The series: The Substance of Style, is in 5 parts, ending with a fully annotated playing of the sublime
opening prologue of The Royal Tenenbaums.
Not exact matches
Genesis
opens with «In the beginning when God created the heavens and the earth» and John, whose Gospel recounts the history
of the Logos that «became flesh», echoes this at the start
of his
prologue «In the beginning was the Word...» With that phrase «In the beginning» John ties together the two events the Creation and the Incarnation.
Yet as soon as these closing verses
of the
prologue are connected to the
opening words
of the evangelist, the body
of the gospel that follows must necessarily be included because the subsequent content
of Jesus» life elucidates the disclosure
of 1:18 b as well as the discrepant eschatologies that are conveyed by the two numerical schemes
of verse 17.
Consider this one, which
opens the
prologue: In Warsaw in the fall
of 1939, a pair
of Nazi soldiers were harassing a Jewish child on the street.
It's the kind
of opening — derived straight from the
prologue of the novel — that sets you wondering about what, exactly, you're about to see.
The
prologue before the
opening credits, set before the main story, is a microcosm
of everything that happens after: Jack, trying to settle down with a woman, is ambushed by faceless killers that he quickly and impressively dispatches before walking away from the whole situation to start over somewhere else.
The character has no franchise potential, as the film
opens with an epilogue - as -
prologue about Poe's death, but maybe Cusack and his director, V for Vendetta's James McTeigue, were still hoping for that same kind
of pithy, indelible hero.
* It doesn't help that The Shadows origin story is quickly glossed over through the combination
of a rushed
opening prologue and an ensuing text crawl.
We see his reasons in a flashback which leads to a deliciously on - target lampoon
of a James Bond
opening musical number (song courtesy
of Celine Dion) complete with Deadpool - inspired fake credits that act as a commentary on the
prologue.
His latest is no exception, a fastidious visual ballad prefaced by an exquisitely - detailed
prologue that provides some quick but necessary exposition, reminiscent
of the breathtaking, «meet the family»
opening to his 2001 commercial breakthrough, The Royal Tenenbaums.
There is, in fact, more filmmaking savvy in co-writer and director Ryan Coogler's prowling
opening shot, introducing us to young Adonis Johnson in a 1998 LA
prologue, than there was in all
of the»76 original.
Yet when it drops you into Afghanistan, it's already quite clear that this
prologue was not a sign
of things to come, as it
opens up and gives you free reign to flex your tactical espionage muscles.
The film
opens with a celestial
prologue and narration providing a sense
of cosmic comfort
of someone watching over it all,
of some divine authority in charge.
Also removed: a
prologue in which medical scans
of Lake's brain were accompanied by voiceover narration explaining his condition, a tip
of Schrader's hat to the stomach X-ray
opening of Kurosawa's Ikiru (a film, and filmmaker, one doubts Schrader's backers have ever heard
of).
Starting with the pros, the
opening act is a mini Poe Dameron adventure reminiscent
of the
prologue of The Force Awakens.
Things kick off with a brief
prologue before you find yourself in different - yet - not Willamette shopping mall, the first hub
of many
open areas you'll visit.
scenarios and unearned jump scares, the picture
opens with a nice fairytale
prologue and a nifty «12 years ago» introduction that hints at the promise
of a murderous Tooth Fairy.
It
opens with a
prologue, featuring a trio
of miniature garden gnomes called the Goons (all voiced by Kelly Asbury), who spend the entirety
of the scene arguing over which story about the lawn ornaments they should tell.
by Walter Chaw Director Joe Carnahan replicates a heart attack in the
prologue of Narc, and David Von Ancken, in the action - packed
opening to his feature debut Seraphim Falls, simulates a mildly hysterical bout
of narcolepsy — but more on that later.
In fact, during its
opening stage - setting
prologue, a card makes clear that the film's depiction
of the conversation between Democratic Unionist leader Reverend Ian Paisley (Timothy Spall) and Sinn Féin politician Martin McGuinness (Colm Meaney) that led to a peaceful end in 2006 to Northern Ireland's Troubles conflict is director Nick Hamm and screenwriter Colin Bateman's fanciful imagining
of historical record.
The film
opens on a quick recap
of the big early events
of Genesis through the fall
of Man, leading into a quick
prologue wherein Noah as a young man sees his father murdered by descendants
of Cain.
Taking place a couple
of years before The Conjuring's 1971, Annabelle
opens with some recycled
prologue footage before settling on its main focus: a young married couple from Santa Monica, California.
Extras include an alternate
opening that recaps the events
of The Exorcist through freeze - frames and Burton voiceover — a 2 - minute
prologue whipped up for the TV version
of the film; teaser and theatrical trailers for Exorcist II: The Heretic; and filmographies for Blair, Burton, Boorman, and screenwriter William Goodhart.
