europe that are open to visitors / 1938 MC VA: «cheap but charming» — David Hawtin examines a beautiful example of this stylish sports car / VSCC at Brooklands — An account of this event from Tom Threlfall in his Diary of a Dilettante

Show surveys indicate that 87 % of buyers consider new products their first priority at Show opening, and nearly 60 % plan to purchase a product introduced at the Show.

Our surveys tell us that 87 % of buyers consider new products their number - one priority when the Show opens.

If it works, it could open up a big new market: According to a Pew Research Center survey released last fall, 27 % of American adults said they had not read a book in the past year.

A new eye opening survey talked to 900 young people and three - quarters of the respondents said they prefer the print format and only a paltry 27 % prefer e-books and 31 % said they don't buy e-books at all.

Half of new credit accounts are opened online — Half of new credit accounts are opened online, but the percentage differs by generation, a Jumio survey finds.

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A new survey of adults aged 20 - 35 has generated some eye - opening revelations about millennial travel in 2018.

Opening: «Pipilotti Rist: Pixel Forest» at New Museum New York is long overdue for a Pipilotti Rist survey, and the New Museum has appropriately given over the majority of its exhibition space to this exhibition, subtitled «Pixel Forest.»

Opening: «Kerry James Marshall: Mastry» at Met Breuer This mid-career survey, one of the most hotly anticipated New York museum shows of the year, focuses on the work of Kerry James Marshall, the Chicagoan painter whose paintings and drawings, for the past 35 years, have focused on the position of black artists in art history.

«Here and Elsewhere,» opening at the New Museum July 16, is billed as a major survey of contemporary art from the Arab world and includes figures such as Emirati conceptual artists Hassan Sharif and Abdullah al Saadi and Moroccan video artist Bouchra Khalili.

Soon after the opening reception of his survey at Yale University's Edgewood Avenue Gallery, Malcolm Morley In A Nutshell: The Fine Art of Painting 1954 — 2012, curated by Robert Storr, Dean of the Yale School of Art, (January 31 — March 31, 2012), and Malcolm Morley: Another Way to Make An Image, Monotypes at Sue Scott Gallery (January 11 — February 19, 2012), publisher Phong Bui made a trip to Brookhaven Hamlet, Long Island, New York to visit the painter's home / studio, a former church he has shared with his wife Lida Morley since 1986.

«Morris Louis Now: An American Master Revisited,» the first major new survey of his paintings in 20 years, opened last week at the Hirshhorn Museum and Sculpture Garden.

With his massive new survey opening at the Whitney Museum of Art this week — the first solo retrospective in the downtown building — the pioneer of post-painterly abstraction is looking back on an unusual project from 1968 that bridged these two mediums: a pair of coordinating needlepoint pillows with concentric - square designs.

Andrea Rosen Gallery is delighted to announce Michael Raedecker's fifth exhibition at the gallery, highlighting substantial new developments in the artist's practice and anticipating an important traveling mid-career survey show opening at the Wilhelm - Hack Museum at the end of this year.

Ever since, the history of the medium in the United States has careened alongside the nation's super highways and roadways, so argues The Open Road, Aperture's new title surveying the work of itinerant photographers from Frank to Stephen Shore, Todd Hido, and Justine Kurland.

Pace Gallery in New York has staged a survey of her work, titled How to Do Nothing with Nobody All Alone by Yourself, that is open until 5 May.

2016 Nov. 18 — Wadsworth Atheneum Presents 43rd Annual Festival of Trees & Traditions Nov. 1 — John Trumbull Paintings Central to «Visualizing American Independence» at Wadsworth Atheneum Oct. 5 — First U.S. Exhibition by Artist Dulce Chacón Explores Human Feats and Failures in the Frontiers of Air and Space Sept. 23 — Grant S. Smith to Lead Development, Revitalize Fundraising Initiatives at Wadsworth Atheneum Sept. 9 — First Major Photography Survey in 27 Years to Open at Wadsworth Atheneum Museum of Art Aug. 16 — Francisco de Zurbarán's «Saint Serapion» Returns to Galleries at Wadsworth Atheneum May 23 — Exhibition to Highlight Diversity of Contemporary Artists, Artworks May 10 — Works by Salomon van Ruysdael and Kehinde Wiley Among Newest Acquisitions by Wadsworth Atheneum April 21 — «Vanessa German / MATRIX 174» to Confront Social Issues of Race and Violence Beginning June 9 March 25 — Wadsworth Atheneum Museum of Art Names Anne Butler Rice New Director of Education

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

Opening in 1962, Willem de Kooning's New York art dealer, the Sidney Janis Gallery, organized the groundbreaking International Exhibition of the New Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop aNew York art dealer, the Sidney Janis Gallery, organized the groundbreaking International Exhibition of the New Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop aNew Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop anew - to - the - scene American, French, Swiss, Italian New Realism, and British pop aNew Realism, and British pop art.

A survey of Jack Whitten's sculptures «Odyssey: Jack Whitten Sculpture, 1963 - 2016» will open at the Baltimore Museum of Art in April, before heading to New York's Metropolitan Museum of Art.

Pipilotti Rist's new multi-channel video Open My Glade (Flatten) will be projected onto 60 synchronized electronic billboards in Time Square this month, coinciding with the final weeks of her survey exhibition at the New Museum in New York Cinew multi-channel video Open My Glade (Flatten) will be projected onto 60 synchronized electronic billboards in Time Square this month, coinciding with the final weeks of her survey exhibition at the New Museum in New York CiNew Museum in New York CiNew York City.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Concurrent with the opening of his incredible survey show at the Metropolitan Museum of Art in New York, Los Angeles artist John Baldessari also presents a new body of work at Marian Goodman's 57th Street galleNew York, Los Angeles artist John Baldessari also presents a new body of work at Marian Goodman's 57th Street gallenew body of work at Marian Goodman's 57th Street gallery.

The 78th Whitney Biennial survey of the art scene opens this week at the museum's spacious new location in downtown Manhattan.

A major survey of Whitten work opens at the Baltimore Museum of Art in April, and travels to the Metropolitan Museum of Art in New York in the autumn.