That opening scene alone netted him his second directing Oscar.
The movie, directed by Alfonso Cuarón, is a front - runner for the Best Picture Oscar, and its entrancingly eerie
opening scene alone will make you feel the immensity of space.
The opening scene alone is to die for!
Not exact matches
In one of the
opening scenes he boasts about how he hasn't had dinner
alone since the «90.
The two have excellent chemistry, and the
opening scene of them in the diner — yep, a diner, bringing the «90s Movie Cliché count to eight — is worth the price of admission
alone.
The film
opens with a
scene in which Machete (Danny Trejo) and his partner, Sartana (Jessica Alba) are fighting off some baddies and seem to have been successful, when suddenly a masked man appears around the side of a vehicle and guns down Sartana, and then bails, leaving Machete
alone and now even more morbid - looking than he previously had been.
It's almost as if Zellweger went full method and locked herself away for the sake of the new movie's
opening scene, where Jones is sitting
alone in her flat, a birthday cupcake in front of her, while Eric Carmen's «All By Myself» blares on her stereo.
In this third (and hopefully not last) film in the series, Jesse mostly has
alone time with other people to talk, including the terrific
opening scene with his son that is allowed resonance throughout the film.
After the dramatic
opening scenes, you find yourself
alone in the woods of Montana trying to make sense of the carnage you've just witnessed and it is from here that you start taking on story missions in order to work your way to the big boss by taking out his lieutenants, who happen to be his siblings.
This is old school kung fu at its best, filled with excellent fight
scenes, strange training sequences, martial arts weaponry, and an
opening credit sequence that
alone is worth the price of admission.
It's important to be aware of these alternate creation
scenes, if solely for a personnel experience, let
alone the additional respect one might find after such an eye -
opening occurrence.
From the
opening cut
scene alone, the game sets a comical tone which is where its greatest strength lies.
Opening with a new reading of one of Gustave Courbet's great hunting
scenes, The Fox in the Snow, and ending with an exploration of a group of interior
scenes by Edouard Vuillard, each essay stands
alone as a richly contextualized reading of a single work or group of works by one artist.