Outcast
opens during the Crusades with a
prologue that sees Gallain (Cage) and Jacob (Christensen) fighting together and killing in the name
of God.
The
opening cinematic and
prologue gave me a glimpse
of the background
of the game's female protagonist, Aloy, as well as the world she resides in.
Dawn
of the Dead
opens gangbusters, its
prologue — which segues into a title montage scored just right to Johnny Cash tune — the most nihilistic - feeling bit
of cinema I've seen since the first broadcast
of The Day After, and right in line with our apocalyptic cinema environment.
It's not really a handicap if you've not seen the first film, as the pertinent details are recounted in a lightning burst
of prologue exposition, leading up to how our gormless hero Reiji
opens the film dangling naked from a cage full
of large sweaty men in towels being airlifted by helicopter across Tokyo.
The
prologue, which — even after it's related in the
opening scenes — plays out multiple times in a series
of flashbacks, has Arthur's father Uther Pendragon (Eric Bana) defeating the evil mage Mordred during a siege on Camelot.
The film
opens with the stakes immediately high in a
prologue that sees James Kirk (Chris Pine), captain
of the starship Enterprise, and «Bones» McCoy (Karl Urban), the ship's chief medical officer, running from some angry aliens through a lushly red forest.
Looking at its gameplay, Metal Gear Solid 5: The Phantom Pain and its
prologue, Ground Zeroes capture the spirit
of the Metal Gear series despite worries arising from director Hideo Kojima's announcement that the game would be
open world.
There's a gruesome edge to it in the
opening, a
prologue with David Arquette and Sid Haig as cutthroats who run into the savage tribe, and in the final act, where the tribe's sadistic brutality is shocking even this age
of cinema violence.
After a sort
of «Previously on Harry Potter»
prologue and a quietly intense
opening, the film plunges into the Gringotts heist and barely pauses for breath.
The film
opens with a lucid
prologue tracing the roots
of America's racial tensions in the continued segregation between inner - cities and suburbs, creating a police state with whites marginalising blacks.
Alvarez
opens with a creepy, cunning
prologue featuring a decidedly Whedonesque reversal, before settling in for the main affair: This time out, the five victims - to - be are not out in the woods for recreation, but rather to support the effort
of one among them (Jane Levy, from TV's Suburgatory) to kick her heroin habit.
Unrated
Opening Sequence (6:07)-- Unrated version
of the Borneo
prologue pulled from an old VHS tape.
It becomes clear, then, that the entirety
of The Hunger Games: Mockingjay - Part 1's
opening two - thirds could've easily been condensed into a five minute
prologue, with the movie unable to overcome its pervasively worthless feel until well past the one - hour mark - after which point filmmaker Lawrence offers up an admittedly exciting stretch detailing the rebels» SEAL Team Six - like efforts to free several prisoners.
The English language debut
of Norwegian writer - director Tommy Wirkola, who got a little bit
of notice for his gruesome 2009 zombie Nazi horror comedy Dead Snow, Hansel & Gretel
opens with a
prologue presenting the fairy tale made famous by the Brothers Grimm.
Molly's Game
opens with an absolutely dynamite
prologue that introduces us to Molly Bloom on one
of the least enjoyable days
of her life.
The movie
opens with the separate introductions
of four magicians, who, at the end
of the
prologue, come together to form a group called the Four Horsemen.
After a nightmare
of a
prologue in which the man sees a blood - filled sea (and symbolically loses his hat), the movie
opens with Churchill preparing the wording
of a speech.
opens with an absolutely dynamite
prologue that introduces us to Molly Bloom on one
of the least enjoyable days
of her life.
For someone like me, unfamiliar with the SpongeBob universe, the movie
opens with a beautifully scripted live - action
prologue that introduces the pirate Burger Beard as he steals a mysterious book from a booby - trapped island shrine (shades
of Raiders
of the Lost Ark).
The
opening prologue highlights the best part
of the Wolfenstein series and why it is always so enjoyable.
In the
opening scene
of Black Panther — after an animated
prologue that features a pocket history
of tribal strife, regal succession, the slave trade, and world war — we are transported to Oakland in 1992.
The camera is virtually never still during the
opening sequences, which form a present - tense
prologue placing the remainder
of the film firmly in the realm
of memory.
The dash
of the new
Prologue concept is quite large, flat and
open.
The majority is set in London during the 1840s, but the
prologue opens even earlier, at a ball on the eve
of the 1815 Battle
of Waterloo.
While I prefer to do developmental edits on completed manuscripts, I have done partial developmental edits on specific sections
of a manuscript such as
opening chapters and
prologues.
The novel began with a
prologue about a hunter, followed by
opening chapters from Pru's point
of view.
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