A marvelous
opening scene establishes the frantic pace maintained by the film's posh partyers.
The film's
opening scenes establish that he's welshed on many debts and unlikely to hit a big payday with any of the third - rate tin cans he puts into the ring.
Not exact matches
Characters now
established, onto the
opening scene.
After a lyrical introduction that layers wistfully reflective voiceover over a spun - sugar cloudscape, the film's
opening stages are less concerned with setting a
scene than they are with
establishing a vivid and unshakable sense of trauma — zeroing in on isolated images of slaughter, human and otherwise, in disorienting darkness.
The film
opens with the obligatory but mercifully brief happy family
scenes where Pitt's character, Gerry Lane, is
established as a stay - at - home Philadelphia dad who doesn't seem to do anything more strenuous than make pancakes for breakfast.
Soundtracked to the trembling, ethereal echo of a classical women's choir, the
opening scenes swiftly
establish the peaceful, slightly alienated conservatism of life on the British island of Jersey — the director's own home territory, and duly evoked with expansive, non-touristic sweep by cinematographer Benjamin Kračun in sharp strokes of seagrass hue.
There is a mystery at the heart of the movie — it's
established in the
opening scenes, when we see Orlando visiting a sauna and then puzzling over some missing paperwork — but no crime, other than that of being a sexual minority in an intolerant time and place.
But there's not a lot of suspense about where the movie might go, even for the uninitiated, because the out - of - order
opening scene blatantly
establishes that Wimbledon will come down to these two contenders (lest one fear they have to pay any attention to any of the matches leading up to the finals).
The Silence of the Lambs
opened up the Best Picture categories genre requirements, Miramax
established itself as a major player on the indie
scene with Best Picture squarely in its sights, and Steven Spielberg went from being official Oscar bridesmaid to one of its all - time favorites.
The Shape of Water
establishes that it's taking place in a surreally magical version of our world (circa 1962) from the
opening scene of its heroine, Elisa Esposito, floating in an aquatic dream.
Apart from the
opening scene, which incorporates special effects to help create a massive dry dock that serves as a prison (the prisoners hauling a ship into it with lines as thick as tree trunks), and a few brief
establishing shots, which include dramatic rises and falls of the camera through space and time as each new stage of the story begins, Les Misérables keeps us in close — sometimes very close — proximity to the actors.
This
opening is the most eloquent and lucid
scene in the film, for it
establishes that director Jess Franco no longer has a responsibility to be eloquent and lucid.
In the
opening scene, an impressive twenty minute long - take, Marqués - Marcet
establishes the comfortable rhythms and routines that couple Alex and Sergi (Natalia Tena and David Verdaguer, who won a special jury prize for their performances) have carved out in their small Barcelona flat.
From the
opening scenes, Reed
establishes a tension: strangers ominously eye their movements through the airport and a young boy on a bicycle, an otherwise unobtrusive figure of innocence playing in the streets, tails their taxi and makes lazy figure - eights outside their home, a lone building jutting out of the rubble and ruins of their sector of the city.
Mostly unrelated to the central story, this
opening scene teases viewers into the narrative while
establishing tone.
The ultra-stilted, aggressively flirtatious
opening scene between Noomi Rapace and Rachel McAdams immediately
establishes that we're in a world as far removed from nuanced realism as possible, which makes sense given the cutthroat - corporate - advertising milieu in which the film takes place.
The
opening credits and
scene establish the tone for the rest of the film.
From its
opening scene, The Golden Circle throws us immediately into a meticulously choreographed action setpiece, with Eggsy (Taron Egerton), now an
established Kingsman agent, fighting his former Kingsman colleague Charlie (Edward Holcroft) in a speeding taxi through the streets of London.
From the
opening scenes, an irresistible glow is
established.
This
opening scenes quickly
establish the tone of the film as a whole — mixing sadness and comedy to approximate something like life itself.
As Lady Bird's mother, Laurie Metcalf is alternately ferocious and loving, a dynamic
established during the film's shocking
opening scene: After finishing a book on tape in the car, mother and daughter switch instantly to screaming at each other, prompting Lady Bird to
open the car door and roll out.
These
opening scenes, in no rush to get to the meat of the story,
establish a world that's wholly authentic in its fluorescent flickers and khaki sporting reporters.
Those who haven't been keeping up with the Cosmic Cubes and Rainbow Bridges of the Marvel Universe might be scratching their heads for a few minutes during a rushed
opening scene that
establishes what passes for the plot of the film, but things are quickly and neatly explained.
The film
opens with Lady Bird and her mother (Laurie Metcalf) on their drive home from a college trip, and their complicated relationship is quickly
established in this
scene.
In these dialogue - free
opening scenes, set to a score that buzzes like a plague of locusts, There Will Be Blood
establishes itself as a film of Darwinian ferocity, a stark and pitiless parable of American capitalism.
Ayer
establishes Wardaddy's coldblooded instincts in a shocking
opening scene where the America soldier rises from a corpse - covered German battlefield to ambush a German soldier riding on a white horse.
The
opening cinematic immediately
establishes this as he waxes poetic over the grace and power of the militia's undeniably badass titan pilots even as we are treated to a series of horrifying
scenes of staggering violence emblematic of man's inhumanity to his fellow man in wartime.
After about a five - minute
opening cut -
scene showing off the kind of people and landscape the game takes place in they show a bit more with a hurried blessing - baby naming - ritual, again
establishing the primitive take on how religion and beliefs run a society, the story skips a few years and you start the game off as a six - year - old Aloy.
You must
establish your reputation in the underground racing
scene and subvert their activities city - by - city throughout a fully -
open world
You must
establish your reputation in the underground racing
scene and subvert their activities city - by - city throughout a fully -
open world United States.
Established Hamptons Artist Anne Raymond
opens her East Hampton Studio to present a behind - the -
scenes look at the monotype process and the making of contemporary abstract paintings.
To mark the
opening of this final
scene, Nairy Baghramian has invited the art and film historian Manfred Hermes to present a lecture linking the two parallel exhibitions at the Museum Abteiberg, thereby
establishing a connection between the films of Sigmar Polke and OPEN DRESS.
First Cut also refers to the part of the process in film editing that
establishes the structure and flow of a narrative, where the
scenes are roughly organized though
open to change.
After the
established galleries I needed a geographic and spiritual change of
scene, so it was off to Time & Space gallery in Sai Ying Pun for the
opening of Sole to Soul, an exhibition by New York - based artist August Krogan - Roley.
«
ESTABLISHING SHOT» ARTISTS SPACE In filmic terms, «establishing shot» refers to the opening sequence of a scene, the images that spatially orient the audience and anchor subseq
ESTABLISHING SHOT» ARTISTS SPACE In filmic terms, «
establishing shot» refers to the opening sequence of a scene, the images that spatially orient the audience and anchor subseq
establishing shot» refers to the
opening sequence of a
scene, the images that spatially orient the audience and anchor subsequent events.