Sentences with phrase «opening scene in»

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation gets a slight push forward in the mix, but the higher register brass, strings, and vocals own the spotlight.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound bright and clear through the premium headphones, with higher register brass, strings, and vocals taking center stage.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get the treatment audiophiles seeking flat response dream of.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, also sound vibrant and rich.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive quite the extra boost in the lows and low - mids.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the Be shines.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get more added bass depth than purists will want, but it's not so intense that the balance of the mix is upset.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, aren't delivered with too much accuracy, instead getting an added bass punch that pushes the lower register instrumentation forward in the mix.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation receives a very slightly boosted presence in the mix, but the higher register brass, strings, and vocals are still bright and crisp and draw most of the attention.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, possibly sound better than any other genre through the UE 18 + Pro.

Classical tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, can sound a bit overly bright on the FreeStyle; those tweaked high - mids finally meet their match with the brass hits and higher register strings on this track.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, likewise sounds equally crisp in both modes, but the lower register instrumentation is brought out of the mix a bit more and given more body in the bass - boosted mode.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound stunning through the AR - H1.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive more bass boosting than purists will like, but the overall effect is at least balanced — the boosted highs are also prevalent, so while the lower register instrumentation is pushed forward in the mix, the higher register brass, strings, and vocals are still bright and in command of the spotlight.

Classical tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, aren't delivered with accuracy in mind, but the boosted bass and tweaked highs can have an exciting effect that non-purists might enjoy.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, tend to favor the higher register instruments naturally, and the UE 5 Pro does nothing to change this.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation gets ideal representation.

Classical tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, default to a bright, clear sound that puts the high register strings, brass, and vocals upfront, but of course, it is possible to add in more low frequency presence, enhancing the depth of the lower register instrumentation.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get a little more added bass depth than purists might want.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get some added bass depth, but the higher register brass, strings, and vocals are in clear command of the spotlight.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation gets some added presence — not to the point that things sound unnatural, but the lows do have a more vibrant presence than they would in a flat response scenario.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation is given some added push in the deepest lows, but nothing that seems over the top.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound phenomenal.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, sound ideal with the bass dialed into the middle setting.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the higher register strings, brass, and vocals retain their higher frequency edge and own the spotlight, but the bass response nicely complements them, bringing certain aspects of the lower register instrumentation a bit more to the forefront.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive quite a bit of added bass depth.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, benefit greatly from the rich bass and slightly dialed - back highs.

For orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the higher register strings, brass, and vocals have the spotlight — things are crisp, edgy, and clear.

Classical tracks, like the opening scene in John Adams» «The Gospel According to the Other Mary,» receive some added bass presence, to the point that the lower register strings occasionally sound unnatural.

Classical tracks, like the opening scene in John Adams» «The Gospel According to the Other Mary,» receive far too much boosted bass to have a natural sound.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, deliver the lower register instrumentation with some added body and presence.

Orchestral tunes, like the opening scene in John Adams» The Gospel According to the Other Mary, sound decent.

If you didn't have at least four conversations about the opening scene in The Last of Us, you might need more gamer friends.

For example, the opening scene is very reminiscent of the opening scene in the Lion King and then the campfires give off the same kind of feel as the bonfires in Dark Souls do.

There were some pretty cool moments in the game, such as that cool opening scene in space.

From its unforgettable opening scene in the darkness of a forgotten cemetery in Buenos Aires, The Ministry of Special Cases casts a powerful spell.

She effectively grabs the reader's attention with the opening scene in which Romochka sits quietly on the bed and stares at the front door, waiting for it to open, waiting for his family to rescue him from the increasing cold and darkness that closes in around him... but no one comes.

This is apparent right from the outset, as Westworld begins with an interrogation much like the opening scene in this sci - fi landmark from 1982.

Disney / Pixar's «Inside Out» is director Pete Docter's follow - up to his Oscar - winning «Up», which featured the most emotional opening scene in Pixar history.

«Storyboard to Film Comparison» (3 minutes) presents the film's opening scene in both storyboard form and final film form side by side.

The opening scene in God's Pocket, a funeral that follows an untimely death, is all the more poignant for one of the chief mourners being played by Philip Seymour Hoffman.

Then comes a twisted and slightly extended variation on the opening scene in Lethal Weapon, as a half - dressed young woman sprawls in death.

The opening scene in Tragedy Girls seems an unabashed patchwork of «80s horror.

The film begins with a suspiciously insouciant opening scene in which Rich and his wife, Andrea (a very limited Catherine Keener) are headed to the airport for his upcoming assignment off the coast of Africa.

An opening scene in which Cross literally dodges a bullet a second or more after it's fired kind of sums up the action trajectory, which eventually devolves from bad police procedural into a bad «Dirty Harry» copycat.

After a few other forgettable rom - coms, the Sacramento filmography is populated with silent films (like Buster Keaton's Steamboat Bill, Jr. or Charlie Chaplin's The Gold Rush) and the occasional passing shot (like, fun fact, the opening scene in American Beauty).

The opening scene in writer - director Trey Edward Shults» ambitious but taxing «Krisha» — winner of a Grand Jury Award at last year's South by Southwest film festival — simply but masterfully hints that the titular character is a bit of a train wreck.

As evident by the opening scene in the final episode of season two, Martin Freeman «s Watson has become a man broken by Sherlock's death.

The above image is taken from the opening scene in which the incomparable Song Kang - ho (also the star of Bong's monster hit The Host), playing weary but determined detective Park, arrives in the middle of a starkly - coloured field to investigate a body that's been dumped there.

While Lady Bird never quite lives up to the comedic promise of that opening scene in the car, it does go on to deliver a steady stream of low - key humour, a little heart - break and some well timed pathos.